Embark on a transformative journey with 'Manusmriti for Every Teenager,' a beacon of timeless wisdom tailored for today's youth. Uncover the secrets to self-discovery, resilient mindset, ethical leadership, and holistic success. Each chapter is a compass guiding teenagers through life's maze from understanding emotions to career choices, fostering resilience, and nurturing a global mindset. With profound verses as guiding stars, this book is a treasure trove of ancient wisdom, translating Manusmriti's teachings into practical, empowering lessons for the modern teenager. Illuminate your path, embrace growth, and discover the keys to a purposeful and fulfilling life.
As an ardent Hindu and amateur historian, I always looked for some Hindu links or Hindu influence. When I saw Roman and Greek monuments and sculptures, I noticed a lot of Hindu impact on them. The Lion Throne is a common word used in Hindu stories. I saw proper, but huge, Lion thrones in Rome Museum. Hindu Swastika symbol also was visible very much on pots and urns.
Teenage Diaries: A Coming of Age Collection of Poems" is a poetry collection that delves into the life of teenagers. Each poem in this book reveals the truths and emotions of our minds, written in simple and relatable language. With 50 poems, you will discover the magic of adolescence and realize you are not alone in this journey. These poems serves as a window into the truth and authenticity of teenage life, expressed through simple yet profound language. Whether it is about love, identity, friendship, or the challenges faced by youngsters.As teenage perspectives evolve with each generation, this book will be cherished for capturing the emotions and perceptions of today's youth.
Gandhi, a devout Hindu, believed faith could nurture the civilizational harmony of India, a land where every religion had flourished. Jinnah, a political Muslim rather than a practicing believer, was determined to carve up a syncretic subcontinent in the name of Islam. His confidence came from a wartime deal with Britain, embodied in the 'August Offer' of 1940. Gandhi's strength lay in ideological commitment which was, in the end, ravaged by the communal violence that engineered partition. The price of this epic confrontation, paid by the people, has stretched into generations. M.J. Akbar's book, meticulously researched from original sources, reveals the astonishing blunders, lapses and conscious chicanery that permeated the politics of seven explosive years between 1940 and 1947. Facts from the archives challenge the conventional narrative, and disturb the conspiratorial silence used to protect the image of famous icons. Gandhi's Hinduism: The Struggle Against Jinnah's Islam delves into both the ideology and the personality of those who shaped the fate of a region between Iran and Burma. It is essential reading for anyone interested in modern Indian history, and the past as a prelude to the future.
This volume maps the breadth and domain of genre literature in India across seven languages (Tamil, Urdu, Bangla, Hindi, Odia, Marathi and English) and nine genres for the first time. Over the last few decades, detective/crime fiction and especially science fiction/fantasy have slowly made their way into university curricula and consideration by literary critics in India and the West. However, there has been no substantial study of genre fiction in the Indian languages, least of all from a comparative perspective. This volume, with contributions from leading national and international scholars, addresses this lacuna in critical scholarship and provides an overview of diverse genre fictions. Using methods from literary analysis, book history and Indian aesthetic theories, the volume throws light on the variety of contexts in which genre literature is read, activated and used, from political debates surrounding national and regional identities to caste and class conflicts. It shows that Indian genre fiction (including pulp fiction, comics and graphic novels) transmutes across languages, time periods, in translation and through publication processes. While the book focuses on contemporary postcolonial genre literature production, it also draws connections to individual, centuries-long literary traditions of genre literature in the Indian subcontinent. Further, it traces contested hierarchies within these languages as well as current trends in genre fiction criticism. Lucid and comprehensive, this book will be of great interest to academics, students, practitioners, literary critics and historians in the fields of postcolonialism, genre studies, global genre fiction, media and popular culture, South Asian literature, Indian literature, detective fiction, science fiction, romance, crime fiction, horror, mythology, graphic novels, comparative literature and South Asian studies. It will also appeal to the informed general reader.
