Mario Giacomelli
Mario Giacomelli

Author: Virginia Heckert

Publisher: Getty Publications

Published: 2021-06-15

Total Pages: 164

ISBN-13: 1606067184

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A new look at the work of Mario Giacomelli, one of Italy’s foremost photographers of the twentieth century. Mario Giacomelli (1925–2000) was born into poverty and lived his entire life in Senigallia, a seaside town along the Adriatic coast in Italy’s Marche region. He purchased his first camera in 1953 and quickly gained recognition for the raw expressiveness of his images. His preference for grainy, high-contrast film and paper produced bold, geometric compositions with glowing whites and deep blacks. Giacomelli most frequently focused his camera on the people, landscapes, and seascapes of the Marche, and he often spent several years expanding and reinterpreting a single body of work or repurposing an image made for one series for inclusion in another. By applying titles derived from poetry and literature to his photographs, he transformed ordinary subjects into meditations on time, memory, and existence. Spanning the photographer’s earliest pictures to those made in the final years of his life, this publication celebrates the J. Paul Getty Museum’s extensive Giacomelli holdings, formed in large part through a significant gift from Daniel Greenberg and Susan Steinhauser.

Mario Giacomelli
Mario Giacomelli

Author: Virginia Heckert

Publisher: Getty Publications

Published: 2021-06-15

Total Pages: 164

ISBN-13: 1606067184

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A new look at the work of Mario Giacomelli, one of Italy’s foremost photographers of the twentieth century. Mario Giacomelli (1925–2000) was born into poverty and lived his entire life in Senigallia, a seaside town along the Adriatic coast in Italy’s Marche region. He purchased his first camera in 1953 and quickly gained recognition for the raw expressiveness of his images. His preference for grainy, high-contrast film and paper produced bold, geometric compositions with glowing whites and deep blacks. Giacomelli most frequently focused his camera on the people, landscapes, and seascapes of the Marche, and he often spent several years expanding and reinterpreting a single body of work or repurposing an image made for one series for inclusion in another. By applying titles derived from poetry and literature to his photographs, he transformed ordinary subjects into meditations on time, memory, and existence. Spanning the photographer’s earliest pictures to those made in the final years of his life, this publication celebrates the J. Paul Getty Museum’s extensive Giacomelli holdings, formed in large part through a significant gift from Daniel Greenberg and Susan Steinhauser.

La Strada
La Strada

Author: Vicki GOLDBERG

Publisher:

Published: 2007-04-01

Total Pages: 160

ISBN-13: 9788889431214

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Mario Giacomelli, Under the Skin of Reality
Mario Giacomelli, Under the Skin of Reality

Author: Katiuscia Biondi

Publisher: Schilt Publishing

Published: 2015

Total Pages: 0

ISBN-13: 9789053308134

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The title "Cose Mai Viste" translates literally as "things never seen," and applies here in two senses. The most direct describes works never before shown, never exhibited or published. The broader describes views that no one but Giacomelli has ever seen, moments when only he was there. Now that he is gone, only his prints remain to describe them--or transform them. As a self-taught artist who became a star of postwar Italian photography, Mario Giacomelli (1913-2000) made his name with images of the country around him, particularly the series "There Are No Hands to Caress My Face," which showed young seminarians playing in the snow, in brilliant graphic contrast to their black cassocks. His single frame "The Boy from Scanno," also made its way into exceptionally wide circulation in John Szarkiowski's classic "Looking at Photographs." The 230 images collected here, which range from the 1960s to the 90s, are at once familiar--like the monk playing soccer on the cover--and all new--he's playing on the grass.

Photography and Italy
Photography and Italy

Author: Maria Antonella Pelizzari

Publisher: Reaktion Books

Published: 2010-11-15

Total Pages: 190

ISBN-13: 1861898843

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In this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s. Featuring unpublished works and a rare selection of over one hundred images, this book will appeal to art collectors and students of art history and Italian culture.

Grafters
Grafters

Author: Colin Jones

Publisher: Phaidon Press Limited

Published: 2002-09-23

Total Pages: 152

ISBN-13:

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Jones' photo subjects are working people--miners, shipbuilders, dockers--and dancers. This is his best work from his career to date. 81 photos.

Lucien Hervé
Lucien Hervé

Author: Olivier Beer

Publisher: Getty Publications

Published: 2004

Total Pages: 228

ISBN-13: 9780892367542

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Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, Hervé defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework. For too long, Hervé the master of architectural photography has eclipsed Hervé the photographer whose career began as early as 1938 and whose subject matter varied widely. Featuring more than one hundred of his photographs in every genre, this book celebrates Hervé's work as an artist, creating images that serve not simply as records but stand as works of a singular imagination.

NeoRealismo
NeoRealismo

Author: Enrica Vigano

Publisher: National Geographic Books

Published: 2018-09-04

Total Pages: 0

ISBN-13: 3791357697

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This stunning book explores Italian Neorealism in photography, as it documented Italy's economic and social conditions in the mid-20th century and its rise as a democratic nation. Originally used for Fascist propaganda, the camera in Italy became a tool for artists to reveal the poverty and oppression of their country and a way to instigate positive social development and create a national identity. The NeoRealismo style became a call for economic justice as well as an artistic movement that influenced the modern world. The achievements of that movement are celebrated in this book with more than 200 illustrations, including exquisitely reproduced photographs and magazine images as well as film stills and posters. Together these images portray the seismic changes that took place throughout Italy during and after the war. The migration from south to north, the rural and urban poverty, and the desire to establish a national identity are all given expression through the photographers' lenses. Accompanying essays discuss the technological changes that transformed the country, trace the evolution of Neorealist cinema, and explore how writers became part of this revolution. Beautiful, raw, and free of artifice, these images and the people who created them ushered a unique and fascinating moment in modern art history. Copublished by Admira and DelMonico Books

Italian Humanist Photography from Fascism to the Cold War
Italian Humanist Photography from Fascism to the Cold War

Author: Martina Caruso

Publisher: Routledge

Published: 2020-08-19

Total Pages: 230

ISBN-13: 1000211460

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Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.