Karl Kraus, Apocalyptic Satirist
Karl Kraus, Apocalyptic Satirist

Author: Edward Timms

Publisher: Yale University Press

Published: 1989-01-01

Total Pages: 464

ISBN-13: 9780300044836

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This is a fascinating study of the life and work of Karl Kraus, brilliant Austrian writer, satirist and personality of fin de siecle Vienna. This encyclopaedic study of his life, his work and his generation will be of great interest to both the enthusiast and the general student of European culture. Drawing on unfamiliar sources, Edward Timms analyses Kraus's involvement in the fundamental ideological issues of his time, and shows that Kraus's political position - caught between traditional Habsburg loyalties and new democratic commitments - was far more complex than has previously been suspected. 'A major landmark in Kraus studies, and an important contribution to our understanding of the culture of the early twentieth century. It abounds in discoveries and insights.' Times Higher Education Supplement 'Timm's lucid prose, his masterly organization of the voluminous material he treats, his excellent translations of the documents he cites and his broad, readable portrayal of Viennese fin-de-siecle culture makes this study accessible to the average reader and a pleasure for the literary professional ... An example of German studies at its best.' European Studies Journal 'This study, which takes us to the end of the Great War, is unquestionably the most detailed and thoughtful book about him in amy language. Edward Timms' account skilfully interweaves his life, times and work.' The Listener 'Timms successfully weaves a colourful, and thoroughly researched and documented account of essential cultural currents in Habsburg Vienna around his central figure. Copious illustrations and photographs enhance a most enjoyable text, making this an ideal introduction to Kraus and his work.' Choice Edward Timms is lecturer in German at the University of Cambridge and a fellow of Gonville and Caius College.

The Fire Demon : Death Awaits You!
The Fire Demon : Death Awaits You!

Author: Marcus Pletts

Publisher: Strategic Book Publishing

Published: 2013-08

Total Pages: 143

ISBN-13: 1622124553

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The Fire Demon is part one of a four-part epic that takes you far across the countries of Chantire and Krill on a mission for which you have trained your whole life. But the mission is far more mysterious and intriguing than you realize. Evil is everywhere, and a strange atmosphere prevails throughout the lands, a sense of being present at the borders of life and death, good and evil. The choices you make from the start will determine every outcome, as your mission hinges on every action. You must seek and kill the Fire Demon to save your world. Whichever of the six characters you assume, the safety of the world is on your shoulders. Be strong in mind and body, and you shall succeed. But fail, and Death Awaits You! For centuries the Fire Demon has been inflicting its terror on your home town of Brinson Hage, in a world far away, but similar to Earth’s medieval period. No one has successfully stood up to the Fire Demon, and anyone who has entered his lair has not returned to tell the tale. You have come home after many years to enter the Fire Demon’s dungeon and rid the world of its evil forever! Your adventure will take you deep into Chantire Mountain along a maze of passages and corridors in search of the Fire Demon.

Mourning Glory
Mourning Glory

Author: Marie-Hélène Huet

Publisher: University of Pennsylvania Press

Published: 2015-07-27

Total Pages: 232

ISBN-13: 1512802719

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Mourning Glory sheds light on troubled times as it shows how passion and prejudice, grief and denial all contributed to the continuing creation of a revolutionary legacy that still affects our understanding of the nature of language and history.

Revealing Masks
Revealing Masks

Author: W. Anthony Sheppard

Publisher: Univ of California Press

Published: 2001-02-01

Total Pages: 408

ISBN-13: 9780520924741

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W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse—and in some instances, little-known—range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance—such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.

Landmark Essays on Rhetorical Criticism
Landmark Essays on Rhetorical Criticism

Author: Thomas W. Benson

Publisher: Routledge

Published: 2020-08-18

Total Pages: 272

ISBN-13: 1000150054

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This book is an anthology of landmark essays in rhetorical criticism. In historical usage, a landmark marks a path or a boundary; as a metaphor in social and intellectual history, landmark signifies some act or event that marks a significant achievement or turning point in the progress or decline of human effort. In the history of an academic discipline, the historically established senses of landmark are mixed together, jostling to set out and protect the turfmarkers of academic specialization; aligning footnotes to signify the beacons that have guided thought and, against these "conservative" tendencies, attempting to contribute fresh insights that tempt others along new trails. The editor has chosen essays for this collection that give some sense of the history of rhetorical criticism in this century, especially as it has been practiced in the discipline of speech communication. He also emphasizes materials that may illustrate where the discipline conceives itself to be going -- how it has marked its boundaries; how it has established beacons to invite safety or warn us from the rocks; and how it has sought to preserve a tradition by subjecting it to constant revision and struggle. In the hope of providing some coherence, the scope of this collection is limited to rhetorical criticism as it has been practiced and understood within the discipline of speech communication in North America in this century.

The Writing of Melancholy
The Writing of Melancholy

Author: Ross Chambers

Publisher: University of Chicago Press

Published: 1993-06-15

Total Pages: 268

ISBN-13: 9780226100708

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Sees in the disjunction between the narrative function and the textual function of mid-19th-century French literature, a reflection of the general malaise that swept the country in the wake of the failed revolution of 1848. Considers the works of Flaubert, Nerval, Baudelaire, Gautier, and Hugo. First published in French in 1987. Annotation copyright by Book News, Inc., Portland, OR

Mask
Mask

Author: Sharrona Pearl

Publisher: Bloomsbury Publishing USA

Published: 2024-05-30

Total Pages: 137

ISBN-13:

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. From the theater mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity. Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicized, Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object. By exploring who we do (and do not) seek to protect through different forms of masking, Sharrona Pearl's long history of masks helps us to better understand what it is we value. Object Lessons is published in partnership with an essay series in The Atlantic.

Truth from a Lie
Truth from a Lie

Author: Margaret Key

Publisher: Lexington Books

Published: 2011-05-05

Total Pages: 207

ISBN-13: 0739138774

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Critics typically regard Abe Kobo (1924-93) as writing against realism, due to his avant-garde aesthetics that challenged the Naturalist realism dominating the literary mainstream and the Socialist realism of the orthodox Left in postwar Japan. He considered his work thoroughly realist, however, and starting in the early 1950s in a series of avant-garde art and literary groups, he championed the possibility of a vital, contemporary realism that challenged the reader to question the "reality" represented in the text through increasingly self-conscious writing strategies. Through a reassessment of the texts in which he worked out his theory of realism, this study traces the development of his commitment to making "truth from a lie"—to fiction, drama, and reportage that openly display their artifice. Key argues that the reflexivity of Abe's texts, which lay bare their own processes of artificial construction in order to reflect how our everyday sense of reality is constructed and maintained, created a critical space for metatextual ideas that were not acknowledged by the literary establishment of his time and have yet to be recognized by critics today. Undergirding his theory and practice of realism was a critique of conventional documentary and of the classic detective story. The texts examined here expose the degree to which the documentarian and the detective are active fabricators of meaning rather than neutral observers of fact. By paying close attention to the tension between the documentary and the fictive in Abe's works, Key draws out the ethical implications of his documentary approach, arguing persuasively that the documentary qualities of his writing, such as its valorization of objectivity over psychologism and the realm of "concrete things" over abstraction are strategies for challenging the dominant assumptions about what constitutes good ethics and good art, as well as the relationship between these two spheres.