Marianna Sirca

Marianna Sirca

Author: Grazia Deledda

Publisher: Fairleigh Dickinson Univ Press

Published: 2006

Total Pages: 182

ISBN-13: 9780838640685

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"Marianna Sirca is a 30-year-old woman of inherited wealth who lives in Nuoro, Sardinia. Because of her strong will and sense of independence, Marianna is the family "black sheep" - refusing to be married off to a distant relative in a social arrangement of convenience. Instead Marianna becomes involved with Simone Sole, a younger man who was a servant in the Sirca household in his youth and who is now an outlaw - wanted for banditry. Against the will of her entire family, the lovers plan to marry, but at Marianna's insistence only after Simone "gets right with the law." The novel traces the story of these two emarginated lovers through various twists and turns, ending with a typical Deleddan flourish that leaves the reader with a real awareness of Sardinian, social mores, values, attitudes, and tradition."--BOOK JACKET.


Marianna Sirca

Marianna Sirca

Author: Grazia Deledda

Publisher: E-text

Published: 2019-11-01

Total Pages: 233

ISBN-13: 8828101865

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La narrazione si svolge in un periodo storico imprecisato, ma vicino a quello in cui è stata scritta l’opera (1900-1915). I protagonisti sono Marianna Sirca, una giovane di origini modeste, arricchitasi dopo aver ereditato il patrimonio di un suo zio prete, ed il bandito Simone Sole.


Marianna Sirca

Marianna Sirca

Author: Maria Grazia Deledda

Publisher:

Published: 2021-08-04

Total Pages: 176

ISBN-13:

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Marianna Sirca è un romanzo scritto da Grazia Deledda e pubblicato per la prima volta a puntate nel 1915 sulle pagine de La Lettura, mensile del Corriere della Sera. È il primo dei romanzi di quella che si può considerare una vera e propria trilogia che comprende L'incendio dell'oliveto e si conclude con La madre. I protagonisti principali sono Marianna Sirca, una giovane di origini modeste, arricchitasi dopo aver ereditato il patrimonio di un suo zio prete a cui faceva la serva, e il bandito Simone Sole.


Grazia Deledda's Eternal Adolescents

Grazia Deledda's Eternal Adolescents

Author: Janice M. Kozma

Publisher: Fairleigh Dickinson Univ Press

Published: 2002

Total Pages: 228

ISBN-13: 9780838639351

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Throughout Deledda's novels, truncated maturity functions as a psychological undertow sucking down its sufferers and their loved ones to the depths of fictive drama."--BOOK JACKET.


Italian Women Writers, 1800–2000

Italian Women Writers, 1800–2000

Author: Patrizia Sambuco

Publisher: Rowman & Littlefield

Published: 2014-11-12

Total Pages: 199

ISBN-13: 1611477913

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Italian Women Writers, 1800–2000: Boundaries, Borders, and Transgression investigates narrative, autobiography, and poetry by Italian women writers from the nineteenth century to today, focusing on topics of spatial and cultural boundaries, border identities, and expressions of excluded identities. This book discusses works by known and less-known writers as well as by some new writers: Sibilla Aleramo, La Marchesa Colombi, Giuliana Morandini, Elsa Morante, Neera, Matilde Serao, Ribka Sibhatu, Patrizia Valduga, Annie Vivanti, Laila Waida, among others; writers who in their works have manifested transgression to confinement and entrapment, either social, cultural, or professional; or who have given significance to national and transnational borders, or have employed particular narrative strategies to give voice to what often exceeds expression. Through its contributions, the volume demonstrates how Italian women writers have negotiated material as well as social and cultural boundaries, and how their literary imagination has created dimensions of boundary-crossing.


