'Name Tagging' presents an array of 'hello my name is' stickers adorned with tags, the origin of graffiti and today's street art cultures. Martha Cooper has captured the artistry and audacity of graffiti artists and their distinctive tags.
Culled from the extensive archives of one of the most renowned graffiti photographers of all time comes this remarkable collection of previously unpublished images of New York’s graffiti scene in the 1980s. If you were a graffiti writer in 1980s New York City, you wanted Martha Cooper to document your work—and she probably did. Cooper has spent decades immortalizing art that is often overlooked, and usually illegal. Her first book, 1984’s Subway Art (a collaboration with Henry Chalfant), is affectionately referred to by graffiti artists as the “bible”. To create Spray Nation, Cooper and editor Roger Gastman pored through hundreds of thousands of 35mm Kodachrome slides, painstakingly selecting and digitizing them. The photos range from obscure tags to portraits, action shots, walls, and painted subway cars. They are accompanied by heartfelt essays celebrating Cooper’s drive, spirit, and singular vision. The images capture a gritty New York era that is gone forever. And although the original pieces (as well as many of their creators) have been lost, these powerful photos feel as immediate as a subway train thundering down the tracks.
Martha Cooper's photos take us through the Alphabet City of the late 70s as the area was about to undergo extensive urban renewal -- a process that is still continuing today. At the time, the neighborhood had more than its share of drug dealers and petty criminals, and the landscape seemed ugly and forbidding. But to the children who grew up there, the abandoned buildings and rubble-strewn lots made perfect playgrounds, providing raw materials and open space for unsupervised play. A crumbling tenement housed a secret clubhouse, rooftops became private aviaries, and a pile of trash might be a source for treasure.
In 1975, New York City was bankrupt. Crime was at an all-time high, street muggings were commonplace, buildings were crumbling, entire neighborhoods were abandoned by landlords as residents fled to the suburbs and the government could care less. Here is a documentary of the embattled but irresistable urban mecca.
Every graffiti writer began his or her writing career with a tag. For those who learn to read tags, a world of aesthetic expression and communication opens up. Tags are a universal language - the jazz of lettering. The photos in Tag Town, dating back to the 1960s, introduce readers to the origins of New York style graffiti, containing rare photos of work on the street by Jean-Michel Basquiat, Keith Haring and Kenny Scharf. Accompanying text is based on interviews with New York graffiti pioneers Blade, Part I and Snake I.
Postal stickers have long been a preferred substrate used by street artists to get up. Of course, because stickers from the US Postal Service, UPS, DHL and FEDEX are so readily available, so many of these stickers get lost in the fray. That's where graffiti photography legend Martha Cooper comes in. Shooting the origins of hip-hop and graffiti cultures since the late 1970s in New York City, and later all over the world, Cooper's well-trained eyes know how to recognize deft sticker art. Here then is a collection of more than 200 photographs of some of Cooper's favorite handmade postal stickers from around the world, whether done by some of the scene's better-known artists or the anonymous. Going Postal documents how an old-school method has burgeoned into another rich facet of the world's graffiti cultures.
Collection of Cooper's photos documenting the birth of hip-hop in New York; includes interviews with Cooper, her subjects, and other participants in the scene.
Tokyo Tattoo 1970 provides a rare glimpse into the world of traditional Japanese tattooing in 1970s Tokyo. Now in paperback for the first time, this unique collection of photographs and reflections from photographer Martha Cooper captures the art of Irezumi, its cultural significance and artistry, and the master of the practice at work. When Martha Cooper first visited Tokyo in 1969, she soon became fascinated by the local art of tattooing and began documenting the work of traditional Japanese tattooist Horibun I. In the early 1970s, Japanese tattoo was an underground art form. The masters of the traditional techniques worked in small studios, tattoo artists were rare, and the act of receiving a tattoo was taboo, reserved only for the infamous Yakuza. No one could foresee the incredible internationally popularity of tattoo art in the years to come. Horibun I worked with ancient Japanese methods; different sized bundles of needles bound to sticks which he dipped into colored inks and his motifs were derived from traditional Japanese legends. He allowed Cooper to photograph him at his workshop, meet his customers, show his tattoos and craft in detail, and follow him on a pilgrimage to a holy Shinto shrine. Tokyo Tattoo 1970 is Martha Cooper's first study of the underground art subculture, which launched her into an ongoing immersion into the graffiti and street art of New York City and beyond. The hardcover edition of Tokyo Tattoo 1970 (9789185639274) was released in 2012. It has been sold out for years and is considered a collector's item. Now the paperback edition is here, making this unique collection available for a new generation of tattoo fans.