Masochism in Modern Man
Author: Theodor Reik
Publisher:
Published: 1941
Total Pages: 460
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Theodor Reik
Publisher:
Published: 1941
Total Pages: 460
ISBN-13:
DOWNLOAD EBOOKAuthor: Theodor Reik
Publisher: Read Books Ltd
Published: 2013-01-15
Total Pages: 455
ISBN-13: 1447481410
DOWNLOAD EBOOKA psychological treatise on mankind's attitudes towards pain, inflicting pain and causing pain to others. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Rikke Schubart
Publisher: McFarland
Published: 2014-08-23
Total Pages: 369
ISBN-13: 0786482842
DOWNLOAD EBOOKWith actress Pam Grier's breakthrough in Coffy and Foxy Brown, women entered action, science fiction, war, westerns and martial arts films--genres that had previously been considered the domain of male protagonists. This ground-breaking cinema, however, was--and still is--viewed with ambivalence. While women were cast in new and exciting roles, they did not always arrive with their femininity intact, often functioning both as a sexualized spectacle and as a new female hero rather than female character. This volume contains an in-depth critical analysis and study of the female hero in popular film from 1970 to 2006. It examines five female archetypes: the dominatrix, the Amazon, the daughter, the mother and the rape-avenger. The entrance of the female hero into films written by, produced by and made for men is viewed through the lens of feminism and post-feminism arguments. Analyzed works include films with actors Michelle Yeoh and Meiko Kaji, the Alien films, the Lara Croft franchise, Charlie's Angels, and television productions such as Xena: Warrior Princess and Alias.
Author: Mark J. Miller
Publisher: University of Pennsylvania Press
Published: 2016-03-07
Total Pages: 239
ISBN-13: 0812292642
DOWNLOAD EBOOKDerived from the Latin abiectus, literally meaning "thrown or cast down," "abjection" names the condition of being servile, wretched, or contemptible. In Western religious tradition, to be abject is to submit to bodily suffering or psychological mortification for the good of the soul. In Cast Down: Abjection in America, 1700-1850, Mark J. Miller argues that transatlantic Protestant discourses of abjection engaged with, and furthered the development of, concepts of race and sexuality in the creation of public subjects and public spheres. Miller traces the connection between sentiment, suffering, and publication and the role it played in the movement away from church-based social reform and toward nonsectarian radical rhetoric in the public sphere. He focuses on two periods of rapid transformation: first, the 1730s and 1740s, when new models of publication and transportation enabled transatlantic Protestant religious populism, and, second, the 1830s and 1840s, when liberal reform movements emerged from nonsectarian religious organizations. Analyzing eighteenth- and nineteenth-century conversion narratives, personal narratives, sectarian magazines, poems, and novels, Miller shows how church and social reformers used sensational accounts of abjection in their attempts to make the public sphere sacred as a vehicle for political change, especially the abolition of slavery.
Author: Lynn S. Chancer
Publisher: Rutgers University Press
Published: 1992
Total Pages: 256
ISBN-13: 9780813518084
DOWNLOAD EBOOKTable of Contents Acknowledgments Introduction Reflecting on a Set of Personal and Political Criteria 1 Pt. 1 Expanding the Scope of Sadomasochism Ch. 1 Exploring Sadomasochism in the American Context 15 Ch. 2 Defining a Basic Dynamic: Parodoxes[sic] at the Heart of Sadomasochism 43 Ch. 3 Combining the Insights of Existentialism and Psychoanalysis: Why Sadomasochism? 69 Pt. 2 Sadomasochism in Its Social Settings Ch. 4 Employing Chains of Command: Sadomasochism and the Workplace 93 Ch. 5 Engendering Sadomasochism: Dominance, Subordination, and the Contaminated World of Patriarchy 125 Ch. 6 Creating Enemies in Everyday Life: Following the Example of Others 155 Ch. 7 A Theoretical Finale 187 Epilogue 215 Notes 223 Index 231
Author: Raz Yosef
Publisher: Routledge
Published: 2012-05-23
Total Pages: 220
ISBN-13: 1136789251
DOWNLOAD EBOOKThe last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious international awards. This book examines for the first time the new ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas and losses that were denied entry into the shared national past. One of the most striking phenomena in contemporary Israeli cinema is the number and scope of films dealing with past traumatic events – events that were repressed or insufficiently mourned, such as the memory of the Holocaust, traumas from wars and terrorist attacks, and the losses entailed by the experience of immigration. Current Israeli cinema exposes and highlights a radical discontinuity between history and memory. Traumatic events from Israeli society’s past are represented as the private memory of distinct social groups – soldiers, immigrants, women, queers – and not as collective memory, as a lived and practiced tradition that conditions Israeli society. This detachment from national collective memory pulls the films into a world marked by a persistent blurring of the historical context and by private and subjective impressions – a timeless world of dreams, hallucinations and myths. These groups feel duty-bound to remember the past, recasting repressed memories through the cinema in order to return and to give meaning to their identity.
