Selected Writings of Walter Pater

Selected Writings of Walter Pater

Author: Walter Pater

Publisher: Columbia University Press

Published: 1982

Total Pages: 304

ISBN-13: 9780231054812

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Harold Bloom's selection of Pater's writings brings together in one volume the most important sections and passages from The Renaissance, Imaginary Portraits, Appreciations, Plato and Platonism, Greek Studies, and Sketches and Reviews, as well as "The Child in the House." Pater, the chief aesthetician and literary critic of Victorian England, brought his powerful imagination to bear on a wide range of subjects: from the drama of Euripides to the painters of the Renaissance, from the Romantic poets to the pre-Raphaelites, from Plato to Oscar Wilde. In the twentieth century, Pater's theories of art and literature exerted a strong inluence on the work of Yeats, Pound, Eliot, Joyce, and Stevens.


Transfigured World

Transfigured World

Author: Carolyn Williams

Publisher: Cornell University Press

Published: 2016-11-01

Total Pages: 431

ISBN-13: 1501707116

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Exploring the intricacy and complexity of Walter Pater’s prose, Transfigured World challenges traditional approaches to Pater and shows precise ways in which the form of his prose expresses its content. Carolyn Williams asserts that Pater’s aestheticism and his historicism should be understood as dialectically interrelated critical strategies, inextricable from each other in practice. Williams discusses the explicit and embedded narratives that play a crucial role in Pater’s aesthetic criticism and examines the figures that compose these narratives, including rhetorical tropes, structures of argument such as genealogy, and historical or fictional personae.


Studies in the History of the Renaissance

Studies in the History of the Renaissance

Author: Walter Pater

Publisher:

Published: 1873

Total Pages: 258

ISBN-13:

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Pater's first major work, a study of kindred spirits in love of beauty. Criticized as a "demoralizing moralizer".--Jim Kepner ; Oscar Wilde's favorite book by Pater (Greif, p. 157) ; Includes essays on Pico della Mirandola, Michelangelo, da Vinci and Winckelmann.


Pater's Portraits

Pater's Portraits

Author: Gerald Cornelius Monsman

Publisher: JHU Press

Published: 2019-12-01

Total Pages: 266

ISBN-13: 1421432501

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Originally published in 1967. Monsman undertakes a comprehensive critical analysis of Walter Pater's fiction, which presents the critic with numerous causes of frustration, not the least of which is a lack of both dramatic narration and description. Pater is rarely vivid and firsthand in his fiction; he tends instead toward exposition. Monsman's emphasis in Pater's Portraits is "tracing out" the conscious artistic structure of Pater's fiction. The scope of Pater's writings comprises nothing less than Western culture itself; its subject is all that man has written, thought, said, sung, hoped, or prayed as a civilized creature over two and one-half millennia. Pater's success in handling such panoply is attributable to his discovery of a coherent pattern by which art, religion, and life can be organized. Monsman aims to discover in Pater's fiction the use of old scientific-religious patterns of myth to explain moments of religious and cultural awakening, to reveal the way in which one man arrived at a credo that would answer to the desolation of life and culture.


Religious Humanism and the Victorian Novel

Religious Humanism and the Victorian Novel

Author: U. C. Knoepflmacher

Publisher: Princeton University Press

Published: 2015-03-08

Total Pages: 326

ISBN-13: 1400872456

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Contents: I. Religion, evolution, and the novel; 1. 1888 and a look backwards; 2. George Eliot, Walter Pater, and Samuel Butler: three types of search; II. George Eliot: the search for a religious tradition; 1. George Eliot and science; 2. George Eliot and the "higher criticism"; 3. George Eliot, Matthew Arnold, and tradition; III. Middlemarch: the balance of a progress; 1. "Heart" and "mind": two forms of progress; 2. "Modes of religion" (a); 3. Modes of religion" (b); 4. The "metaphysics" of Middlemarch; IV. Daniel Deronda: tradition as synthesis and salvation; 1. Middlemarch and the two "worlds" of Daniel Deronda; 2. Hebraism as nationality; 3. Hebraism as religious belief; V. Walter Pater: the search for a religious atmosphere; 1. Pater's "imaginary portraits"; 2. Pater's "religion of sanity"; VI. The "atmospheres" of Marius the Epicurean; 1. The pilgrimage of Marius (a); 2. The pilgrimage of Marius (b); 3. The Christian death of a pagan; VII. Samuel Butler: the search for a religious crossing; 1. The creation of a faith (1859-1872); 2. The consolidation of a faith (1873-1886); VIII. Reality and Utopia in The way of all flesh; 1. The "past selves" of Ernest Pontifex; 2. The conversion of Ernest Pontifex; 3. The creed of Ernest Pontifex; Appendixes; Index Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Walter Pater

