Originally published in 1979, Mark Twain as a Literary Comedian looks at how Mark Twain addressed social issues through humour. The Southwest provided the subject for much of Twain’s writing, but the roots of his style lay principally in north-eastern humour. In the mid-1800s the northern United States underwent social changes that reflected in the writing of the literary humourists like Twain. Sloane argues that he used humour to describe conditions in the emerging middle-class urban experience and express his American vision and that Twain’s views on the human, social, and political conditions, presented through his fictional characters, elevated the use of literary humour in the American novel.
Mark Twain is America’s—perhaps the world’s—best known humorous writer. Yet many commentators in his time and our own have thought of humor as merely an attractive surface feature rather than a crucial part of both the meaning and the structure of Twain’s writings. This book begins with a discussion of humor, and then demonstrates how Twain’s artistic strategies, his remarkable achievements, and even his philosophy were bound together in his conception of humor, and how this conception developed across a forty-five year career. Kolb shows that Twain is a writer whose lifelong mode of perception is essentially humorous, a writer who sees the world in the sharp clash of contrast, whose native language is exaggeration, and whose vision unravels and reorganizes our perceptions. Humor, in all its mercurial complexity, is at the center of Mark Twain’s talent, his successes, and his limitations. It is as a humorist—amiably comic, sharply satiric, grimly ironic, simultaneously humorous and serious—that he is best understood.
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing. The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book 1: Embark on a whimsical adventure with “A Connecticut Yankee in King Arthur's Court by Mark Twain.” Mark Twain takes you on a time-traveling journey as Hank Morgan, a modern man, finds himself in King Arthur's legendary realm. With humor and satire, Twain explores the clash of eras, challenging societal norms and traditions. Book 2: Witness the world through the eyes of man's best friend in “A Dog's Tale by Mark Twain.” Mark Twain offers a poignant and thought-provoking narrative, narrated by a loyal dog named Aileen. This touching tale delves into the complexities of human-animal relationships, addressing themes of loyalty, kindness, and the resilience of the canine spirit. Book 3: Embark on a humorous and insightful journey across Europe in “A Tramp Abroad by Mark Twain.” Mark Twain combines travelogue and satire as he recounts his experiences, observations, and misadventures while exploring the Old World. With his signature wit, Twain provides a humorous perspective on the cultural differences and idiosyncrasies encountered during his travels.
Mark Twain, the American comic genius who portrayed, named, and in part exemplified America’s “Gilded Age,” comes alive in Justin Kaplan’s extraordinary biography. With brilliant immediacy, Mr. Clemens and Mark Twain brings to life a towering literary figure whose dual persona symbolized the emerging American conflict between down-to-earth morality and freewheeling ambition. As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, and the author of such classics as Tom Sawyer andHuckleberry Finn. As Mr. Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes, and lived the extravagant life that Mark Twain despised. Kaplan effectively portrays the triumphant-tragic man whose achievements and failures, laughter and anger, reflect a crucial generation in our past as well as his own dark, divided, and remarkably contemporary spirit. Mr. Clemens and Mark Twain brilliantly conveys this towering literary figure who was himself a symbol of the peculiarly American conflict between moral scrutiny and the drive to succeed. Mr. Clemens lived the Gilded Life that Mark Twain despised. The merging and fragmenting of these and other identities, as the biography unfolds, results in a magnificent projection of the whole man; the great comic spirit; and the exuberant, tragic human being, who, his friend William Dean Howells said, was “sole, incomparable, the Lincoln of our literature.”
"Now if there is any one class of their authors whom the American people do know rather better than any other, it is the American humorists, from Washington Irving to Bill Nye... We have tried to arrange our Library so as to include passages representative of every period and section." -The Associate Editors in the modern Introduction to Mark Twain's Library of Humor (1888) Mark Twain's Library of Humor (1875) is a collection of short humorous stories compiled by Mark Twain, including his own essays and those of other popular contemporary writers, such as Washington Irving, Harriet Beecher Stowe, Ambrose Bierce, and many others. This jacketed hardcover replica of the 1888 edition of Mark Twain's Library of Humor, with the authentic illustrations by E. W. Kemble, is an entertaining and humorous book for book lovers and Mark Twain aficionados.