Author: Robert Mills
Publisher: Reaktion Books
Published: 2006-02-01
Total Pages: 337
ISBN-13: 1861895534
DOWNLOAD EBOOKWhen Marsellus in the film PulpFiction asserts, "I'm gonna git medieval on your ass," we know that he is about to bring down a fierce and exacting punishment. Yet is the violence of the Middle Ages that far removed from our modern society? Suspended Animation argues that not only is the stereotype of uncontrolled violence in the Middle Ages historically misleading, the gulf between modern society and the medieval era is not as immense as we might think. In fact, both medievals and moderns live within a social tension of "suspended animation" engendered by images and acts of violence. Just as in medieval times, Robert Mills argues, it is the threat of violence—not the reality—that continues to structure our lives. To illustrate this "aesthetics of suspense," Mills draws on extensive and disturbing examples from medieval iconography, contemporary philosophy, and even pornography, ranging from the vivid depictions of Hell in Tuscan frescoes to Billie Holiday's famously wrenching song "Strange Fruit". Mills reveals how these uncomfortable images and texts expose a modern self-deception, and he further explores how medieval images evoked a pleasure revealingly close to that found in modern depictions of sexuality. Suspended Animation also makes a fresh contribution to theoretical debates on pre-modern gender and sexuality. Mills's comprehensive analysis demonstrates that—as wartime prisoner abuse incidents at Abu Ghraib and Guantánamo Bay have recently indicated—our notions of ourselves as not-medieval (that is, civilized) not only fail to prepare us for modern torture and warfare but also lead us into complicity with self-proclaimed moral and civic leaders. Whether considering a medieval painting of a Christian martyr or the immense popularity of grotesque historical tourist attractions such as the London Dungeons, Suspended Animation argues that images of death and violence are as pervasive today as they were in the Middle Ages, serving as potent reminders of the link between the modern and the medieval era.
Author: Gabrielle Cody
Publisher: Routledge
Published: 2015-09-25
Total Pages: 508
ISBN-13: 1136246568
DOWNLOAD EBOOKAs the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.
Author: B. Mennel
Publisher: Springer
Published: 2016-04-30
Total Pages: 216
ISBN-13: 1137069996
DOWNLOAD EBOOKDefining masochism as 'literary perversion', this book probes the productivity of masochistic aesthetics in the literature of Leopold von Sacher-Masoch and contemporary queer films, analysing radical accounts of desire, gender, and sexuality.
Author: Paula J. Caplan
Publisher: iUniverse
Published: 2005
Total Pages: 327
ISBN-13: 0595357504
DOWNLOAD EBOOK"Finally, a definitive study that debunks one of Freud's most damaging myths--that women are inherently masochistic--...offers healthier ways...to view female behavior." MS. Magazine "Concrete, convincing...sensible...revolutionary, calling for nothing short of a revision in our thinking about women..." Philadelphia Inquirer "...not a quick-fix pop psychology do-it-yourselfer but a thoughtful examination of a persistent, self-defeating myth." Chicago Tribune "...outstanding scholarly debunking of [an] extremely damaging cultural belief...it contains valuable lessons for...the mental health professions." Readings "So convincing are her arguments...that often one is left wondering how on earth such theories could ever have been taken seriously." Morning Star, London