This gorgeously illustrated, oversized book is a thirty year retrospective of Mike King's striking work reproducing over 1,000 posters in full color. A Portland native, Mike has created more concert posters than any other graphic designer - numbering in the 5,000-6,000 range. From Punk, Alt, Metal and Jazz, to Classic Rock, Blues, Spoken-word and Pop - for arena shows, to independent clubs, and everything in between, as well as influential music festivals such as Sasquatch! and Bonaroo - the cross-section of genres, venues, and concerts covered by his work is staggering! Maximum Plunder also offers anecdotal bits and pieces concerning the history of live music in Portland and the rest of the Northwest.
Between 279 and 229 B.C., the Aitolian koinon, a federation of mountain cantons in west central Greece, expanded to incorporate many of the neighboring lands and peoples lying between the Adriatic and Aegean Seas. This new political configuration contributed to the development of modern systems of federal democracy based on proportional representation. Despite these institutional advances, the Aitolians and their polity are reviled in the ancient historical tradition, which views them as backward, semi-barbarous brigands. The Politics of Plunder is the first English-language book in over a century to examine the political history of the Aitolian koinon in its era of expansion. Joseph Scholten presents a chronological reconstruction of the koinon's course of expansion, synthesizing a number of recent studies covering Aitolian topography, epigraphy, and institutional development that help to compensate for deficiencies in the ancient narrative record. His study is the first to ask how a people and a polity so detested by their contemporaries succeeded in making such fundamental contributions to their regional political culture. Scholten's careful investigation charts a middle course that neither whitewashes the Aitolians nor credulously accepts the biased ancient tradition. This balanced approach provides a much-needed fresh perspective on the Aitolians and their koinon. Discussing the history of the ancient Aegean Greek world and the political, economic, and social history of the Hellenistic Era, this book will interest anyone concerned with those subjects or fascinated by the development of ancient Greek political institutions and theories, particularly federalism.
“Hearing the click behind him, Parker threw his glass straight back over his right shoulder, and dove off his chair to the left.” When a job looks like amateur hour, Parker walks away. But even a squad of seasoned professionals can’t guarantee against human error in a high-risk scam. Can an art dealer with issues unload a truck of paintings with Parker’s aid? Or will the heist end up too much of a human interest story, as luck runs out before Parker can get in on the score?
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
This new edition of Ecofeminism: Feminist Intersections with Other Animals and the Earth begins with an historical, grounding overview that situates ecofeminist theory and activism within the larger field of ecocriticism and provides a timeline for important publications and events. Throughout the book, authors engage with intersections of gender, sexuality, gender expression, race, disability, and species to address the various ways that sexism, heteronormativity, racism, colonialism, and ableism are informed by and support animal oppression. This collection is broken down into three separate sections: -Affect includes contributions from leading theorists and activists on how our emotions and embodiment can and must inform our relationships with the more-than-human world -Context explores the complexities of appreciating difference and the possibilities of living less violently -Climate, new to the second edition, provides an overview of our climate crisis as well as the climate for critical discussion and debate about ecofeminist ideas and actions Drawing on animal studies, environmental studies, feminist/gender studies, and practical ethics, the ecofeminist contributors to this volume stress the need to move beyond binaries and attend to context over universal judgments; spotlight the importance of care as well as justice, emotion as well as reason; and work to undo the logic of domination and its material implications.
Max Weber is a magisterial figure in the social sciences. His fundamental contributions to the methodological and conceptual apparatus of sociology remain of continuing relevance to contemporary debates. His astonishing range and quality of work on topics ranging from the comparative sociology of religion to political sociology, and the sociology of law to the sociology of music, have established Weber as a permanent point of reference for modern scholarship. Scholarly debates on the nature, significance and purpose of Weber's work demonstrate a significance for sociology's self-image that extends beyond their immediate interpretive importance. This volume, edited by one of the world's leading Weber scholars, offers an unparalleled selection of key Weber scholarship organized thematically and spanning the range of his sociological influence.
Plunder and pleasure is the first book of its kind to provide an in-depth study of the role played by dealers and collectors of art in the late 19th and early 20th centuries, when the Western craze for East Asian art was at its peak. The book comprises an overview of Japonisme and the translation into English of two important French texts detailing the trade in Asian art at this time: Notes d'un Bibeloteur au Japon by the art dealer Philippe Sichel (1839/40-99) and Souvenirs d'un vieil Amateur d'Art de l'Extrême-Orient by the collector Raymond Koechlin (1860-1931). Both translations are extensively annotated. A discussion of the content and significance of the translations as well as short biographical sketches of Sichel and Koechlin are also included. Plunder and Pleasure casts new light on the subject of Western tastes for East Asian art during this period and furthers our understanding of the cultural relations between the Far East and the West that were going on at this time.
A comprehensive overview of Earth's biosphere, written with scientific rigor and essay-like flair. In his latest book, Vaclav Smil tells the story of the Earth's biosphere from its origins to its near and long-term future. He explains the workings of its parts and what is known about their interactions. With essay-like flair, he examines the biosphere's physics, chemistry, biology, geology, oceanography, energy, climatology, and ecology, as well as the changes caused by human activity. He provides both the basics of the story and surprising asides illustrating critical but often neglected aspects of biospheric complexity. Smil begins with a history of the modern idea of the biosphere, focusing on the development of the concept by Russian scientist Vladimir Vernadsky. He explores the probability of life elsewhere in the universe, life's evolution and metabolism, and the biosphere's extent, mass, productivity, and grand-scale organization. Smil offers fresh approaches to such well-known phenomena as solar radiation and plate tectonics and introduces lesser-known topics such as the quarter-power scaling of animal and plant metabolism across body sizes and metabolic pathways. He also examines two sets of fundamental relationships that have profoundly influenced the evolution of life and the persistence of the biosphere: symbiosis and the role of life's complexity as a determinant of biomass productivity and resilience. And he voices concern about the future course of human-caused global environmental change, which could compromise the biosphere's integrity and threaten the survival of modern civilization.
As a Europe grew rich in the Middle Ages, the well-made clothes, linens, and wares of households often substituted for hard currency. Pawnbrokers kept goods in circulation, and sergeants of the law marched into debtors’ homes to seize belongings equal in value to debts owed. David Smail describes a material world on the cusp of modern capitalism.
