Explores "a world in which cataclysmic events have left the Autarchy of Aygrima--the one land blessed with magical resources--cut off from its former trading partners across the waters, not knowing if any of those distant peoples still live. Yet under the rule of the Autarch, Aygrima survives. And thanks to the creation of the Masks and the vigilance of the Autarch's Watchers, no one can threaten the security of the empire"--Dust jacket flap.
This book teaches new techniques that anyone can use to create fabulous masks easily and quickly. Make one of the 12 popular mask styles in the book with detailed instructions and over 300 step-by-step photos - or use these easy new methods to create your own unique designs. Jonni shows you exactly how to sculpt the features of your masks so they truly represent the character and expression you're looking for. Then capture that look permanently with just two layers of super-strong, fast-setting paper mache, using the recipes included in the book. Your finished masks can look like they were made from fur or feathers, antique gold, ancient bone, rusted iron, glazed porcelain, and even carved and highly polished African wood. The innovative methods in this book are easy, the materials cost just pennies per mask, and your new creations will be even more fun to make than they are to wear. This book takes the art of paper mache masks to a whole new level.
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
Prepare your little readers for the new normal with this interactive lift-the-flap book that reveals the familiar and friendly faces behind personal protection masks. In the morning I pick out a mask to wear. Today is a perfect day to be a dragon. What sound do dragons make under their masks? Roar! This lift-the-flap book combines imaginative play and health safety, and leads you and your child through a busy day wearing masks. Follow the life of a mask from when you pick out a mask in the morning; to school where your teacher wears a mask; and to the end of the day when you wash your mask clean. Each page features colorful and exciting masks that you can lift to discover a familiar face! Who's behind that unicorn mask? Your best friend! And who's behind the mask with teddy bears on it? Your doctor, of course! This interactive book, paired with illustrator Junissa Bianda's bright, comforting art, will alleviate little ones' anxieties and fears of masks. Help kids get used to masks at their own pace, and in the safety of their own space.
Do we really need to wear masks? From the New York Times Bestselling authors of Plague of Corruption comes the must-read guide on masks and re-opening following the COVID-19 pandemic. The Truth About Masks is the book all America needs to be reading as the COVID-19 pandemic rages on. Written by New York Times bestselling authors Dr. Judy Mikovits and Kent Heckenlively, this book reviews the evidence for and against widespread public masking as provided by the Centers for Disease Control and the Mayo Clinic, as well as top scientific publications such as the New England Journal of Medicine and The Lancet. This debate needs to take place without fear and paranoia. Important questions raised in this book are the effect of masks on oxygen and carbon dioxide levels, how COVID-19 spreads, the effectiveness of various types of masks, those who are most vulnerable to COVID-19, and what measures should be taken by schools as children continue to return to in-person classes. The authors' previous book, Plague of Corruption, was the runaway science bestseller of 2020, and the authors bring that same passion and attention to detail to the mask question. As politicians and bureaucrats of all stripes are weighing in on this question, with some again placing their cities and states under mandatory masking provisions, we need to understand the science behind their decisions. Are such measures a reasonable response to current circumstances, or is it a dramatic overreach, which in many cases might make the situation even worse? America desperately needs this public conversation to take place with the best science we have available. As Americans have always done during difficult times, we must summon the courage to have these challenging conversations.
A showcase of Phyllis Galembo's extraordinary photographs of the costume, ritual and traditions of masquerade Mexico Phyllis Galembo has travelled all over the globe to sites of ritual masquerade. In Africa, the Caribbean, and now Mexico, she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Attuned to a moment's collision of past, present and future, Galembo finds the timeless elegance and dignity of her subjects. Masking is a complex, mysterious, and profound tradition in which the participants transcend the physical world and enter the spiritual realm. In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social and religious symbolism and commentary. Galembo highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures. While still pronounced in their personal identity, the subject's intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is a hallmark of Galembo's work.
"John Emigh and Lesley K. Ferris explore the role of masks in theater, whose roots lie in ritual performance. Cara McCarty looks at the ways in which masks are featured in the medium of film as well. But these artistic examples are not the only masks found in industrial societies. McCarty also discusses the proliferation of masks for physical protection, in areas such as military combat, sports competitions, and space exploration."--BOOK JACKET.
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
The third volume in Dr. Sky’s inspiring five-part SohKiDo® series, Pathways III and IV: Masks and Rituals focuses on two powerful tools for use in therapeutic healing and self-discovery. SohKiDo, a Japanese hybrid word created by Dr. Sky, essentially means “the way of Transpersonal creativity.” This book explains the third and fourth of its seven pathways. Using masks and rituals as therapy can be extremely effective as an alternative to more traditional and clinical methods. Using a myriad of discoveries from Dr. Sky’s own creative and spiritual journey—including centuries-old Japanese Noh Theater techniques and Finnish lamenting traditions—Pathways III and IV: Masks and Rituals will inspire you to access the healing power available to us all through SohKiDo and its unique and life-changing insights into spirituality and the self.
