A Poetry Book Society Special Commendation 50p from each sale will be donated to Friends of the Earth, the UK's largest grassroots environmental campaigning organisation, in celebration of their 50th anniversary. "The definitive anthology for this decisive decade" -- Poetry Book Society "The best eco-themed anthology to emerge this year ... dynamic, elegiac and hopeful" -- Rishi Dastidar, Guardian Books of the Year 2021 If you compressed the whole of Earth's history into a single day, the first humans that look like us would appear at less than four seconds to midnight. In the last few seconds, we begin to burn fossil fuels at an alarming rate. The Anthropocene is an artificial geological epoch of our own design - one defined by emergency, with disastrous ecological effects rippling outwards across the entire globe. The illusions of civilisation, progress and choice are crumbling around us, and we are out of time. Out of Time is curated to include five key thematic sections - sequenced to take readers on a journey through various responses to climate emergency today. These sections include Emergency, Grief, Transformation, Work and Rewilding. The featured poems move through anger, confusion, violence and disarray - spheres of dystopia and decimation - to grief, desperation and lethargy, right through to modes of transformation, fable and utopia as well as rites of passage, activism and work. Finally, we land on tender (if fragile) moments of hope, where humans can be both included or excluded from the picture at will. This powerful, timely anthology engages with the power of poetry to ask questions, subvert expectations and raise reader awareness in 2021 - a year defined by responsibility, accountability and opportunity. Edited with an insightful introduction by Kate Simpson and featuring original work from the likes of Caroline Bird, Inua Ellams, Pascale Petit, Karen McCarthy Woolf, Rachael Allen, Raymond Antrobus and Mary Jean Chan, this collection of 50 poems is galvanising, offering compressed worlds, ecosystems and alternate realities - all ready to be opened up, expanded and explored.
In her debut collection, Monica Sok uses poetry to reshape a family’s memory about the Khmer Rouge regime—memory that is both real and imagined—according to a child of refugees. Driven by myth-making and fables, the poems examine the inheritance of the genocide and the profound struggles of searing grief and PTSD. Though the landscape of Cambodia is always present, it is the liminal space, the in-betweenness of diaspora, in which younger generations must reconcile their history and create new rituals. A Nail the Evening Hangs On seeks to reclaim the Cambodian narrative with tenderness and an imagination that moves towards wholeness and possibility.
Raking Light is Eric Langley's début collection of poems. Characterised by his rigorous fascination with language's latent etymologies and semantic layers, Langley's poems take their cue from the artconservation technique of 'raking light', in which an oblique beam is thrown across the surface of a picture to expose its textures and overlays. Under raked light, paint reveals its damage and deterioration, its craquelure and canvas-warp, and discloses a backstory of abandoned intentions. With his attentiveness to resonance and echo, Langley picks up on lost meanings and buried contradictions in language, probing its abandoned significances. Finding traces of obscured sense or inarticulacy, his verse picks at words to test their efficacy and authenticity, feeling out their substance, proving their worth. These are poems – elegies, love lyri – concerned with miscommunication, with intentions gone astray, with loss and the uncertainties inherent in interaction. They are excited and exciting, defusing and detonating by turns the 'hectic honeyed hand-grenades / in amongst your alphabets'. // 'Eric Langley's poems energise the mind by means of virtuoso orchestration and exhilarating rhythmic daring and control. You feel that if you look away from the line for even a second you might end up driving into a ditch.' Peter Hughes
The prose poetry in Kevin Phan's first collection, Dears, Beloveds, offers a fine-grained meditation on grief--personal, familial, ecological, and political. Informed by the author's engagement with Buddhism & mindfulness, the poems address looming absences: in our vanishing earth, the scraps of a haunting voicemail, or waiting at hospice with little to do. In these pages, the poet fights his way out of isolation, to establish filigrees of connectedness with himself, other humans, and the natural world. Whether meditating on the bodily loss of his cancer-stricken mother, the Black Lives Matter movement, or a shadow falling from a speck of dust in the kitchen, these lines are notable for their crisp and surprising movements, lucid imagery, aching tenderness, & humanity. Dears, Beloveds reminds us of the ironies, beauty, and complexity of our time on earth, as beings in time. Where we hurt. Where we heal each other.
An anthology of stories, poems, and essays by adolescent boys on issues that concern them, including identity, girls, death, anger, appearance, and family.
*A Barnes & Noble Teen Blog's Most Anticipated LGBTQAP YA Book of 2019* Jenna Watson is a cheerleader. And she wants you to know it’s not some Hollywood crap: they are not every guy’s fantasy. They are not the “mean girls” of Marsen High School. They’re literally just human females trying to live their lives and do a perfect toe touch. And their team is at the top of their game. They’re a family. But all that changes when Jenna’s best friend stops talking to her. Suddenly, she’s not getting invited out with the rest of the squad. She’s always a step behind. And she has no idea why. While grappling with post-cheer life, Jenna explores things she never allowed herself to like, including LARPing (live action role playing) and a relationship with a trans guy that feels a lot like love. When Jenna loses the sport and the friends she’s always loved, she has to ask herself: What else is left?
Presents forty-one of the author's favorite poems, including a variety of short poems, poems about her bichon Percy, and such classics as "Doesn't Every Poet Write a Poem about Unrequited Love?" and "The Dipper."
“This impassioned book invites readers to the deep end of life where authentic soul work and human transformation become pressing concerns.” —Publishers Weekly 2019 Independent Publisher Book Awards Gold Medalist in the Aging/Death & Dying Category From bestselling author Parker J. Palmer comes a brave and beautiful book for all who want to age reflectively, seeking new insights and life-giving ways to engage in the world. “Age itself,” he says, “is no excuse to wade in the shallows. It’s a reason to dive deep and take creative risks.” Looking back on eight decades of life—and on his work as a writer, teacher, and activist—Palmer explores what he’s learning about self and world, inviting readers to explore their own experience. In prose and poetry—and three downloadable songs written for the book by the gifted Carrie Newcomer—he meditates on the meanings of life, past, present, and future. With compassion and chutzpah, gravitas and levity, Palmer writes about cultivating a vital inner and outer life, finding meaning in suffering and joy, and forming friendships across the generations that bring new life to young and old alike. “This book is a companion for not merely surviving a fractured world, but embodying—like Parker—the fiercely honest and gracious wholeness that is ours to claim at every stage of life.” —Krista Tippett, New York Times-bestselling author of Becoming Wise “A wondrously rich mix of reality and possibility, comfort and story, helpful counsel and poetry, in the voice of a friend . . . This is a book of immense gratitude, consolation, and praise.” —Naomi Shihab Nye, National Book Award finalist