Ceramics and Globalization
Ceramics and Globalization

Author: Neil Ewins

Publisher: Bloomsbury Publishing

Published: 2017-05-04

Total Pages: 231

ISBN-13: 1474289908

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Neil Ewins' study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways. Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer. Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made. Overall, the book argues that UK ceramics remain culturally complex because of issues of supply and demand, and ties to heritage, imagined or otherwise. Within a context of globalization, the book highlights compelling issues which have huge ramifications on UK manufacturing futures.

Global Objects
Global Objects

Author: Edward S. Cooke, Jr.

Publisher: Princeton University Press

Published: 2022-10-04

Total Pages: 336

ISBN-13: 0691237557

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A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses Art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.

18th and 19th Century Porcelain Analysis
18th and 19th Century Porcelain Analysis

Author: Howell G. M. Edwards

Publisher: Springer Nature

Published: 2020-07-13

Total Pages: 344

ISBN-13: 3030421929

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This book addresses the contributions made by analytical chemistry to the characterisation of 18th and early 19th Century English and Welsh porcelains commencing with the earliest reports of Sir Arthur Church and of Herbert Eccles and Bernard Rackham using chemical digestion techniques and concluding with the most recent instrumental experiments, which together span more than a hundred years of study. From the earliest experiments which required necessarily the sacrifice of significant portions of each specimen, which may already have been damaged , to the latest experiments which needed only microsampling or the non-destructive interrogation of valuable perfect specimens a comprehensive survey is undertaken of more than twenty manufactories of quality porcelains. The correlation is made between the quantitative elemental oxide determinations of the scanning electron microscopic diffraction and Xray fluorescence data and the qualitative molecular spectroscopic Raman data to demonstrate their complementarity and use in the holistic forensic assessment of the origin of the fired procelains ; this will form the groundwork for the adoption of analytical techniques for the attribution of unknown or questionable procelains to their potential source factories . The book will also examine the perception of what constitutes a porcelain and its definitions and examines the assignment of porcelains to types which currently employs the definitions of hard paste , soft paste , hybrid , magnesian and bone china from the conclusions derived from the analytical data and a consideration of the raw materials employed in their manufacturing processes. During the discussion of this analytical evidence several themes and protocols have been established for its utilisation in the potential identification of porcelains and several case studies undertaken for this purpose are cited. The book will be of interest to analytical scientists , to museum ceramics curators and to ceramics historians.

The Materials of Sculpture
The Materials of Sculpture

Author: Nicholas Penny

Publisher: Yale University Press

Published: 1993-01-01

Total Pages: 332

ISBN-13: 9780300065817

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Surveying the sculpture of many civilizations from ancient Egypt to 20th-century North America, this book provides a basic introduction to the nature of materials used by sculptors, examining how these were regarded as well as how they were worked in different periods and in different cultures.

Hungarian Ceramics from the Zsolnay Manufactory, 1853-2001
Hungarian Ceramics from the Zsolnay Manufactory, 1853-2001

Author: Piroska Ács

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 279

ISBN-13: 0300097042

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The Zsolnay Manufactory represents a triumph of Hungarian applied arts, for during its heyday it produced elegant and innovative ceramics for an international clientele as well as architectural ceramics that embellished some of the finest public and private buildings in the Austro-Hungarian empire. This manual recounts the story of the 150-year-old company and presents numerous examples of its work, showing how its changing fortunes reflect the cultural, economic and political developments in Central and Eastern Europe.

The Archaeology of North American Farmsteads
The Archaeology of North American Farmsteads

Author: Mark D. Groover

Publisher: University Press of Florida

Published: 2022-06-01

Total Pages: 157

ISBN-13: 0813072786

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From the early colonial period to the close of World War II, life in North America was predominantly agrarian and rural. Archaeological exploration of farmsteads unveils a surprising quantity of data about rural life, consumption patterns, and migrations across the continent. Mark Groover offers both case studies and an overview of current trends in farmstead archaeology in this exciting new work. He also proposes a research design and makes numerous suggestions for evaluating (and re-evaluating) the significance of farmsteads as an archaeological resource. His chronological survey of farmstead sites throughout numerous regions of North America provides fascinating insights to students, cultural resource management professionals, or general readers interested in learning more about what material culture remains can teach us about the American past. Farmstead archaeology is a rapidly expanding component of historical archaeology. This book offers important lessons and information as more sites become victims of ever-accelerating development and urbanization.

The Material Culture of Tableware
The Material Culture of Tableware

Author: Jeanne Morgan Zarucchi

Publisher: Bloomsbury Publishing

Published: 2018-06-28

Total Pages: 217

ISBN-13: 1350041262

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The Material Culture of Tableware is a fascinating and authoritative study of patterned tableware in the US. The book undertakes a visual analysis of Johnson Brothers patterns of tableware pottery, with reference to comparable designs by other British companies, such as Spode and Adams. It examines how this practical genre reflected the aesthetic values, sense of identity and aspirations of the American consumers who purchased its products. The study also sheds light on British opinions and understandings of American culture. The book's chronological organization shows how tableware designs reflected the cultural developments of American society during the long 20th century. From status-seeking 1890s beaux-arts patterns and the nostalgic historical scenes of the 1930s, to whimsical 1960s patterns and the contemporary motifs of the 1970s, The Material Culture of Tableware tells a compelling story about who 20th century middle-class Americans were and wanted to be.