Mathematics and Late Elizabethan Drama
Mathematics and Late Elizabethan Drama

Author: Joseph Jarrett

Publisher: Springer Nature

Published: 2019-11-30

Total Pages: 248

ISBN-13: 3030265668

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This book considers the influence that sixteenth-century and early seventeenth-century mathematical thinking exerted on the writing and production of popular drama between about 1587 and 1603. It concentrates upon six plays by five early modern dramatists: Tamburlaine, Part 1 (1587) and Tamburlaine, Part 2 (1587) by Christopher Marlowe; Friar Bacon and Friar Bungay (1589) by Robert Greene; Old Fortunatus (1599) by Thomas Dekker; Hamlet (1600) by William Shakespeare; and The Tragedy of Hoffman (1603) by Henry Chettle. Each chapter analyses how the terms, concepts, and implications of contemporary mathematics impacted upon these plays’ vocabularies, forms, and aesthetic and dramaturgical effects and affects.

Shakespeare and the Environment: A Dictionary
Shakespeare and the Environment: A Dictionary

Author: Sophie Chiari

Publisher: Bloomsbury Publishing

Published: 2022-01-27

Total Pages: 456

ISBN-13: 1350110485

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While our physical surroundings fashion our identities, we, in turn, fashion the natural elements in which or with which we live. This complex interaction between the human and the non-human already resonated in Shakespeare's plays and poems. As details of the early modern supra- and infra-celestial landscape feature in his works, this dictionary brings to the fore Shakespeare's responsiveness to and acute perception of his 'environment' and it covers the most significant uses of words related to this concept. In doing so, it also examines the epistemological changes that were taking place at the turn of the 17th century in a society which increasingly tried to master nature and its elements. For this reason, the intersections between the natural and the supernatural receive special emphasis. All in all, this dictionary offers a wide variety of resources that takes stock of the 'green criticism' that recently emerged in Shakespeare studies and provides a clear and complete overview of the idea, imagery and language of environment in the canon.

Everything Connects: In Conference with Richard H. Popkin
Everything Connects: In Conference with Richard H. Popkin

Author: James Force

Publisher: BRILL

Published: 1998-11-16

Total Pages: 455

ISBN-13: 9004247459

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Richard H. Popkin has already been celebrated in two Festschriften as one of the century's greatest historians of philosophy. This latest book, whose editors were among those who prepared the first two volumes, centers on Popkin's crucial role in bringing together scholars from around the world in a long series of academic conferences and learned meetings which helped transform the field from one of solitary endeavour into a 'Republic of Letters'. Publications by Richard H. Popkin: • Isaac la Peyrère (1596-1676): His Life, Work and Influence, ISBN: 978 90 04 08157 4 • Edited by Y. Kaplan, H. Méchoulan and R.H. Popkin, Menasseh ben Israel and his World, ISBN: 978 90 04 09114 6 • Third Force in Seventeenth-Century Thought, ISBN: 978 90 04 09324 9 • Martin I.J. Griffin Jr. Annotated by Richard H. Popkin. Edited by Lila Freedman, Latitudinarianism in the Seventeenth-Century Church of England, ISBN: 978 90 04 09653 0 • Edited by Richard H. Popkin and Arjo Vanderjagt, Scepticism and Irreligion in the Seventeenth and Eighteenth Centuries, ISBN: 978 90 04 09596 0 • Edited by Martin Mulsow and Richard H. Popkin, Latitudinarianism in the Seventeenth-Century Church of England, ISBN: 978 90 04 12883 5 • Edited by R.H. Popkin, Millenarianism and Messianism in English Literature and Thought 1650-1800, ISBN: 978 90 04 08513 8 (Out of print)

Luxury Arts of the Renaissance
Luxury Arts of the Renaissance

Author: Marina Belozerskaya

Publisher: Getty Publications

Published: 2005-10-01

Total Pages: 292

ISBN-13: 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

The First Part of the Contention Between the Two Famous Houses of York and Lancaster, & C. 1594
The First Part of the Contention Between the Two Famous Houses of York and Lancaster, & C. 1594

Author: William 1564-1616 Shakespeare

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781019751541

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A dramatic retelling of the Wars of the Roses, as the Lancastrian and Yorkist factions struggle for control of England's throne in the late medieval period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.