"This book seamlessly combines biography and criticism. [Lanigan] adeptly analyzes Austin's life...and also offers insightful analyses of Austin's writing. Like other females of her period, she received too little recognition for her original prose style and social critiques. Thanks to Song of a Maverick, we hear Mary Austin's voice more clearly and appreciatively."ÑCarol J. Singley in American Literature "[Lanigan] provides illuminating sociological background and lucidly marshals the existing biolgraphical data."ÑChoice "Mary Hunter Austin was a well-known and respected author and activitst in her lifetime but is little known in ours. In this excellent biography...[Lanigan] chose to focus on a few central relationships in Austin's life, to explore in some depth a few central texts, and to understand the interior life of her subject. She has done a splendid job."ÑAnn J. Lane in the Journal of American History
In her autobiography, published in 1932, Austin speaks frankly about her life while also commenting on the events and decisions that formed and influenced her life and writing. A prolific writer, she wrote novels, short stories, essays, plays, and poetry. She was an early advocate for environmental issues as well as the rights of women and minority groups.
It is strange that I can never think of writing any account of my life without thinking of Pauline Mills and wondering what she will say of it. Pauline is rather given to reading the autobiographies of distinguished people—unless she has left off since I disappointed her—and finding in them new persuasions of the fundamental lightness of her scheme of things. I recall very well, how, when I was having the bad time of my life there in Chicago, she would abound in consoling instances from one then appearing in the monthly magazines; skidding over the obvious derivation of the biographist's son from the Lord Knows Who, except that it wasn't from the man to whom she was legally married, to fix on the foolish detail of the child's tempers and woolly lambs as the advertisement of that true womanliness which Pauline loves to pluck from every feminine bush. There was also a great deal in that story about a certain other celebrity, for her relations to whom the writer was blackballed in a club of which I afterward became a member, and I think it was the things Pauline said about one of the rewards of genius being the privilege of association with such transcendent personalities on a footing which permitted one to call them by their first names in one's reminiscences, that gave me the notion of writing this book. It has struck me as humorous to a degree, that, in this sort of writing, the really important things are usually left out. I thought then of writing the life of an accomplished woman, not so much of the accomplishment as of the woman; and I have never been able to make a start at it without thinking of Pauline Mills and that curious social warp which obligates us most to impeach the validity of a woman's opinion at the points where it is most supported by experience. From the earliest I have been rendered highly suspicious of the social estimate of women, by the general social conspiracy against her telling the truth about herself. But, in fact, I do not think Mrs. Mills will read my book. Henry will read it first at his office and tell her that he'd rather she shouldn't, for Henry has been so successfully Paulined that it is quite sufficient for any statement of life to lie outside his wife's accepted bias, to stamp it with insidious impropriety. There is at times something almost heroic in the resolution with which women like Pauline Mills defend themselves from whatever might shift the centres of their complacency.
Mary Hunter Austin (1868-1934) is often referred to as an important American writer of the early decades of the 20th century, with much of her work concerning nature and Native American culture. Hunter Austin was also considered to be one of the early feminist writers, whose works had an impact on the redefinition of gender roles during the First World War. This study examines the feminist perception of her later years, connecting feminist history to questions related to memory through a study of literature, politics, and interpretations of the past (both feminist and gendered). It demonstrates how far the perception and remembrance of the past are determined by later agendas and considerations. This work is an insightful and detailed study, meant to expand knowledge within the field of collective memory about Mary Hunter Austin's life and work alike. This book is intended for those with a general interest in feminism, socialism, World War One and gender issues. Academics and specialists in the field will value new research on a crucial figure in American literary history.
Set primarily in the lonesome southwest desert lands of the 1920s, this previously unpublished novella is a powerful story in which landscape reflects and defines character. In this beautifully written tale, a promising young politician, Grant Arliss, flees from his complicated and pressure-ridden life in New York City to the serenity of the desert's open spaces, finding a love and a landscape that will change his life.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.