Easy step by step instruction to make and design Madhubani art (or Mithila painting) and how you can make beautiful greetings cards, envelope, decorative show piece for home decoration, painting and many other things easily. Here at the end of book, you will be able to make awesome paintings on Madhubani art (or Mithila painting) and also can design your own Madhubani art (or Mithila painting) designs. Get in touch with us at [email protected]. You can also checkout our other notebooks and books on www.amytmy.com. Make sure to share images of your work by using the hashtag #amytmy on Instagram and Facebook
This book is for color therapy for those who want to de-stress, relax, improve their concentration, and achieve happiness in life. Eye-catching geometric patterns can be colored using pastels, pencils, pens, watercolor acrylic color, etc.
Madhubani art's origin is believed to go back to the ancient era of the Ramayana, when the town was decorated by inhabitants of the region for the wedding of Lord Rama and Sita with elaborate wall paintings and murals. The philosophy of Madhubani art is essentially based on the principle of dualism. The artscape appears inundated with divine deities, the sun and moon, and flora and fauna along with features found in Buddhism, Islamic Sufism, tantric symbols and classical Hinduism. Primarily a significant socio-cultural engagement for the womenfolk of Bihar, this art was a welcome break from their daily drudgery. Immersed in the folklore of Mithila, fresh forms and figures are painted and repainted on walls and floors of their homes to mark special occasions. Well-established procedures are followed and techniques are passed on from one generation to the next, keeping the ephemeral art form and ancestral tradition and its lore alive. Madhubani artists today are seen to work more with brushes and acrylic paint rather than natural dyes and pigments. They now also work on paper, cloth, canvas and wood to create art and artifacts, besides painting on walls and floors. Contents: Foreword by H.E.M.S. Puri, Ambassador of India in Belgium; Preface by Martin Gurvich; Imaging the Divine: Artscape of Bharati Dayal by Sushma K Bahl; Krishna; Shiva; Ganesha; Devi; The Mahabharata Nature; Bharati Dayal.
Dulari Devi, who works in the traditional Mithila style of Indian painting, describes her life of poverty until a job working as a domestic for an artist led her to discover her own artistic talent.
The present work contains a brief study of the various facets of Mithila folk-arts and paintings, which are unique in character having few parallels. Of late there has been great talk about this painting, the central inspiration of which revolves round popular religious themes and natural surroundings. They reflect the self-control and serenity of Maithila life and the definite theocratic and aristocratic organizations of Maithila society. The women painters of Mithila aimed at giving clear and edifying expression to certain intuitions, which formed part of their religion. The different forms of floor-drawings (Aripana) and walk-paintings (bhitti-citra) provide information on customs and costumes and rituals and religion which otherwise may remain unnoticed. The volume further explains in detail the religious and spiritual significance of the folk-arts and paintings of Mithila by means of copious references to Sanskrit texts, both sacred and secular. The paintings, as they are, constitute not merely a heap of drawings but a visible symbol of aspirations of pious ladies, and the throbbings of their hearts in religious fervour. A work of inestimable interest both for the specialist and for the connisseur interested in the study of Indian paintings, this comprehensive and authoritative volume on Madhubani painting and other folk-arts of Mithila will prove of immense help to students of Indian culture.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 22 SEPTEMBER, 1974 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 47 VOLUME NUMBER: Vol. XXXIX. No. 37 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 11-45 ARTICLE: 1. What Is Happiness ? 2. Why Plant Exploration ? 3. Madhubani Paintings AUTHOR: 1. Dr. N. P. Misra 2. Dr. A. S. Rao 3. Subal Ganguly Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.
Equal rights for women are an essential aspect for establishing strong societies. By making strides on these issues, nations are helping to create valuable civilizations for their own population to establish livelihoods in. The Handbook of Research on Women's Issues and Rights in the Developing World is a pivotal scholarly resource that discusses the current issues facing women’s rights in developing nations, as well as suggestions for improvements on these problems. Featuring in-depth discussions on relevant topics such as working-class women, gender theories, and international migration, this publication is an ideal resource for academicians, students, and researchers that are interested in learning more about the current challenges to the women’s rights movement, and how to best combat them.
A Grammar Series That Uses the Functional Approach KEY FEATURES ● Functional approach to grammar teaching, using exemplars to illustrate the usage before defining the structure and rules ● Vocabulary taught through language-in-use to build the learners’ vocabulary through use rather than memorisation of rules ● Contemporary topics to inculcate 21-century skills amongst learners ● Use of literature to help learners understand how grammar is used in text ● A comprehension section comprising texts from different genres so that learners may relate grammar to different types of works produced in English ● Phonics in Grades 1 and 2 to teach the very basis of language ● Uniquely stylised illustrations ● Activities such as puzzles, crosswords, word grids and games to aid the facilitator in using the concept of ‘flipped classroom’ ● Periodic tests to help the learners self-assess the acquisition of concepts ● Digital component to cater to a technology-driven classroom DESCRIPTION: My Blue Book of Grammar is a course that has been conceptualized and designed keeping in mind the increasingly dynamic role of the English language in today’s world. Especially in our country, where English serves as the lingua franca, a grammar course has to offer not only an exposition of the pedagogy but also the exhibition of the utility of that pedagogy. The aim of a grammar series should be to encourage the development of competency amongst learners, even though their proficiency levels may vary. While the level of exposure to English of all learners may be different, a grammar series should aid in the development of a certain level of confidence amongst the learners, with the end result being that they are able to converse without hesitation in English. WHAT WILL YOU LEARN ● Understand grammar concepts ● Learn how to use different vocabulary concepts taught through language-in-use ● Learn 21-century skills ● Develop deeper understanding of and appreciation for literature ● Have clearer pronunciation through a better understanding of phonics WHO THIS BOOK IS FOR: School students of Grades 5 TABLE OF CONTENTS GRAMMAR 1. Gerunds, Infinitives and Participles 2. Coordinating and Subordinating Conjunctions 3. Sentences, Clauses and Phrases 24 4. Correlative Conjunctions 5. Present Perfect Form 6. Present Perfect Continuous Form 7. Past Perfect Form 8. Past Perfect Continuous Form 9. Auxiliaries and Modals 10. Adjectives versus Adverbs 11. Semicolon Test Paper 1 VOCABULARY 12. Adjective–Noun Collocations 13. Question Tags 14. Prefixes – mis–, dis–, un–, in–, im–, non– 15. Alliteration 16. Using Which and That in Restrictive and Non-Restrictive Clauses 17. Similes and Metaphors 18. Dictionary Entries 19. Idioms 20. Using since, for and from 21. Phrasal Verbs Test Paper 2 WRITING 22. Autobiography 23. Essay 24. Book Review – Be a Critic 25. Article 26. Newspaper Report 27. Message 28. Writing a Postcard 29. Letter to the Editor 30. Narrative 31. Writing a Story with an Alternate Ending Test Paper 3 COMPREHENSION 32. The Old Man and the Sea 33. Hercule Poirot: The Detective with a Big Moustache 34. The Raven 35. Madhubani Painting: The Art that Subverts Orange Global Olympiad – English Sample Paper
India has an astonishingly rich variety of painting traditions. While miniature painting schools became virtually extinct with the decline of aristocratic patronage, a number of local vernacular idioms still survive and continue to develop, adjusting to social and political changes. The present collection of papers is the volume of the proceeding India has an astonishingly rich variety of painting traditions. While miniature painting schools became virtually extinct with the decline of aristocratic patronage, a number of local vernacular idioms
