Renowned American sociologist Charles Derber imagines a surprise encounter with Karl Marx's ghost in London's Highgate cemetery, leading to a night-long conversation about the problems plaguing the world. The economic crisis, climate change, war, the future of capitalism and the 'Arab Spring' are all discussed. The ghost reconsiders his theories as he speaks eloquently about American labour, environmental, gender and anti-racist struggles. The engrossing, funny and provocative conversation, with appearances from other ghosts such as John Maynard Keynes, offers new insights into the relevance and flaws of Marx's thought, indicating how we can get to a better world.
How did our current society come into being and how is it similar to as well as different from its predecessors? These key questions have transfixed archaeologists, anthropologists and historians for decades and strike at the very heart of intellectual debate across a wide range of disciplines. Yet scant attention has been given to the key thinkers and theoretical traditions that have shaped these debates and the conclusions to which they have given rise. This pioneering book explores the profound influence of one such thinker - Karl Marx - on the course of twentieth-century archaeology. Patterson reveals how Australian archaeologist V. Gordon Childe in the late 1920s was the first to synthesize discourses from archaeologists, sociologists, and Marxists to produce a corpus of provocative ideas. He analyzes how these ideas were received and rejected, and moves on to consider such important developments as the emergence of a new archaeology in the 1960s and an explicitly Marxist strand of archaeology in the 1970s. Specific attention is given to the discussion arenas of the 1990s, where archaeologists of differing theoretical perspectives debated issues of historic specificity, social transformation, and inter-regional interaction. How did the debates in the 1990s pave the way for historical archaeologists to investigate the interconnections of class, gender, ethnicity, and race? In what ways did archaeologists make use of Marxist concepts such as contradiction and exploitation, and how did they apply Marxist analytical categories to their work? How did varying theoretical groups critique one another and how did they overturn or build upon past generational theories?Marxs Ghost: Conversations with Archaeologists provides an accessible guide to the theoretical arguments that have influenced the development of Anglophone archaeology from the 1930s onwards. It will prove to be indispensable for archaeologists, historians, anthropologists, and social and cultural theor
Renowned American sociologist Charles Derber imagines a surprise encounter with Karl Marx's ghost in London's Highgate cemetery, leading to a night-long conversation about the problems plaguing the world. The economic crisis, climate change, war, the future of capitalism and the 'Arab Spring' are all discussed. The ghost reconsiders his theories as he speaks eloquently about American labour, environmental, gender and anti-racist struggles. The engrossing, funny and provocative conversation, with appearances from other ghosts such as John Maynard Keynes, offers new insights into the relevance and flaws of Marx's thought, indicating how we can get to a better world.
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato & Co. introduces children-and curious grown-ups-to the lives and work of famous philosophers, from Descartes to Socrates, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging-and often funny-story that presents basic tenets of philosophical though.
Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.
The end of Soviet Socialism signalled to some observers that the ghost of Marx had finally been laid to rest. But history's refusal to grind to a halt and the global credit crisis that began in 2008 have rekindled interest in capitalism's most persistent critic. Written during the mid-nineties, a period of Western complacency and neo-liberal reaction, Marx for Our Times is a critical reading of dialectical materialism as a method of resistance. Without denying the contradictory character of Marx's thought, and with a sensitivity to the plurality of theories it has inspired, Daniel Bensaid sets out to discover what in Marx remains dynamic and relevant in our era of accelerating economic change. Marx's theory emerges, not as a doctrinal system, but as an intellectual tool of social struggle and global transformation in a world where capital continues to dominate social relations.
This book argues that moments of allusion to the supernatural in Shakespeare are occasions where Karl Marx and John Maynard Keynes register the perseverance of haunted structures in modern culture. This "reenchantment," at the heart of modernity and of literary and political works central to our understanding of modernity, is the focus of this book. The author shows that allusion to supernatural moments in Shakespeare ("scare quotes") allows writers to both acknowledge and distance themselves from the supernatural phenomena that challenge their disenchanted understanding of the social world. He also uses these modern appropriations of Shakespeare as provocations to reread some of his works, notably Hamlet and Macbeth. Two pairs of linked chapters form the center of the book. One pair joins a reading of Marx, concentrating on The Eighteenth Brumaire, to Hamlet; the other links a reading of Keynes, focusing on The Economic Consequences of the Peace, to Macbeth. The chapters on Marx and Keynes trace some of the strange circuits of supernatural rhetoric in their work, Marx's use of ghosts and Keynes's fascination with witchcraft. The sequence linking Marx to Hamlet, for example, has as its anchor the Frankfurt School's concept of the phantasmagoria, the notion that it is in the most archaic that one encounters the figure of the new. Looking closely at Marx's association of the Ghost in Hamlet with the coming revolution in turn illuminates Hamlet's association of the Ghost with the supernatural beings many believed haunted mines. An opening chapter discusses Henry Dircks, a nineteenth-century English inventor who developedand then lost his claim toa phantasmagoria or machine to project ghosts on stage. Dircks resorted to magical rhetoric in response to his loss, which is emblematic for the book as a whole, charting ways the scare quote can, paradoxically, continue the work of enlightenment.
Even as China is central to the contemporary global economy, its socialist past continues to shape its capitalist present. This volume's contributors see contemporary China as haunted by the promises of capitalism, the institutional legacy of the Maoist regime, and the spirit of Marxist resistance. China's development does not result from historical imperatives or deliberate economic strategies, but from the effects of discrete practices the contributors call protocols, which stem from an overlapping mix of socialist and capitalist institutional strategies, political procedures, legal regulations, religious rituals, and everyday practices. Analyzing the process of urbanization and the ways marginalized communities and migrant workers are positioned in relation to the transforming social landscape, the contributors show how these protocols constitute the Chinese national imaginary while opening spaces for new emancipatory possibilities. Offering a nuanced theory of contemporary China's hybrid political economy, Ghost Protocol situates China's development at the juncture between the world as experienced and the world as imagined. Contributors. Yomi Braester, Alexander Des Forges, Kabzung, Rachel Leng, Ralph A. Litzinger, Lisa Rofel, Carlos Rojas, Bryan Tilt, Robin Visser, Biao Xiang, Emily T. Yeh
Jacques Derrida is, in the words of the New York Times, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. The Work of Mourning is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, Guardian "Strikingly simpa meditations on friendship, on shared vocations and avocations and on philosophy and history."—Publishers Weekly
