Masculinity in Contemporary New York Fiction

Masculinity in Contemporary New York Fiction

Author: Peter Ferry

Publisher: Routledge

Published: 2014-08-21

Total Pages: 183

ISBN-13: 1317743156

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Masculinity in Contemporary New York Fiction is an interdisciplinary study that presents masculinity as a key thematic concern in contemporary New York fiction. This study argues that New York authors do not simply depict masculinity as a social and historical construction but seek to challenge the archetypal ideals of masculinity by writing counter-hegemonic narratives. Gendering canonical New York writers, namely Paul Auster, Bret Easton Ellis, and Don DeLillo, illustrates how explorations of masculinity are tied into the principal themes that have defined the American novel from its very beginning. The themes that feature in this study include the role of the novel in American society; the individual and (urban) society; the journey from innocence to awareness (of masculinity); the archetypal image of the absent and/or patriarchal father; the impact of homosocial relations on the everyday performance of masculinity; male sexuality; and the male individual and globalization. What connects these contemporary New York writers is their employment of the one of the great figures in the history of literature: the flâneur. These authors take the flâneur from the shadows of the Manhattan streets and elevate this figure to the role of self-reflexive agent of male subjectivity through which they write counter-hegemonic narratives of masculinity. This book is an essential reference for those with an interest in gender studies and contemporary American fiction.


Upstairs at the Strand: Writers in Conversation at the Legendary Bookstore

Upstairs at the Strand: Writers in Conversation at the Legendary Bookstore

Author: Jessica Strand

Publisher: W. W. Norton & Company

Published: 2016-03-21

Total Pages: 222

ISBN-13: 0393352099

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Revelatory conversations between renowned writers at New York City’s legendary bookstore. For nearly ninety years, the Strand Book Store has been a New York institution, a legendary mecca for readers throughout the five boroughs, across the country, and around the world. Featuring freewheeling and behind-the-scenes conversations between renowned novelists, playwrights, and poets on how they work, think, and live, Upstairs at the Strand captures the happy collision of books and ideas in the Strand's famed reading series in its Rare Book Room. Upstairs at the Strand is indispensable for aspiring writers, readers of contemporary literature, and devoted fans of the 18 Miles of Books at the Strand Book Store. Contributors include: Renata Adler • Edward Albee • Hilton Als • Paul Auster • Blake Bailey • Alison Bechdel • Tina Chang • Junot Díaz • Deborah Eisenberg • Rivka Galchen • A. M. Holmes • Hari Kunzru • Rachel Kushner • Wendy Lesser • D. T. Max • Leigh Newman • Téa Obreht • Robert Pinsky • Katie Roiphe • George Saunders • David Shields • Charles Simic • Tracy K. Smith • Mark Strand • and Charles Wright.


Imagine Me Gone

Imagine Me Gone

Author: Adam Haslett

Publisher: Little, Brown

Published: 2016-05-03

Total Pages: 328

ISBN-13: 031626136X

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From a Pulitzer Prize and National Book Award finalist, a ferociously intimate story of a family facing the ultimate question: how far will we go to save the people we love the most? When Margaret's fiancée, John, is hospitalized for depression in 1960s London, she faces a choice: carry on with their plans despite what she now knows of his condition, or back away from the suffering it may bring her. She decides to marry him. Imagine Me Gone is the unforgettable story of what unfolds from this act of love and faith. At the heart of it is their eldest son, Michael, a brilliant, anxious music fanatic who makes sense of the world through parody. Over the span of decades, his younger siblings -- the savvy and responsible Celia and the ambitious and tightly controlled Alec -- struggle along with their mother to care for Michael's increasingly troubled and precarious existence. Told in alternating points of view by all five members of the family, this searing, gut-wrenching, and yet frequently hilarious novel brings alive with remarkable depth and poignancy the love of a mother for her children, the often inescapable devotion siblings feel toward one another, and the legacy of a father's pain in the life of a family. With his striking emotional precision and lively, inventive language, Adam Haslett has given us something rare: a novel with the power to change how we see the most important people in our lives. "Haslett is one of the country's most talented writers, equipped with a sixth sense for characterization"-Wall Street Journal "Ambitious and stirring . . . With Imagine Me Gone , Haslett has reached another level."-New York Times Book Review


Aging Masculinities in Contemporary U.S. Fiction

Aging Masculinities in Contemporary U.S. Fiction

Author: Josep M. Armengol

Publisher: Springer Nature

Published: 2021-07-26

Total Pages: 195

ISBN-13: 3030715965

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This book focuses on representations of aging masculinities in contemporary U.S. fiction, including shifting perceptions of physical and sexual prowess, depression, and loss, but also greater wisdom and confidence, legacy, as well as new affective patterns. The collection also incorporates factors such as race, sexuality and religion. The volume includes studies, amongst others, on Philip Roth, Paul Auster, Toni Morrison, Ernest Gaines, and Edmund White. Ultimately, this study proves that men’s aging experiences as described in contemporary U.S. literature and culture are as complex and varied as those of their female counterparts.


The politics of male friendship in contemporary American fiction

The politics of male friendship in contemporary American fiction

Author: Michael Kalisch

Publisher: Manchester University Press

Published: 2021-07-20

Total Pages: 184

ISBN-13: 1526156342

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How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors – including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole – this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.