The novel alludes to the role on her personal life played by the unprecedented bloodshed in the entire human history during the exodus of people from the newly created Pakistan to India, which was the result of the tragic partition of the country that accompanied independence from the British rule in August 1947. Indias non-violent freedom-struggle led by Mahatma Gandhi brought to the forefront many great national leaders. Among them, Sardar Patel, hailing from the state of Gujarat and free Indias first Home Minister, was aptly called the Iron-Man of India he is credited for a courageous and tactful unification of 565 princely states into the new Indian Republic. Narendra Modi, the present-day Chief Minister of Gujarat, is depicted in this novel as kind of a reincarnation of Patel, as he conducts a campaign as one of the prime ministerial candidate for the national election to be held in 2014. Modi lays bare the British-style divide-and-rule policy, vote-bank policy, and many other scandals of corruption under the presently ruling Congress Party. This novel tells the story of Kamala enmeshed with the story of the nation at large in a fast-moving tempo and is likely to become a unique literary creation of its kind. The writer has authored twenty books, and this novel is an extension of his earlier fiction called The Next Life, published in United States about a year ago. Naturally, many political episodes and undercurrents touching upon a number of other countries United States, Italy, Pakistan, Afghanistan, China, Russia come to light. Thus, this novel is not only the recount of the struggle of an individual to win over odds of life and of her transformation, it is also a succinct record of the true happenings in India of yore as well as of India of today, intertwined in an absorbing tale of fiction and reality. Readers in India as well as elsewhere will find this story intriguing, moving, entertaining, and even inspiring.
THE NEXT LIFE, a Novel by Ashok Sinha, author of 20 books, is the story of an Indian womans triumph against depression. A set of characters are involved in her journey her husband, her sons, her psychiatrist, her hypnotist, her favorite hero of the Indian Film-world called Bollywood. As her story progresses, there unfolds a parallel set of stories from ancient India featuring emperors and sages; as also does Indias present socio-politico-religious scene. Naturally, many political episodes and undercurrents touching upon a number of other countries of the world Pakistan, United States of America, China, Russia, Italy come into light. Thus, this novel is not only a depiction of the struggle of an individual to win over odds of life and of her buoyant transformation, it is also a succinct record of the true happenings in India of the yore as well as of India of today, woven and intertwined in an absorbing frame of fiction and reality. Readers in India as well as anywhere else in the world would find this story touching and moving; entertaining and even educational.
The author aims to use Kuchipudi Indian classical Hindu dance to educate non-Hindus about Hinduism with postcolonialism in mind. This goal arises from her dance experiences and the historical era of imperialism. Colonization occurs when those in power believe there is a need to dominate in a manner that subjugates people. Colonizers created colonies as they moved into territory because they felt there was a need to “civilize” the so-called savages of the land. Postcolonialism is an intellectual discourse that confronts the legacy of colonialism and attempts to de-colonize. With the legacy of colonialism and a postcolonial lens in mind, some research questions arise. How does she, as a Kuchipudi dancer, use Hindu dance to educate non-Hindus about the Eastern literature of Hinduism? For non-Hindus, she feels the power of the exoticizing gaze when she dances, which might very well block the educational intention of the dance. This exoticizing gaze prevents the understanding of the traditional nature of the dance and the introduction to Hinduism as a world religion. The author’s problem is moving the exotic gaze of non-Hindus to an educational gaze that seeks to learn about the ethics of Hinduism in a manner that takes into consideration the multiple perspectives of the complex society we live in today. “In short, MisirHiralall’s research highlights the role of contemplation and critical-self reflection in creating opportunities for true intercultural relations that respect the epistemologies of traditionally marginalized and stigmatized non-Western religions and cultures. This is essential theoretical and practical research for a multicultural society that is grounded in first-person, lived experience.” – Tyson E. Lewis, Ph.D., Associate Professor of Art Education, University of North Texas “Most impressive is that MisirHiralall is walking her talk through a thoughtful and lyrical self-study that is situated in the in-between: between the mind and body, the gaze of the Other and the self, the Eastern and Western worlds, and the fields of dance, religion, philosophy, cultural studies, and teacher education.” – Monica Taylor, Ph.D., Professor and Deputy Chair of the Department of Secondary and Special Education, Montclair State University “In MisirHiralall’s Confronting Orientalism, the reader is gifted with a rare glimpse into a philosopher-educator’s wrestling with her teaching through the medium of Hindu dance .... All who think seriously about the context and impact of their teaching in connection with their core values can benefit from reading of this book.” – Michael D. Waggoner, Ph.D., Professor of Postsecondary Education, University of Northern Iowa, Editor of Religion & Education