Walter Pater

Author: Denis Donoghue

Publisher: Knopf

Published: 2013-05-08

Total Pages: 384

ISBN-13: 0307831574

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A TWENTIETH-CENTURY intellectual of the first rank presents the case for the nineteenth-century aesthetician whose elegant subversions delivered us to modernism. Walter Pater (1839-1894) was an obscure Oxford don until 1873, when his first book, The Renaissance, exposed his argument favoring sensation over though and, in doing so, ignited a hard, gem-like flame. “Say not what it is but what it makes you see—or feel” is not something Pater ever said, but it will suffice as an encapsulation of an attitude that moved the authority of a work of art from the object to the subject, subsequently outraging the defenders of perceived truth of his time and making Pater himself a figure of controversy and even ridicule. Substituting sensationalism for sensation and reading Pater’s claim for hedonism, or pleasures the soul might savor, as outright decadence, Pater’s detractors far outnumbered and outranked his followers (including his fellow Oxonian and most notorious devotee, Oscar Wilde). But ever since Pater has proved, at least in the high arts, the decisive victor of the revolutions he set into motion. Denis Donoghue presents what will stand as the premier inquiry into Walter Pater’s life and ideas: a work of compelling erudition unrivaled in intuitive and intellectual force, revealing with eloquence, charm, and abundant yet measured discourse Pater’s centrality to the entire modernist movement. “Pater is audible,” Donoghue writes, “in virtually every attentive modern writer—in Hopkins, Wilde, James, Yeats, Pound, Ford, Woolf, Joyce, Eliot, Aiken, Hart Crane, Fitzgerald, Forster, Borges, Stevens.” Walter Pater: Lover of Strange Souls is both an education and an inspiration for anyone at all concerned with the changing character of latter-day Western culture. Here, without question, is a classic: a critical biography that lays open the very making of the culture that both assails and sustains us.


The Eternal Slum

The Eternal Slum

Author: Anthony Wohl

Publisher: Routledge

Published: 2017-07-28

Total Pages: 413

ISBN-13: 135130402X

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The problem of how, where, and on what terms to house the urban masses in an industrial society remains unresolved to this day. In nineteenth-century Victorian England, overcrowding was the most obvious characteristic of urban housing and, despite constant agitation, it remained widespread and persistent in London and other great cities such as Manchester, Glasgow, and Liverpool well into the twentieth century. The Eternal Slum is the first full-length examination of working-class housing issues in a British town. The city investigated not only provided the context for the development of a national policy but also, in scale and variety of response, stood in the vanguard of housing reform. The failure of traditional methods of social amelioration in mid-century, the mounting storm of public protest, the efforts of individual philanthropists, and then the gradual formulation and application of new remedies, constituted a major theme: the need for municipal enterprise and state intervention. Meanwhile, the concept of overcrowding, never precisely defined in law but based on middle-class notions of decency and privacy, slowly gave way to the positive idea of adequate living space, with comfort, as much as health or morals, the criterion.Not just dwellings but people were at issue. There is little evidence in this period of the attitude of the worker himself to his housing. Wohl has extensively researched local archives and, in particular, drawn on the vestry reports which have been relatively neglected. Profusely illustrated with contemporary photographs and drawings, this book is the definitive study of the housing reform movement in Victorian and Edwardian London and suggests what it was really like to live under such appalling conditions. This important study will be of interest to social historians, British historians, urban planners, and those interested in how social policies developed in previous eras.