Brücke

Brücke

Author: Reinhold Heller

Publisher: Block Museum

Published: 1988

Total Pages: 340

ISBN-13:

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This volume, published in conjunction with the Milwaukee Museum of Art's Granvil and Marcia Specks collection, presents a collection of the Museum's German Expressionist prints. German Expressionism refers to a creative movement beginning in Germany before the First World War that reached a peak in Berlin, during the 1920s. The author has included a body of imagery that reveals the myriad concerns of the age -- the joys and the pain of life in Germany from the 1890s to the 1930s. The prints of Kathe Kollwitz, Karl Schmidt-Rottluff, George Grosz and Lionel Feininger are only a few of the wide range of artists whose work reflected the fragile years from the Second Empire to the rise of the Nazis. This work showcases etchings and drypoints of biting spontaneity and intensity, lithographs of corrosive ingenuity, and woodcuts to stir the soul heralded an era of individuality and democracy.


Expressionism in Germany and France

Expressionism in Germany and France

Author: Timothy O. Benson

Publisher: Prestel Pub

Published: 2014

Total Pages: 295

ISBN-13: 9783791353401

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This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists' exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cezanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage."


Artists of Brucke: Themes in German Expressionist Prints

Artists of Brucke: Themes in German Expressionist Prints

Author:

Publisher:

Published:

Total Pages:

ISBN-13:

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The Museum of Modern Art in New York City presents a virtual exhibit entitled "Artists of Brucke: Themes in German Expressionist Prints." The exhibit focuses on themes in German Expressionist prints. Die Brucke was a group of German Expressionist artists, founded in Dresden in 1905, whose work marked the beginning of modern art in Germany. All the images portrayed as part of the virtual exhibit are in the collection of the Museum of Modern Art. Biographies of selected German Expressionist artists are available.


German Expressionism

German Expressionism

Author: Jill Lloyd

Publisher:

Published: 1991

Total Pages: 267

ISBN-13: 9780300043730

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Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.


Kirchner and Nolde

Kirchner and Nolde

Author: Dorthe Aagesen

Publisher:

Published: 2021-03-25

Total Pages: 256

ISBN-13: 9783777436883

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A critical examination of German expressionism's relationship to the violence of colonialism. Ernst Ludwig Kirchner (1880-1938) and Emil Nolde (1867-1956) were leading figures in the German expressionist movement. Turning away from Western society and the established norms of bourgeois culture, the artists looked to people, lifestyles, and objects from other parts of the world for inspiration, especially Africa and Oceania. Kirchner and Nolde experienced these other parts of the world through ethnographic museums, popular culture, the staging of "exotic" environments in Kirchner's studio, and Nolde's travels to the German colony of New Guinea. This book examines Nolde's and Kirchner's works against the background of their historical and ideological context: colonialism, domination, and the European invention of a racialized Other, an idea that was created by bohemian fetishization of the exotic as much as conservative fear of it. Kirchner and Nolde thus unveils less familiar and more violent aspects of expressionism.