This package contains the following components: -0131401319: Manual de gram¿ca y ortografía para hispanos -0205703453: MySpanishKit -- Standalone Access Card (6-month access)
Elena Gorokhova’s A Mountain of Crumbs is the moving story of a Soviet girl who discovers the truths adults are hiding from her and the lies her homeland lives by. Elena’s country is no longer the majestic Russia of literature or the tsars, but a nation struggling to retain its power and its pride. Born with a desire to explore the world beyond her borders, Elena finds her passion in the complexity of the English language—but in the Soviet Union of the 1960s such a passion verges on the subversive. Elena is controlled by the state the same way she is controlled by her mother, a mirror image of her motherland: overbearing, protective, difficult to leave. In the battle between a strong-willed daughter and her authoritarian mother, the daughter, in the end, must break free and leave in order to survive. Through Elena’s captivating voice, we learn not only the stories of Russian family life in the second half of the twentieth century, but also the story of one rebellious citizen whose curiosity and determination finally transport her to a new world. It is an elegy to the lost country of childhood, where those who leave can never return.
Elena Weaver was a surprise to anyone meeting her for the first time. In her clingy dresses and dangling earrings she exuded a sexuality at odds with the innocence projected by the unicorn posters on her walls. While her embittered mother fretted about her welfare from her home in London, in Cambridge—where Elena was a student at St. Stephen's College—her father and his second wife each had their own very different image of the girl. As for Elena, she lived a life of casual and intense physical and emotional relationships, with scores to settle and goals to achieve--until someone, lying in wait along the route she ran every morning, bludgeoned her to death. Unwilling to turn the killing over to the local police, the university calls in New Scotland Yard. Thus, Detective Inspector Thomas Lynley and his partner, Detective Sergeant Barbara Havers, enter the rarefied world of Cambridge University, where academic gowns often hide murderous intentions. For both officers, the true identity of Elena Weaver proves elusive. Each relationship the girl left behind casts new light both on Elena and on those people who appeared to know her best—from an unsavory Swedish-born Shakespearean professor to the brooding head of the Deaf Students Union. What's more, Elena's father, a Cambridge professor under consideration for a prestigious post, is a man with his own dark secrets. While his past sins make him neurotically dedicated to Elena and blind to her blacker side, present demons drive him toward betrayal.
DI Mark Tartaglia investigates the murder of a bestselling novelist in the third novel in Elena Forbes’ bestselling mystery series. Bestselling novelist Joe Logan walks out into a hot summer’s evening in central London. The next day his body is found dumped in a disused Victorian crypt at the Brompton Cemetery. He has been tied up, shot, and castrated. The killing has the hallmarks of a professional hit. But what had Logan done to deserve such a brutal end? Detective Mark Tartaglia is convinced that Logan’s personal life holds the key, but unravelling the victim's recent past proves difficult. Then the body of a second man is found in an old boathouse on the Thames — killed in an identical fashion to Logan. A vicious and methodical killer is at work, but what does he want and how does he lure his victims to their death? If Tartaglia can find the link between the two dead men maybe he can find the killer before he strikes again.
In the second novel in Elena Forbes’ bestselling mystery series, DI Mark Tartaglia’s investigation into a murder becomes a hunt for a possible serial killer. Hurting is her special skill. On a snowy February morning, London art dealer Rachel Tenison goes for a jog through Holland Park. Still giddy from the previous evening, her legs wobbly from too much drink and too little sleep, she falls at the bottom of an icy hill. Lying on her back, she savours the sensation of snowflakes melting on her skin and the unexpected stillness of the moment. But then there’s the sharp crack of a tree branch behind her, and a voice softly calling her name. Two days later, detectives Mark Tartaglia and Sam Donovan are assigned to the case when Rachel’s naked, frozen body is discovered in the park, bound and arranged in a strangely symbolic manner. Still haunted by “The Bridegroom,” a chillingly seductive serial killer with a penchant for lonely girls and deadly heights, they’re forced to put the past behind them as they try to catch Rachel’s murderer. But when a tip from a journalist draws their attention to grisly similarities between this and another unsolved crime, the web becomes more tangled than ever.