Masters of British Painting
Author: Andrew Carnduff Ritchie
Publisher:
Published: 1956
Total Pages: 0
ISBN-13:
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Author: Andrew Carnduff Ritchie
Publisher:
Published: 1956
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Ida Procter
Publisher:
Published: 1956
Total Pages: 170
ISBN-13:
DOWNLOAD EBOOKAn introduction to the lives and works of 11 notable British painters.
Author: William Dalrymple
Publisher: Philip Wilson Publishers
Published: 2020-01-28
Total Pages: 42
ISBN-13: 1781301018
DOWNLOAD EBOOKAs the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
Author: Susan Owens
Publisher: Victoria & Albert Museum
Published: 2013-10-29
Total Pages: 0
ISBN-13: 9781851777587
DOWNLOAD EBOOK'The Art of Drawing' covers the wider history of drawing in Britain exploring the role crucial drawing has played in British art. Featuring works by foremost British artists from the early 17th century right up to the present day, this book offers fresh insights into the range of ways these artists have used drawing to think on paper, build up ideas and make finished exhibition pieces.
Author: Sir Charles Lock Eastlake
Publisher: Courier Corporation
Published: 2014-02-20
Total Pages: 1044
ISBN-13: 9780486140834
DOWNLOAD EBOOKGreek and Roman art methods, medieval techniques, tempera painting, van Eyck's revolutionary use of oil paints, Flemish methods of preparing colors, methods of 18th-century British artists, technical secrets of Italian schools, including such masters as Leonardo, Raphael, Correggio, Andrea del Sarto, and more.
Author: Matthew Charles Potter
Publisher: Routledge
Published: 2013
Total Pages: 316
ISBN-13: 9781409435556
DOWNLOAD EBOOKThis collection explores the student-master relationship in case studies ranging chronologically from 1770 to 2013, and geographically over the national art schools of England, Ireland, Scotland and Wales. Essays explore the manner in which the Old Masters were deployed in education; fuelled the individual genius of art teachers and students; were used as a rhetorical tool for promoting cultural projects in the core and periphery of the British Isles; and united as well as divided opinions in response to changing expectations in discourse on art and education. Case studies examined in this book include the sophisticated tradition of 'academic' inquiry of establishment figures, like Joshua Reynolds and Frederic Leighton, as well as examples of radical reform undertaken by key individuals in the history of art education, such as Edward Poynter and William Coldstream.
Author: Elizabeth Prettejohn
Publisher: Association of Human Rights Institutes series
Published: 2017
Total Pages: 0
ISBN-13: 9780300222753
DOWNLOAD EBOOKLe revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Author: Matthew C. Potter
Publisher: Routledge
Published: 2018-12-21
Total Pages: 603
ISBN-13: 0429752679
DOWNLOAD EBOOKTraditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: Andrew Graham-Dixon
Publisher: Univ of California Press
Published: 1999
Total Pages: 260
ISBN-13: 9780520223769
DOWNLOAD EBOOKAndrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
Author: Kim Sloan
Publisher:
Published: 2000
Total Pages: 260
ISBN-13:
DOWNLOAD EBOOKThe words 'amateur artist' conjure up a picture of Victorian ladies and gentlemen sketching in watercolours out of doors. This text challenges such an image, describing and illustrating over 200 works from the British Museum's collections.