Hypermasculinities in the Contemporary Novel

Hypermasculinities in the Contemporary Novel

Author: Josef Benson

Publisher: Rowman & Littlefield

Published: 2014-07-16

Total Pages: 159

ISBN-13: 1442237619

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Issues of race, gender, women’s rights, masculinity, and sexuality continue to be debated on the national scene. These subjects have also been in the forefront of American literature, particularly in the last fifty years. One significant trend in contemporary fiction has been the failure of the heroic masculine protagonist. In Hypermasculinities in the Contemporary Novel: Cormac McCarthy, Toni Morrison, andJames Baldwin,Josef Benson examines key literary works of the twentieth century, notably Blood Meridian (1985), All the Pretty Horses (1992), Song of Solomon (1977), and Another Country (1960). Benson argues that exaggerated masculinities originated on the American frontier and have transformed into a definition of ideal masculinity embraced by many southern rural American men. Defined by violence, racism, sexism, and homophobia, these men concocted or perpetuated myths about African Americans to justify their mistreatment and mass murder of black men after Reconstruction. As Benson illustrates, the protagonists in these texts fail to perpetuate hypermasculinities, and as a result a sense of ironic heroism emerges from the narratives. Offering a unique and bold argument that connects the masculinities of cowboys and frontier figures with black males, Hypermasculinities in the Contemporary Novel suggests alternative possibilities for American men going forward. Scholars and students of American literature and culture, African American literature and culture, and queer and gender theory will find this book illuminating and persuasive.


Contemporary Black Men's Fiction and Drama

Contemporary Black Men's Fiction and Drama

Author: Keith Clark

Publisher: University of Illinois Press

Published: 2001

Total Pages: 268

ISBN-13: 9780252026768

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Demonstrating the extraordinary versatility of African-American men's writing since the 1970s, this forceful collection illustrates how African-American male novelists and playwrights have absorbed, challenged, and expanded the conventions of black American writing and, with it, black male identity. From the "John Henry Syndrome"--a definition of black masculinity based on brute strength or violence--to the submersion of black gay identity under equations of gay with white and black with straight, the African-American male in literature and drama has traditionally been characterized in ways that confine and silence him. Contemporary Black Men's Fiction and Drama identifies the forces that limit black male discourse, including traditions established by iconic African-American male authors such as James Baldwin, Richard Wright, and Ralph Ellison. This thoughtful volume also shows how contemporary black male authors use their narratives to put forward new ways of being and knowing that foster a more complete sense of self and more humane and open ways of communicating with and relating to others. In the work of Charles Johnson, Ernest Gaines, and August Wilson, contributors find paths toward broader, less rigid ideas of what black literature can be, what the connections among individual and communal resistance can be, and how black men can transcend the imprisoning models of hyper masculinity promoted by American culture. Seeking greater spiritual connection with the past, John Edgar Wideman returns to the folk rituals of his family, while Melvin Dixon and Brent Wade reclaim African roots and traditions. Ishmael Reed struggles with a contemporary cultural oppression that he sees as an insidious echo of slavery, while Clarence Major's experimental writing suggests how black men might reclaim their own voices in a culture that silences them. Taking in a wide range of critical, theoretical, cultural, gender, and sexual concerns, Contemporary Black Men's Fiction and Drama provides provocative new readings of a broad range of contemporary writers.


New Fathers?

New Fathers?

Author: Helena Wahlström

Publisher: Cambridge Scholars Publishing

Published: 2010

Total Pages: 0

ISBN-13: 9781443825542

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What do novels such as Annie Proulxâ (TM)s The Shipping News, Michael Cunninghamâ (TM)s A Home at the End of the World, and Jayne Anne Phillipsâ (TM) MotherKind have in common with films such as Smoke and Mrs Doubtfire? This study explores the intersection of masculinity and domesticity in contemporary film and literature. It argues that these texts, produced since the 1990s, address with some urgency the notion of â oenew fatherhoodâ in the United States. They offer explorations of the idea that American fatherhood around the turn of the twenty-first century is changing, and they problematize the legitimacy of â oenew fathersâ and â oealternative familiesâ in a national culture where the â oeoldâ patriarch and the nuclear family still often loom large in the imagination of many Americans.


Hyperobject Reading, Scale Variance, and American Fiction in the Anthropocene

Hyperobject Reading, Scale Variance, and American Fiction in the Anthropocene

Author: Chingshun J. Sheu

Publisher: Springer Nature

Published: 2023-03-25

Total Pages: 191

ISBN-13: 3031256395

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This book proposes a model of reading called hyperobject reading that bridges the Anthropocene scale variance between humans and humanity by focusing on the large-scale problems and phenomena themselves. Hyperobject reading draws on narratology and reader-response theory, as well as newer developments such as the postcritical turn and object-oriented ontology. The theoretical introduction sets out the building blocks of hyperobject reading. Chapter 2 intervenes in critical disability studies and debates about the ecosomatic paradigm; Chapter 3 intervenes in debates about technological evolution, analogue vs. digital subjectivity, and affect theory; and Chapter 4 intervenes in debates about autofiction, contemporary metafiction, and the position and role of the narrator in first-person narratives where the narrator and protagonist can be distinguished. The analytical conclusion sketches the conceptual anatomy of the hyperobject and three possible responses. No part of the Earth today is free from human influence, but literary success suggests effective real-world strategies.