Mary Darling, L M d’Mello’s eponymous protagonist, was abandoned on hospital steps at birth and spent most of her early years living in care. Things start to look up for her when she is adopted by Tom and Susan, a caring couple who lost their own daughter in an accident. Tom and Susan do their best to make Mary happy, however school bullies are making her life wretched, until an unexpected ally emerges. Mary’s life is transformed when she discovers that she has unusual and powerful supernatural abilities that she can use to understand and heal animals. She begins a fight to save the animal world from cruelty and extinction, and as her powers mature throughout the books in the trilogy, she must defeat increasingly dangerous enemies, making discoveries about her own abilities along the way. The book ends with Mary discovering that she is to be an animal ambassador and must take on powerful individuals and organisations around the world. L M d’Mello’s debut book explores the importance of animal welfare, a subject that is increasingly highlighted by the media as a result of high-profile individuals, including the Duke of Cambridge and Ricky Gervais, speaking out against trophy hunting and poaching. Mary Darling draws from L M d’Mello’s own involvement with animal charities, and will appeal to animal welfare organisations. It will be enjoyed by readers aged 12-16 years.
Their lives were perfect . . . Lady Hero Batten, the beautiful sister of the Duke of Wakefield, has everything a woman could want, including the perfect fiance. True, the Marquis of Mandeville is a trifle dull and has no sense of humor, but that doesn't bother Hero. Until she meets his notorious brother . . . Until they met each other. Griffin Remmington, Lord Reading, is far from perfect - and he likes it that way. How he spends his days is a mystery, but all of London knows he engages in the worst sorts of drunken revelry at night. Hero takes an instant dislike to him, and Griffin thinks that Hero, with her charities and faultless manners, is much too impeccable for society, let alone his brother. Yet their near-constant battle of wits soon sparks desire - desire that causes their carefully constructed worlds to come tumbling down. As Hero's wedding nears, and Griffin's enemies lay plans to end their dreams forever, can two imperfect people find perfect true love?
An award–winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11 Hailed in The Washington Post as “one of the most eloquent and probing public intellectuals in America,” Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality. Rodriguez’s stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez’s spiritual formation and their centrality to the future of the desert religions. Only a mind as elastic and refined as Rodriguez’s could bind these threads together into this wonderfully complex tapestry.
Playwrights for Tomorrow was first published in 1973. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This volume presents four plays by writers who have worked under the program of the Office for Advanced Drama Research (O.A.D.R.) at the University of Minnesota, an experimental project which provides promising playwrights with the opportunity of working with cooperating theatres in the production of their plays. Arthur H. Ballet, the editor, is director of the O.A.D.R. The plays in this volume and the theatres which cooperated in their production are Boxes by Susan Yankowitz, Magic Theatre, Berkeley, California; Canvas by David Roszkowski, Scorpio Rising Theatre, Los Angeles; Bierce Takes on the Railroad! by Philip A. Bosakowski, Theatre III, College of Marin, Kentfield, California; and Chamber Piece by John O'Keefe, Magic Theatre, Berkeley, California. In an introduction Professor Ballet discussed the program and accomplishments of the O. A.D.R., which was established with the aid of a Rockefeller Foundation grant. He writes: "It seemed obvious that no artist worked in more lonely isolation and needed more direct contact with the theatre than the playwright. Despite loud pronouncements . . . that theatres outside of New York were searching for new plays and writers, the evidence indicates that very few theatres really wanted to work with unknown but living playwrights. The O.A.D.R., in its small way, has tried to open a highway . . . between new, often untried writers and willing, even brave theatres. As Speech and Drama (England) pointed out in a review of earlier volumes of the Playwrights for Tomorrow series: "Schemes like this one at Minnesota deserve the highest praise. On the evidence of these volumes, the executive committee which operates this venture is not attempting to impose any single imprint on its authors—a further example of the generosity of the patronage."
“After many years of believing that I never dream of anything, I dreamed of Africa.” Over a decade after leaving her three sons behind in Liberia, Hannah Musgrave realizes she has to leave her farm in the Adirondacks and find out what has happened to them and the chimpanzees for whom she created a sanctuary. The Darling is the story of her return to the wreckage of west Africa and the story of her past, from her middle-class American upbringing to her years in the Weather Underground. It is also one of the most powerful novels of the decade, an unforgettable tale of growth and loss, and an unstinting exploration of some of the most troubling issues of our time: terrorism, race, and the contact between the first world and the third. Hannah Musgrave, the narrator of The Darling, tells us she first travelled to Africa in the mid-1970s, to escape prosecution for her radical political activities with the Weathermen. Arriving in Liberia to work in a medical research lab, Hannah – also known by her alias, Dawn Carrington – meets Woodrow Sundiata, an official in the ministry of public health, and they fall immediately in love. Courting with Woodrow, an intelligent, ambitious man, means encountering his other life in his ancestral village of Fuama – a life that could scarcely be more different from Hannah’s affluent childhood as the daughter of a bestselling pediatrician. Hannah and Woodrow start a family, but she feels herself to be somehow estranged from her life in Liberia and curiously detached from her husband and three sons. Still in search of herself as her children grow older, Hannah develops a closer and closer bond with the chimpanzees at the lab, whom she calls “dreamers.” During the early 1980s, Liberian society grows more unstable, until an illiterate soldier named Samuel Doe brutally overthrows and assassinates the president. Hannah’s courageous intervention with Doe leads to Woodrow’s release from detention, but at a price: she must return to the US, leaving her family behind. Hannah feels that her dreamers will feel her absence more deeply than her family will. In the US Hannah briefly reconnects with her parents after years of estrangement before returning to her friends from her underground years. One of them, Zack Procter, is involved with a plan to spring Charles Taylor – an attractive Liberian politician – from jail, and Hannah involves herself with the plot, genuinely believing that Taylor will bring social democracy to west Africa. Hannah gets permission to return to her family in the mid-1980s, and decides that this time things will be different: she will take charge of her home life, ousting Woodrow’s young cousin Jeanette, and she will build a sanctuary for her chimpanzees. But Charles Taylor has also returned, and his slow and bloody rebellion against Doe leads, eventually, to a night of horrific violence in which Woodrow is murdered and Hannah’s teenaged children disappear. Amidst chaos and almost unbelievable bloodshed, Hannah has time only to move her dreamers to Boniface Island before facing the heartrending decision to escape Liberia, leaving her children behind. More than ten years will pass before she can return to discover their fate, and understand her own.
