AC

AC

Author: Bruce Nauman

Publisher: Walther Konig Verlag

Published: 2003

Total Pages: 52

ISBN-13:

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Essay by Christine Litz. Foreword by Kasper Kanig.


Mapping Krasinski's Studio

Mapping Krasinski's Studio

Author: Edward Krasinski

Publisher: Jrp Ringier

Published: 2018-11

Total Pages: 88

ISBN-13: 9783037645321

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This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894-1988) and Edward Krasinski (1925-2004)--a lively artistic and social space shared by multiple artists. Referencing Daniel Spoerri's landmark artist's book An Anecdoted Topography of Chance (1962), it interweaves a detailed photographic survey of the studio--still preserved today as it was after Krasinski's death in 2004--by Polish photographer Pawel Bownik with numerous short stories written by relatives, artists, critics, curators and friends of both artists in commemoration of the importance of this location in the definition and social life of the Polish avant-garde, and in the dialogue between Western and Eastern European contemporary art scenes. Contributors include Daniel Buren, Andrzej Przywara, Anka Ptaszkowska, Joann Mytleowska, Adam Szymczyk and many others.


Mapping the Terrain

Mapping the Terrain

Author: Suzanne Lacy

Publisher:

Published: 1995

Total Pages: 300

ISBN-13:

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"In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... "--Amazon.


Map Art Lab

Map Art Lab

Author: Jill K. Berry

Publisher: Quarto Publishing Group USA

Published: 2014-05-01

Total Pages: 147

ISBN-13: 1627880313

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Explore the world of cartography with this collection of creative map-related projects—for artists of all ages and experience levels. This fun and creative book features fifty-two map-related activities set into weekly exercises, beginning with legends and lines, moving through types and styles, and then creating personalized maps that allow you to journey to new worlds. Authors Jill K. Berry and Linden McNeilly guide you through useful concepts while exploring colorful, eye-catching graphics. Maps are beautiful and fascinating, they teach you things, and they show you where you are, places you long to go, and places you dare to imagine. The labs can be used as singular projects or to build up to a year of hands-on creative experiences. Map Art Lab is the perfect book for map lovers and DIY-inspired designers. Artists of all ages and experience levels can use this book to explore enjoyable and engaging exercises. “Learn about cartography, topography, legends, compasses, and more in this adventurous DIY map book.” —Cloth Paper Scissors Magazine “Every art teacher should have a copy of this book.” —Katharine Harmon, author of The Map as Art: Contemporary Artists Explore Cartography


Mapping Music

Mapping Music

Author: Rebecca Payne Shockley

Publisher: A-R Editions, Inc.

Published: 2001-12-01

Total Pages: 140

ISBN-13: 0895794888

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Paula Scher: MAPS

Paula Scher: MAPS

Author: Paula Scher

Publisher: Princeton Architectural Press

Published: 2011-10-19

Total Pages: 144

ISBN-13: 9781616890339

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In the early 1990s, celebrated graphic designer Paula Scher (Make It Bigger, 2002) began painting maps of the world as she sees it. The larger her canvases grew, the more expressionistic her geographical visions became. Displaying a powerful command of image and type, Scher brilliantly transformed the surface area of our world. Paintings as tall as twelve feet depict continents, countries, and cities swirling in torrents of information and undulating with colorful layers of hand-painted boundary lines, place-names, and provocative cultural commentary. Collected here for the first time, Paula Scher MAPS presents thirty-nine of Scher's obsessively detailed, highly personal creations.


Street to Studio

Street to Studio

Author: Rafael Schacter

Publisher: Lund Humphries Publishers Limited

Published: 2018

Total Pages: 0

ISBN-13: 9781848222366

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"For fifty years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where these alternative artforms are situated today. Introducing the concept of 'Intermural Art' - art in-between the walls - Rafael Schacter presents a genre at a key moment of transition. While many street and graffiti artists are still challenging the orthodoxies of the public sphere, an increasingly prevalent group are reshaping the field by their studio practice. No longer furtively entering the institution, no longer slavishly reproducing exterior works inside, these artists have begun to create a form that articulates graffiti, street and contemporary-art influences, a form beholden on high art techniques and practices whilst simultaneously embracing its non-institutional roots. Through forty profiles of the leading proponents of this new approach from around the globe, Rafael Schacter presents a compelling analysis for 'Intermural Art' while also showcasing some of the boldest work being made within contemporary art today."--Page 4 de la couverture.


Walking and Mapping

Walking and Mapping

Author: Karen O'Rourke

Publisher: MIT Press

Published: 2016-02-12

Total Pages: 349

ISBN-13: 0262528959

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An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS. From Guy Debord in the early 1950s to Richard Long, Janet Cardiff, and Esther Polak more recently, contemporary artists have returned again and again to the walking motif. Today, the convergence of global networks, online databases, and new tools for mobile mapping coincides with a resurgence of interest in walking as an art form. In Walking and Mapping, Karen O'Rourke explores a series of walking/mapping projects by contemporary artists. She offers close readings of these projects—many of which she was able to experience firsthand—and situates them in relation to landmark works from the past half-century. Together, they form a new entity, a dynamic whole greater than the sum of its parts. By alternating close study of selected projects with a broader view of their place in a bigger picture, Walking and Mapping itself maps a complex phenomenon.


Art as Inquiry

Art as Inquiry

Author: Marga Bijvoet

Publisher: Peter Lang Incorporated, International Academic Publishers

Published: 1997

Total Pages: 304

ISBN-13:

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Explores the continuing development of art from the late 1960s to the development of current movements of art in public places and media art, focussing on the roles of individual artists. Part I deals with environmental art forms and the art and technology movement in relation to the new ideas of systems analysis and cybernetics. Part II looks at artists who moved into the environment and whose work can be interpreted as a layering of different elements. Part III examines the introduction of media like video and computers and other digital technologies into the visual arts. For students and artists. Annotation copyrighted by Book News, Inc., Portland, OR


Screens

Screens

Author: Kate Mondloch

Publisher: U of Minnesota Press

Published: 2010

Total Pages: 155

ISBN-13: 0816665214

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Media screens--film, video, and computer screens--have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses this gap, offering a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes. Examining a range of installations created over the past fifty years that investigate the rich terrain between the sculptural and the cinematic, including works by artists such as Eija-Liisa Ahtila, Doug Aitken, Peter Campus, Dan Graham, VALIE EXPORT, Bruce Nauman, and Michael Snow, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today's digital culture. Mondloch identifies a momentous shift in contemporary art that challenges key premises of spectatorship brought about by technological objects that literally and metaphorically filter the subject's field of vision. As a result she proposes that contemporary viewers are, quite literally, screen subjects and offers the unique critical leverage of art as an alternative way to understand media culture and contemporary visuality.