A rogue Eíen no (Eternal) known only as the Tyrant has been silent for the past 18 years, there has been no sightings of him or his Puppets. Then one day in late October a quiet village yet again becomes the target of one of his Puppets to seek and kill a member of the Wesker family. There is only one thing the Puppet’s brother can do, alert the gods that this time around things seem to be somewhat different.
A rogue Eíen no (Eternal) known only as the Tyrant has been silent for the past 18 years, there has been no sightings of him or his Puppets. Then one day in late October a quiet village yet again becomes the target of one of his Puppets to seek and kill a member of the Wesker family. There is only one thing the Puppet's brother can do, alert the gods that this time around things seem to be somewhat different.
"This study is the first book that explores how the Catholic Mass was introduced and propagated in late Imperial China. Its dynamic exploration reveals the tension between localized and global forms of Catholic rituals, especially the tension faced by missionaries and Chinese Catholics, who were caught up between the Chinese tradition and the Catholic one. Drawing on rich primary sources, some of which are rarely noticed in the field, this book unfolds the intriguing interactions between the Mass and various cultural expressions of Chinese society, including traditional religion, architecture, art, literature, government, and theology"--
The Complete Poetry of Du Fu presents a complete scholarly translation of Chinese literature alongside the original text in a critical edition. The English translation is more scholarly than vernacular Chinese translations, and it is compelled to address problems that even the best traditional commentaries overlook. The main body of the text is a facing page translation and critical edition of the earliest Song editions and other sources. For convenience the translations are arranged following the sequence in Qiu Zhao’an’s Du shi xiangzhu (although Qiu’s text is not followed). Basic footnotes are included when the translation needs clarification or supplement. Endnotes provide sources, textual notes, and a limited discussion of problem passages. A supplement references commonly used allusions, their sources, and where they can be found in the translation. Scholars know that there is scarcely a Du Fu poem whose interpretation is uncontested. The scholar may use this as a baseline to agree or disagree. Other readers can feel confident that this is a credible reading of the text within the tradition. A reader with a basic understanding of the language of Chinese poetry can use this to facilitate reading Du Fu, which can present problems for even the most learned reader.
What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
By far one of the most important objects of worship in the Buddhist traditions, the bodhisattva Avalokitesvara is regarded as the embodiment of compassion. He has been widely revered throughout the Buddhist countries of Asia since the early centuries of the Common Era. While he was closely identified with the royalty in South and Southeast Asia, and the Tibetans continue to this day to view the Dalai Lamas as his incarnations, in China he became a she—Kuan-yin, the "Goddess of Mercy"—and has a very different history. The causes and processes of this metamorphosis have perplexed Buddhist scholars for centuries. In this groundbreaking, comprehensive study, Chün-fang Yü discusses this dramatic transformation of the (male) Indian bodhisattva Avalokitesvara into the (female) Chinese Kuan-yin—from a relatively minor figure in the Buddha's retinue to a universal savior and one of the most popular deities in Chinese religion. Focusing on the various media through which the feminine Kuan-yin became constructed and domesticated in China, Yü thoroughly examines Buddhist scriptures, miracle stories, pilgrimages, popular literature, and monastic and local gazetteers—as well as the changing iconography reflected in Kuan-yin's images and artistic representations—to determine the role this material played in this amazing transformation. The book eloquently depicts the domestication of Kuan-yin as a case study of the indigenization of Buddhism in China and illuminates the ways this beloved deity has affected the lives of all Chinese people down the ages.