Grazia Deledda's Dance of Modernity

Grazia Deledda's Dance of Modernity

Author: Margherita Heyer-Caput

Publisher: University of Toronto Press

Published: 2008-06-14

Total Pages: 329

ISBN-13: 1442692839

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Grazia Deledda (1871-1936) was the author of many influential novels and remains one of the most significant Italian women writers of her time. However, critics tend to pigeonhole her works into convenient literary categories and to ignore the uniqueness of her style and voice. Grazia Deledda's Dance of Modernity offers a timely and thought-provoking interpretation of this Nobel laureate, examining her work in the context of European philosophical and literary modernity. Margherita Heyer-Caput takes a philosophical and philological approach in order to provide a reassessment of Deledda's position in the literary canon. At the same time, she raises the larger issue of the status of allegedly 'regional' or 'minor' literatures within the context of Italian modernity. Dealing with four novels representative of Deledda's vast corpus, Heyer-Caput addresses and dismantles elements of regionalismo, verismo, and decadentismo, labels with which Deledda's works are regularly associated. This is the first volume to introduce some of Deledda's overlooked texts to an Anglophone audience. It invites readers to overturn established critical categories and to question margin-centre hierarchies both in the broad context of literary modernity and the narrower frame of Deledda's writing. Grazia Deledda's Dance of Modernity is a highly original and innovative interpretation of Deledda's narrative in philosophical perspective, which also includes the study of textual variations and considers cultural history in Italy during the early twentieth century. It is a much-needed examination of an important writer and how she managed to construct her own literary and gender identity in the context of modernity.


Italian Women at War

Italian Women at War

Author: Susan Amatangelo

Publisher: Rowman & Littlefield

Published: 2016-08-03

Total Pages: 209

ISBN-13: 1611479541

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Italian Women at War: Sisters in Arms from Unification to the Twentieth Century offers diverse perspectives on Italian women’s participation in war and conflict throughout Italy’s modern history, contributing to the ongoing scholarly conversation on this topic. Part one of the book focuses on heroines who fought for Italy’s Unification and on the anti-heroines, or brigantesse, who opposed such a momentous change. Part two considers exceptional individuals, such as Eva Kühn Amendola, who combatted both with her body and her pen, as well as collective female efforts during the world wars, whether military or civilian. In part three, where the context is twentieth-century society, the focus shifts to those women engaged in less conventional conflicts who resorted to different forms of revolt, including active non-violence. All of the women presented across these chapters engage in combat to protest a particular state of affairs and effect change, yet their weapons range from the literal, like Peppa La Cannoniera’s cannon, to the metaphorical, like Letizia Battaglia’s camera. Several of the essays in this volume discuss fictional heroines who appear in works of literature and film, though all are based on actual women and reference real historical contexts. Italian Women at War furthers the efforts begun decades ago to recognize Italian women combatants, especially in light of the recent anniversary of the Unification in 2011 and global discussions regarding the role of women in the military. Its aim is not to glorify violence and war, but to celebrate the active role of Italian women in the evolution of their nation and to demystify the idea of the woman warrior, who has always been viewed either as an extraordinary, almost mythical creature or as an affront to the traditional feminine identity.


Sardinia on Screen

Sardinia on Screen

Author: Maria Bonaria Urban

Publisher: Rodopi

Published: 2013-11-01

Total Pages: 570

ISBN-13: 9401210012

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This volume explores how Sardinians and Sardinia have been portrayed in Italian cinema from the beginning of the 20th century until now, starting from the examination of Sardinian tropes in a wide range of texts – travel writing, fictional sources, essays and academic works. The purpose is to shed light on the cultural construction of the Sardinian character and to reveal the ideology that is behind this process. Hence the volume challenges topics such as the dynamics between verbal and visual imagery, and the intertwining between discourse, images and audience. It addresses the following questions: how was the Sardinian character translated from texts into films? Which strategies were developed to define Sardinian images on screen? For whom were these images intended? Which ideology lies behind the images? Focusing on cultural images within film and literature, this volume is of interest to those working in imagology, comparative, cultural and Italian studies.


Italian Literature since 1900 in English Translation

Italian Literature since 1900 in English Translation

Author: Robin Healey

Publisher: University of Toronto Press

Published: 2019-03-14

Total Pages: 1104

ISBN-13: 1487531907

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Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.


Grazia Deledda

Grazia Deledda

Author: Martha King

Publisher: Troubador Publishing Ltd

Published: 2005

Total Pages: 254

ISBN-13: 9781904744672

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This is a timely and extensive biography of a writer who, in the early twentieth century, achieved such status in the literary world that publishers in Italy vied for her novels, and editors felt honoured to publish her short stories and 'sketches'. Now, almost seventy years after her death, her novels continue to be reprinted and translated, and critical appreciation of her work continues to grow. Her works still live and have the power to move her readers.