A companion book to 'Protocols' this book covers the more general topic of Master/Slave relations - how they often evolve and how to avoid the problems that can easily crop up in the early stages. The book also reviews ways that Master/ Slave relationships differ from Dominant/ Submissive or Top/Bottom relationships, discusses contracts and collars and considers various ways of finding a slave and starting a relationship.
Originally published in 1985, and available for the first time in paperback, Bondmen & Rebels provides a pioneering study of slave resistance in the Americas. Using the large-scale Antigua slave conspiracy of 1736 as a window into that society, David Barry Gaspar explores the deeper interactive character of the relation between slave resistance and white control.
Consenting Master/slave relationships come in all varieties, inspired by many different historical periods and modern subcultures. One of the wonderful things about this lifestyle is that we can create our own unique paradigm with its own rules, protocols, and vision. From Victorian to medieval, from Leather to Gorean, This collection of essays by many practitioners of M/s showcases the beauty and diversity of this demographic, and will hopefully be an inspiration to future couples and families who are only now finding their way onto this road.
This collection presents a comparative study of the impact of slavery on the literary and cultural imagination of the Americas, and also on the impact of writing on slavery on the social legacies of slavery's history. The chapters examine the relationship of slavery and master/slave relations to nationalist projects throughout the Americas - the ways in which a history of slavery and its abolition has shaped a nation's identity and race relations within that nation. The scope of the study is unprecedented - the book ties together the entire 'Black Atlantic', including the French and Spanish Caribbean, the US, and Brazil. Through reading texts on slavery and its legacy from these countries, the volume addresses the eroticization of the plantation economy, various formations of the master/slave dialectic as it has emerged in different national contexts, the plantation as metaphor, and the relationship between texts that use cultural vs biological narratives of mestizaje (being interracial). These texts are examined with the goal of locating the origins of the different notions of race and racial orders that have arisen throughout the Americas. Isfahani-Hammond argues that without a critical revisiting of slavery and its various incarnations throughout the Americas, it is impossible to understand and rethink race relations in today's world.
Dolen Perkins-Valdez’s enchanting and unforgettable novel, based on little-known fact, combines the narrative allure of Cane River by Lalita Tademy and the moral complexities of Edward P. Jones’s The Known World as it tells the story of four black enslaved women in the years preceding the Civil War. wench \'wench\ n. from Middle English “wenchel,”1 a: a girl, maid, young woman; a female child. Situated in Ohio, a free territory before the Civil War, Tawawa House is an idyllic retreat for Southern white men who vacation there every summer with their enslaved black mistresses. It’s their open secret. Lizzie, Reenie, and Sweet are regulars at the resort, building strong friendships over the years. But when Mawu, as fearless as she is assured, comes along and starts talking of running away, things change. To run is to leave everything behind, and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances—all while they bear witness to the end of an era. An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery. “Readers entranced by The Help will be equally riveted by Wench. A deeply moving, beautifully written novel told from the heart.”—USA Today
Many get tripped up over the very concept of written protocols. We've met many Masters who believe that writing out the way they want things done removes creativity from the relationship. That's not the way we see it.In our experience, a protocol manual is much more than documenting rules of service. Writing a protocol manual helps you examine and refine your relationship and your relationship management style. The very process of creating a manual such as this reveals the kinds of service Master really wants from the slave and the kinds of service the slave can actually deliver. In that light, writing a protocol manual is an exercise in clarifying the intent of your relationship.Biased as we are, we assert that protocols help to reprogram both the Master's and the slave's brains. They help you create habits. Protocols don't merely define how you look on the outside, protocols help shape how you think on the inside. Since protocols specify the way Master wants this particular slave to do things, and since people are different from one another, protocol manuals are person-specific.
Examples, ideas and discussion for those who follow - or would like to follow - the calling to live in a modern-day Master/Slave relationship. More than a general book about rules, rituals, personal behaviour and etiquette, Rubel offers a glimpse into the complex world of protocols set in the context of a Leather Master/ Slave relationship.
In this book, Alan Watson argues that the slave laws of North and South America--the written codes defining the relationship of masters to slaves--reflect not so much the culture and society of the various colonies but the legal traditions of England, Europe, and ancient Rome. A pathbreaking study concerned as much with the nature of comparative law as the specific subject of the law of slavery, Slave Law in the Americas posits an essential distance in the Western legal tradition between the tenets of law and the values of the society they govern. Laws, Watson shows, often are made not by governments or rulers but by jurists as in ancient Rome, law professors as in medieval and continental Europe, and judges as in common law England. Bodies of law, often created without reference to particular social and political ideals, are also often transferred whole cloth from one society to another. Tracing the effects of the reception of Roman law throughout Europe (excluding England) and the Americas, Watson reveals the enormous impact of this legal tradition on subsequent lawmakers operating under utterly dissimilar social and political conditions in the New World. Slave law in the colonies, Watson demonstrates, had much to do with the mother country's relations to Roman law. Spain, Portugal, France, and the United Dutch Provinces, all within the Roman legal tradition, imposed on their colonies slave laws that were private and nonracist in character, laws that interfered little in master-slave relations and provided for the relative ease of manumission and the grant of citizenship to freed slaves. England, however, did not ascribe to Roman law and colonists created rather than received slave law. Public and racist, slave law in the English colonies uniquely reflected local concerns, involving every citizen in the protection and perpetuation of slavery, strictly regulating education, manumission, and citizenship status. "Comparative legal history," Watson writes, "is in its infancy." Presenting the laws of slavery in ancient Rome and in the slaveholding colonies of America, Watson demonstrates how comparative law can elucidate the relationship of law, legal rules, and institutions to the society in which they operate. Investigating not the dynamics of slavery but of slave law, he reveals the working of a legal culture and its peculiar history.
Dear Master is a rare firsthand look at the values, self-perception, and private life of the black American slave. The fullest known record left by an American slave family, this collection of more than two hundred letters -- including seven discovered since the book's original appearance -- reveals the relationship of two generations of the Skipwith family with the Virginia planter John Hartwell Cocke. - Back cover.
A study of African-American workers empowered and partly liberated by their skills. At Buffalo Forge, an extensive ironmaking and farming enterprise in Virginia before the Civil War, a unique treasury of materials yields an "engrossing, often surprising record of everyday life on an estate in the antebellum South" (Kirkus Reviews).
