Ray Gloeckler, Master Printmaker

Ray Gloeckler, Master Printmaker

Author: Andrew Stevens

Publisher: Chazen Museum of Art

Published: 2004

Total Pages: 124

ISBN-13: 9780932900340

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With a sharp eye for the ludicrous in American society and an abiding sense of humor, Wisconsin artist Ray Gloeckler creates images that lampoon the inflated and celebrate the everyday. This publication goes beyond the Elvehjem's (now Chazen's) 2004 exhibition to publish over 200 prints Gloeckler made from 1955 through 2004. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison


Jan Miense Molenaer

Jan Miense Molenaer

Author: Dennis P. Weller

Publisher: Hudson Hills

Published: 2002

Total Pages: 224

ISBN-13: 9780882599878

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This volume looks at the work of Jan Miense Molenaer, an artist of the age of Rembrandt and Vermeer. He was probably a student of Hals and a spiritual heir of Pieter Bruegel the Elder. Essays and plates focus on Molenaer's comic scenes of Dutch peasant life. His versatile work, painted in Haarlem and Amsterdam, also includes: portraits; gene scenes including peasant weddings, theatrical performances, religious narratives and children at school and play; and allegories. 92 colour & 128 b/w illustrations


Master Drawings from the Smith College Museum of Art

Master Drawings from the Smith College Museum of Art

Author: Smith College. Museum of Art

Publisher: Hudson Hills

Published: 2000

Total Pages: 344

ISBN-13: 9781555951832

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This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.


The Life and Work of Martin Johnson Heade

The Life and Work of Martin Johnson Heade

Author: Theodore E. Stebbins

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 408

ISBN-13: 0300081839

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Martin Johnson Heade was one of the most significant American painters of the nineteenth century, creator of portraits, history and genre pictures, still lifes, ornithological studies, landscapes, and marines, and his own unique orchid and hummingbird compositions. This book brings a perspective to Heade and his works, presenting him as one of the most original and productive painters of his time. Theodore Stebbins builds on his acclaimed 1975 study of Heade, drawing on several newly discovered collections of Heade's letters and the painter's own Brazilian journal. Stebbins tells of Heade's training and early career as an itinerant portraitist and discusses his move to New York, where, under the influence of Frederic E. Church, he began painting landscapes and seascapes. He examines Heade's relationships with patrons and dealers, writers and scientists, and he sheds new light on Heade’s trips to Brazil, to the Central American tropics, and to London. And he describes Heade's move to Florida in 1883, which marked not his retirement but a final period of creativity that lasted until his death in 1904. The book includes not only an examination of Heade's life and works but also reproductions of all his 620 known paintings, including nearly 250 that have been discovered since 1975.


Mark Rothko

Mark Rothko

Author: David Anfam

Publisher: Yale University Press

Published: 1998-09-10

Total Pages: 719

ISBN-13: 0300074891

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This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.


Manet and Modern Beauty

Manet and Modern Beauty

Author: Gloria Groom

Publisher: Getty Publications

Published: 2019-06-25

Total Pages: 404

ISBN-13: 1606066048

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This stunning examination of the last years of Édouard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s. The name Manet often evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet’s elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist’s unapologetic embrace of beauty and visual pleasure in the face of death. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist’s correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist’s oeuvre.