Grounded in both theory and ethnography, this volume insists on taking social positionality seriously when accounting for Africa’s current age of polarizing wealth. To this end, the book advocates a multidimensional view of African societies, in which social positions consist of a variety of intersecting social powers - or ‘capitals’ – including wealth, education, social relationships, religion, ethnicity, and others. Accordingly, the notion of social im/mobilities emphasizes the complexities of current changes, taking us beyond the prism of a one-dimensional social ladder, for social moves cannot always be apprehended through the binaries of ‘gains’ and ‘losses’.
This guide is the perfect companion for the international business traveller who wants to have the best of both worlds - business and leisure. It offers comprehensive info which is either difficult to find or simply doesn't exist elsewhere. All sections include full contact info (telephone, fax, email, website, postal addresses).
"Provides comprehensive information on the geography, history, governmental structure, economy, cultural diversity, peoples, religion, and culture of Mozambique"--Provided by publisher.
What has been the recent performance of the agricultural sector in Mozambique and the progress made thus far toward achieving the objectives established under the Comprehensive Africa Agriculture Development Programme (CAADP) initiative for Mozambique that began in late-2011?
Addressing two sets of concerns, this report covers both the abuses relating to the seventeen years of war between the Mozambique Armed Forces and the rebel Mozambique National Resistance, as well as the reforms instigated by the ruling Mozambique Liberation Front under President Joachim Chissano. Africa Watch evaluates the progress made by the Liberation Front government toward a democratic system of government that respects civil and political rights. The 1990 Constitution and related legislation are the centerpiece of this transition, and represent the most wholehearted attempt to build an institutional and legal framework to guarantee respect for human rights so far attempted in the history of Mozambique. Major concerns remain, however, relating to the ability of the government to implement the promised changes.
The Art of Emergency charts the maneuvers of art through conflict zones across the African continent. Advancing diverse models for artistic and humanitarian alliance, the volume urges conscientious deliberation on the role of aesthetics in crisis through intellectual engagement, artistic innovation, and administrative policy. Across Africa, artists increasingly turn to NGO sponsorship in pursuit of greater influence and funding, while simultaneously NGOs-both international and local-commission arts projects to buttress their interventions and achieve greater reach and marketability. The key values of artistic expression thus become "healing" and "sensitization," measured in turn by "impact" and "effectiveness." Such rubrics obscure the aesthetic complexities of the artworks and the power dynamics that inform their production. Clashes arise as foreign NGOs import foreign aesthetic models and preconceptions about their efficacy, alongside foreign interpretations of politics, medicine, psychology, trauma, memorialization, and so on. Meanwhile, each community embraces its own aesthetic precedents, often at odds with the intentions of humanitarian agencies. The arts are a sphere in which different worldviews enter into conflict and conversation. To tackle the consequences of aid agency arts deployment, volume editors Samuel Mark Anderson and Chérie Rivers Ndaliko assemble ten case studies from across the African continent employing multiple media including music, sculpture, photography, drama, storytelling, ritual, and protest marches. Organized under three widespread yet under-analyzed objectives for arts in emergency-demonstration, distribution, and remediation-each case offers a different disciplinary and methodological perspective on a common complication in NGO-sponsored creativity. By shifting the discourse on arts activism away from fixations on message and toward diverse investigations of aesthetics and power negotiations, The Art of Emergency brings into focus the conscious and unconscious configurations of humanitarian activism, the social lives it attempts to engage, and the often-fraught interactions between the two.
This new seventh edition of Bradt's Mozambique remains the most established and only standalone guide to this alluring country. Complete with in-depth coverage of transport, wildlife, history, culture and accommodation, plus invaluable practical advice and regional and local maps, this honest handbook will help you plan the perfect visit. Particularly useful is the selection of reputable local tour operators. Mozambique is very much a country of two halves. The tourism-savvy south offers palm-lined tropical beaches, luxury lodges and diving to rank with the best in the world, plus the capital Maputo, a city oozing with Afro-Mediterranean flair. The undeveloped northern mainland, by contrast, is one of Africa's last frontiers, with thrillingly vast game reserves and stunning coastal panoramas that draw intrepid travellers to those hankering after barefoot luxury. With economy-boosting oil and natural gas potential on the horizon, Mozambique is on its way to reclaiming its standing as one of Africa's top destinations. However, despite being one of Africa's fastest developing tourist countries, it still offers the opportunity to experience the 'quintessential Africa'. Having once stood in the ranks with South Africa, over twenty years of post-civil war development and one of Africa's highest growth rates are drawing tourists back to its 2,500km of pristine, palm-fringed coastline. Best visited between May and October, Mozambique is dotted north to south with natural, historical, cultural, and architectural wonders remnant of its varied and notable past history of exploration, trade, and cultural fusion. Highlights include the UNESCO world heritage site, Ilha de Moçambique, a 16th- century Arab and Portuguese trading post, ancient rock art at Chinhamapere Hill, tea plantations and an exploration of Mount Namuli from the highland mountain town of Gurué, while the coast - home to more than 2,000 species of marine fish and five of seven endangered sea turtle species - boasts a plethora of delights, from windsurfing in Pemba and surfing in Tofto to diving and snorkelling off the islands of Bazaruto Archipelago (Bazaruto National Park), not to mention some of the richest coral reefs in the world., home to over 1,200 species and five of seven endangered sea turtles. With in-depth coverage and practical advice for all budgets, the Bradt guide leads the way.
Being a first of its kind, this volume comprises a multi-disciplinary exploration of Mozambique’s contemporary and historical dynamics, bringing together scholars from across the globe. Focusing on the country’s vibrant cultural, political, economic and social world – including the transition from the colonial to the postcolonial era – the book argues that Mozambique is a country still emergent, still unfolding, still on the move. Drawing on the disciplines of history, literature studies, anthropology, political science, economy and art history, the book serves not only as a generous introduction to Mozambique but also as a case study of a southern African country. Contributors are: Signe Arnfred, Bjørn Enge Bertelsen, José Luís Cabaço, Ana Bénard da Costa, Anna Maria Gentili, Ana Margarida Fonseca, Randi Kaarhus, Sheila Pereira Khan, Maria Paula Meneses, Lia Quartapelle, Amy Schwartzott, Leonor Simas-Almeida, Anne Sletsjøe, Sandra Sousa, Linda van de Kamp.
