The publication in English of this classic work will be welcomed by students and researchers in early modern European history, culture and politics. The Revolt of Naples examines one of the major events in the years of `revolution' in Europe in the 1640s: the revolt by the people of the Kingdom of Naples against the Spanish monarchy which ruled over them. Villari analyses the preconditions of the revolt, going back to its roots in the late 16th Century and discussing economic, social and political developments in the Kingdom.
Naples is always a shock, flaunting beauty and squalor like nowhere else. It is the only city in Europe whose ancient past still lives in its irrepressible people. In 1503, Naples was the Mediterranean capital of Spain's world empire and the base for the Christian struggle with Islam. It was a European metropolis matched only by Paris and Istanbul, an extraordinary concentration of military power, lavish consumption, poverty and desperation. It was to Naples in 1606 that Michelangelo Merisi fled after a fatal street fight, and there released a great age in European art - until everything erupted in a revolt by the dispossessed, and the people of an occupied city brought Europe into the modern world. Ranging across nearly three thousand years of Neapolitan life and art, from the first Greek landings in Italy to the author's own, less auspicious, arrival thirty-something years ago, Street Fight in Naples brings vividly to life the tumultuous and, at times, tragic history of Naples.
Savvy Italians will tell you that Neapolitans are considered the cleverest, most imaginative, most romantic, and the most entertaining people in the country. The world's finest men's fashions are Neapolitan, Italy's most celebrated popular songs and a high proportion of popular and operatic singers are Neapolitan—starting with Enrico Caruso. Sophia Loren and Toto are famously Neapolitan. Divorce Italian Style and Marriage Italian Style were based on plays written by the great Neapolitan Eduardo de Filippo. If you check the Italian literary awards year after year, you will find an amazingly high proportion of Neapolitans walking off with the highest honors. Naples has been a great creative center for hundreds of years. Neapolitan creativity has survived centuries of foreign occupation, widespread misery, the end of its role as a great capital city, repeated natural catastrophes, and terrible epidemics. What accounts for the creativity of Naples? The sorcerer Virgil is said to have created a Golden Egg, inside a crystal sphere, to save Naples from natural catastrophe. The egg, locked in an iron cage, was buried beneath a castle—still known as the "Egg Castle"—to give it stability and to give eternal life to Naples. Michael Ledeen suggests some surprising answers in a highly original exploration of Neapolitan life and death that ranges from religion to organized crime, war and violence. His deep affection for this remarkable city and its people is evident on every page.
How do people excluded from political life achieve political agency? Through a series of historical events that have been mostly overlooked by political theorists, Martin Breaugh identifies fleeting yet decisive instances of emancipation in which people took it upon themselves to become political subjects. Emerging during the Roman plebs's first secession in 494 BCE, the plebeian experience consists of an underground or unexplored configuration of political strategies to obtain political freedom. The people reject domination through political praxis and concerted action, therefore establishing an alternative form of power. Breaugh's study concludes in the nineteenth century and integrates ideas from sociology, philosophy, history, and political science. Organized around diverse case studies, his work undertakes exercises in political theory to show how concepts provide a different understanding of the meaning of historical events and our political present. The Plebeian Experience describes a recurring phenomenon that clarifies struggles for emancipation throughout history, expanding research into the political agency of the many and shedding light on the richness of radical democratic struggles from ancient Rome to Occupy Wall Street and beyond.
The most important figure of seventeenth-century Neapolitan music, Francesco Provenzale (1624-1704) spent his long life in the service of a number of Neapolitan conservatories and churches, culminating in his appointment as maestro of the Tesoro di S. Gennaro and the Real Cappella. Provenzale was successful in generating significant profit from a range of musical activities promoted by him with the participation of his pupils and trusted collaborators. Dinko Fabris draws on newly discovered archival documents to reconstruct the career of a musician who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries (Raimo Di Bartolo, Sabino, Salvatore and Caresana) and pupils (Fago, Greco, Veneziano and many others), revealing both stylistic similarities and differences, particularly in terms of new harmonic practices and the use of Neapolitan language in opera. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century which so clearly laid the groundwork for Naples' later status as one of the great musical capitals of Europe.
This collection of essays seeks to analyse historically these influences, connections, and impact from multiple points of view, such as – but not limited to – the links between war and rebellion, the issues of trust and religious violence, early modern university debates on war and peace, the problems engendered by intolerance and the difficult management of tolerance, the delicate matters of politico-religious accommodation and the implementation of peace in towns and contested territories, the reappraisals and changes in the narratives of military prowess and religious fidelity, the role of women in the religious conflicts in the 'long sixteenth century', the porous boundaries (imagined or real) which existed between 'enemies' in times of war and the issues connected to the cohabitation with the 'Other' in times of peace.
Naples is always a shock, flaunting beauty and squalor like nowhere else. Naples is the only city in Europe whose ancient past still lives in its irrepressible people. Peter Robb's book ranges across nearly 3,000 years of Neapolitan life and art, from the first Greeklandings in Italy to his own less auspicious arrival over 30 years ago.
