This work surveys Edwin Dickinson's life and career, both of which revolved around Cape Cod, Buffalo, and New York's Finger Lakes region. It covers the artist's influential career as a teacher, and analyzes Dickinson's self-portraits and major symbolic paintings.
Hans Hofmann (1880-1966) is one of the most important figures of postwar American art, for both his own abstract paintings and his influence as the legendary teacher of generations of artists in Germany, New York, and Provincetown. His presence in New York, a link to Wassily Kandinsky, the Cubists, and Fauves, catalyzed the movement ultimately known as Abstract Expressionism, whose influence still pervades the aesthetic categories and practices of art today. This volume features essays on Hofmann's life and work by Helmut Friedel and Tina Dickey; excerpts from Hofmann's own statements; full documentation of his career (including chronology, selected bibliography, and comprehensive list of solo and group exhibitions); and thirty-two large colorplates of works from 1942 to 1965 by this supreme colorist, his finest paintings from European and American collections. They richly represent his unique painting style, which conveys a deeply personal experience of color that has lost none of its power to fascinate the viewer.
Preface and Acknowledgments / Thomas Krens -- The Genesis of a Museum: A History of the Guggenheim / Thomas Krens -- Frank Lloyd Wright and the Solomon R. Guggenheim Museum / Bruce Brooks Pfeiffer -- Paintings of Modern Life and Modern Myths: Late-Nineteenth- and Early Twentieth-Century Representations of Gender, Class, and Race in the Thannhauser Collection / Andrea Feeser -- 1912 / Lisa Dennison -- Technology and the Spirit: The Invention of Non-Objective Art / Michael Govan -- Peggy's Surreal Playground / Jennifer Blessing -- Art of This Century and the New York School / Diane Waldman -- Against the Grain: A History of Contemporary Art at the Guggenheim / Nancy Spector -- The Institution as Frame: Installations at the Guggenheim / Clare Bell.