Here is told both the fascinating history of the Roman Coliseum and the lives and deaths of many famous Roman martyrs, such as St. Ignatius of Antioch, St. Prisca, Pope St. Stephen, St. Vitus and companions, St. Marinus, St. Martina, etc. Tells the heroism of the martyrs, the cruelty of the Roman mob, and the incredible miracles God worked on behalf of His saints. Exciting and vivid even today.
Byron and Hitler were equally entranced by Rome’s most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chock full of romantic but erroneous myths. There is no evidence that any gladiator ever said “Hail Caesar, those about to die...” and we know of not one single Christian martyr who met his finish here. Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument—as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?
Utilising a wide range of early sources, this title identifies the roots of the concept of Christian martyrdom, as lloking at how it has been expressed in events such as the shootings at Columbine High School in 1999.
"The Colosseum or Coliseum, also known as the Flavian Amphitheatre (Latin: Amphitheatrum Flavium; Italian: Anfiteatro Flavio or Colosseo) is an elliptical amphitheatre in the centre of the city of Rome, Italy. Built of concrete and stone, it was the largest amphitheatre of the Roman Empire, and is considered one of the greatest works of Roman architecture and engineering. It is the largest amphitheatre in the world."--Wikipedia.
Finalist, Best LGBTQ Nonfiction Book, Lambda Literary Awards 2020 On October 14, 1998, five thousand people gathered on the steps of the U.S. Capitol to mourn the death of Matthew Shepard, a gay college student who had been murdered in Wyoming eight days earlier. Politicians and celebrities addressed the crowd and the televised national audience to share their grief with the country. Never before had a gay citizen's murder elicited such widespread outrage or concern from straight Americans. In Dying to Be Normal, Brett Krutzsch argues that gay activists memorialized people like Shepard as part of a political strategy to present gays as similar to the country's dominant class of white, straight Christians. Through an examination of publicly mourned gay deaths, Krutzsch counters the common perception that LGBT politics and religion have been oppositional and reveals how gay activists used religion to bolster the argument that gays are essentially the same as straights, and therefore deserving of equal rights. Krutzsch's analysis turns to the memorialization of Shepard, Harvey Milk, Tyler Clementi, Brandon Teena, and F. C. Martinez, to campaigns like the It Gets Better Project, and national tragedies like the Pulse nightclub shooting to illustrate how activists used prominent deaths to win acceptance, influence political debates over LGBT rights, and encourage assimilation. Throughout, Krutzsch shows how, in the fight for greater social inclusion, activists relied on Christian values and rhetoric to portray gays as upstanding Americans. As Krutzsch demonstrates, gay activists regularly reinforced a white Protestant vision of acceptable American citizenship that often excluded people of color, gender-variant individuals, non-Christians, and those who did not adhere to Protestant Christianity's sexual standards. The first book to detail how martyrdom has influenced national debates over LGBT rights, Dying to Be Normal establishes how religion has shaped gay assimilation in the United States and the mainstreaming of particular gays as "normal" Americans.
What would you do for the cross of Christ? For two thousand years, Christians have courageously triumphed over beatings, stonings, burnings, wild beasts, and every form of evil to boldly proclaim one truth: the name of Jesus. Voices of the Martyrs AD 33 – Today is their story and your Christian heritage. In the 16th century, English preacher John Foxe created what would later be called the “second most important book in history” after the Bible: Foxe’s Book of Martyrs. With dozens of images, modernized English, and up-to-date accounts, Foxe: Voices of the Martyrs faithfully binds the testimonies of more than 50 of Foxe’s heroes from the Early Church to the Reformation with Christians in the Enlightenment, the Industrial Revolution, and through the twentieth century. More importantly, Foxe: Voices of the Martyrs unites past Christians with believers today. Building on over fifty years of ministry to persecuted Christians, The Voice of the Martyrs organization shares sixty-seven stories of Christians who have stood faithfully to the death since 2000. Their courage in the face of ISIS and the Taliban, brutal dictatorships, and government crackdowns will inspire you to boldness and remind you that the same Spirit of Christ Who strengthened Stephen, Peter, and Paul is at work in you today.
Introduced by Donald Smith. Set in Rome during Nero’s reign of terror, The Blood of the Martyrs is a disciplined historical novel tracing the destruction of one cell of the early church. With a cast of slaves, ordinary Roman people, exiles and entertainers, it is thorough in its historical interpretation and in its determination to make the past accessible and readable. Written in 1938-9, the novel contains many symbolic parallels to the rise of European fascism in the 1930s and the desperate plight of persecuted minorities such as the Jews and the left-wing activists with whom Naomi Mitchison personally campaigned at the time. With the invasion of Britain a real possibility, she felt compelled to write a testament to the power of human solidarity which, even faced with death, can overcome the worst that human evil can achieve. The Blood of the Martyrs is the least autobiographical of Mitchison’s major works of fiction, yet, with its implicit credo, is her most passionately self-revealing. ‘ . . . when a novelist is historically faithful in these treacherous waters of the human psyche, the results are tremendous. As a twentieth-century woman, it no doubt hurt Naomi Mitchison a good deal to describe the savagery of the early Christian persecution in The Blood of the Martyrs . . . But it is the pain that gives the history its lifeblood. The imagination that is a novelist’s fuel must be harnessed to serve history as history was, not as anyone wishes it had been.’ Joanna Trollope
