(Guitar Recorded Versions). A dozen authentic guitar transcriptions with notes and tablature from the 2020 release by this blues/southern rock band hailing from South Carolina. Includes: Beautiful Stranger * Break * Love Song * No Pain * One Day She's Here * Say You Will * Sweet Mariona * Too Much Whiskey * Turn It Up * The Well * Wildflowers & Wine * Young Man's Dream.
(Guitar Recorded Versions). 17 classics from Petty's vast repertoire, newly transcribed with tab: American Girl * Breakdown * Don't Come Around Here No More * Don't Do Me like That * Even the Losers * A Face in the Crowd * Free Fallin' * Here Comes My Girl * I Need to Know * I Won't Back Down * Into the Great Wide Open * Learning to Fly * Listen to Her Heart * Mary Jane's Last Dance * Refugee * Runnin' Down a Dream * Stop Draggin' My Heart Around.
(Guitar Method). The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use beginner's guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to teach you the basics of the classical style and technique. The book includes pieces by Beethoven, Bach, Mozart, Schumann, Purcell and many more and includes lessons on: tuning * proper playing technique * notes in open position * PIMA technique * time signatures * key signatures * scales * chords * and more. Includes access to audio demo tracks online for download or streaming.
The country music superstar shares what the guitar has meant to him as a means of finding his own voice, who inspired his love of music, and memorable stories about the great guitar players he has encountered over the years.
This new edition of Understanding Morphology has been fully revised in line with the latest research. It now includes 'big picture' questions to highlight central themes in morphology, as well as research exercises for each chapter. Understanding Morphology presents an introduction to the study of word structure that starts at the very beginning. Assuming no knowledge of the field of morphology on the part of the reader, the book presents a broad range of morphological phenomena from a wide variety of languages. Starting with the core areas of inflection and derivation, the book presents the interfaces between morphology and syntax and between morphology and phonology. The synchronic study of word structure is covered, as are the phenomena of diachronic change, such as analogy and grammaticalization. Theories are presented clearly in accessible language with the main purpose of shedding light on the data, rather than as a goal in themselves. The authors consistently draw on the best research available, thus utilizing and discussing both functionalist and generative theoretical approaches. Each chapter includes a summary, suggestions for further reading, and exercises. As such this is the ideal book for both beginning students of linguistics, or anyone in a related discipline looking for a first introduction to morphology.
Contemporary Christian musiccommonly referred to by the acronym CCMis a catchall term that describes a wide range of types of music, encompassing work produced in the late 1960s to the 21st century, and incorporating rock and folk music influences. Contemporary Christian music enjoys widespread popularity, despite being unfamiliar to many modern music listeners; in recent years, sales of CCM have exceeded other more mainstream categories like jazz, Latin, and classical. This book tells the story of contemporary Christian music over the course of more than half a century--a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized. Christian theology has had a tremendous impact and influence on world civilization in the 20th and 21st centuries, and music has often acted as a catalyst in the evolution of the culture and religious thought of Western civilization. Similarly, contemporary Christian music has shaped other seemingly unrelated forums of modern music, and thereby influenced our society at large. Jesus Rocks the World: The Definitive History of Contemporary Christian Music is organized chronologically, beginning in the 1960s and concluding with present-day developments in CCM. The core of the book is formed around the author's 40 years of direct experience with CCM, condensed into cultural and musical histories that explore every aspect of the genre, including the key artists, CCM-specific record companies, epic concerts and unforgettable festivals, groundbreaking albums, and its underlying philosophy and theology. Special attention is also paid to the intersection of contemporary Christian music with general market pop music, making mention of top artists such as Bob Dylan, Amy Grant, and U2. Bob Gersztyn has been a freelance photojournalist and writer since 1994. He was previously an ordained minister who became involved in the Jesus movement in Los Angeles, CA, in 1971.Publisher's note.
