Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth

Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth

Author: Maria L. Howell

Publisher: University Press of America

Published: 2008-10-14

Total Pages: 56

ISBN-13: 0761841989

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Maria Howell''s, Manhood and Masculine Identity in William Shakespeare''s The Tragedy of Macbeth, is an important and compelling scholarly work which seeks to examine the sixteenth century''s greatest concern, echoed by Hamlet himself, "What is a man?" In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth''s capacity to control and destroy Macbeth''s masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine power and authority, paradoxically, these ideals are also the source of man''s disempowerment and destruction. Howell argues that in an attempt to attain a higher principle, the means (violence and destruction) and the ends (justice and peace) become fused and indistinguishable, so that those values that inform man''s actions for good no longer provide moral clarity. Howell''s poignant and timely analysis of manhood and masculine identity in Shakespeare''s Macbeth will no doubt resonate with readers today.


The Representation of Gender in Shakespeare's 'Macbeth' and 'Antony and Cleopatra'

The Representation of Gender in Shakespeare's 'Macbeth' and 'Antony and Cleopatra'

Author: Verena Schörkhuber

Publisher: GRIN Verlag

Published: 2007-09

Total Pages: 37

ISBN-13: 3638767493

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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: A, University of Edinburgh, course: Tragedy, History and Sovereignty in Late Medieval and Early Modern Poetry and Drama, 18 entries in the bibliography, language: English, abstract: Building on the assumption that differences between the sexes in tragedy are defined through competing representations of heroism, this paper shall take a closer look at the representation of gender in two premodern tragedies, Shakespeare's Macbeth and Antony and Cleopatra. The aim of this paper shall be to provide a short introduction to (Shakespeare) feminist criticism, which will be supplemented with an overview of various notable instances of the representation of gender in these two works.


The construction of femininity and masculinity in Shakespeare`s Macbeth

The construction of femininity and masculinity in Shakespeare`s Macbeth

Author: Vinzent Fröhlich

Publisher: GRIN Verlag

Published: 2008-06-03

Total Pages: 85

ISBN-13: 3638057062

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Examination Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Potsdam (Institut für Anglistik und Amerikanistik), language: English, abstract: The title of this paper is “The Construction of Femininity and Masculinity in Shakespeare`s Macbeth". As this title suggests, I analyzed how Shakespeare construes female and male identity in Macbeth. As in many Shakespearean dramas the play starts with the destruction of order leading up to a crisis and ending in the restoration of order at the end of the play (Gelfert 32). The political order that is destroyed in the course of the play is King Duncan`s natural and fair order which appreciates a unique set of masculine and feminine values. Macbeth murders King Duncan in order to usurp his throne. Macbeth`s reign turns Duncan`s order into chaos and moral order cannot return to Scotland until the tyrant ruler Macbeth is defeated by troops who fight for the restoration of Duncan`s order, through the coronation of his son Malcolm. This essay deals with the question of how Shakespeare shapes female and male characters. As a matter of fact, female and male characters are ultimately involved in the destruction and restoration of Scotland. This involves questions such as: Which historical concepts does Shakespeare use to construe his male and female characters? Does he construe “typical” gender roles? And what happens when gender boundaries are crossed, when men develop feminine traits and women male ones? With special regard to the marriage of Macbeth and Lady Macbeth, I also analyzed the interaction between the genders. In the course of my analysis, I used the term “gender”, originating from Anglo-American feminist discourse, meaning ”the social, cultural, and psychological meaning imposed upon biological sexual identity” (Showalter 1-2). Interpreting femininity and masculinity as “gender” constructions allows a more thorough analysis of the various processes involved in the “making” of men and women. Whilst the term “sex” suggests that children naturally acquire the appropriate masculine or feminine behavioural norms of their society, the term “gender” can also indicate that some people feel discrepancies between their “anatomical sex and experiential sense of gender and sexuality” (Showalter 2). After a short historical introduction about the origins of the play, I analyzed the masculine world of chivalry that the play takes place in. Understanding the world of chivalry, its values and codes is required as most of the male characters are construed as chivalrous knights serving in the corps of King Duncan. Enjoy!


Gender Ambiguity in Shakespeare's Macbeth

Gender Ambiguity in Shakespeare's Macbeth

Author: Barbora Sramkova

Publisher: GRIN Verlag

Published: 2009-09-16

Total Pages: 9

ISBN-13: 3640427009

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Essay from the year 1996 in the subject English Language and Literature Studies - Literature, grade: 1, University Of Wales Institute, Cardiff (Cardiff School of English, Communication and Philosophy), course: Shakespeare's Tragedies, language: English, abstract: Probably the most powerful lines lingering in the reader’s or audience’s memory after experiencing Macbeth are the hero’s words in reaction to the news of the death of his spouse: “Out, out, brief candle! Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.” (V, 5, 23-28) When life signifies nothing, does this play signify anything? However simple the question may seem, the answer is hardly straightforward. Trying to stay away from moralising about vaulting ambition that doesn’t pay in the end I would like to speculate about possible significations of the play, not necessarily connected to the plot, or to put it in another way, examine the possibly significant themes and motives recurrent in the play: ambiguity, uncertainty or indeterminacy of meaning. Equivocation is the term used in the play itself (e.g. the porter scene in III, i) and it well captures the theme of walking the tightrope above the abyss of single, definite meaning on one hand, and the endless proliferation of meaning on the other. One cannot escape the impression that the thematically prominent characters of the play (Macbeth, Lady Macbeth, the witches, the Porter) virtually evade committing themselves to definite meanings.


He Says/she Says Shakespeare

He Says/she Says Shakespeare

Author: Francesco Aristide Ancona

Publisher: University Press of America

Published: 2008

Total Pages: 156

ISBN-13: 9780761839415

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Macbeth : the question of personality reversal -- Othello : the question of jealousy -- As you like it : the question of escaping conventional society -- Hamlet : the question of guilt and blame -- The taming of the shrew : the question of gender and dominance -- Much ado about nothing : the question of a (happy?) marriage


Post-World War II Masculinities in British and American Literature and Culture

Post-World War II Masculinities in British and American Literature and Culture

Author: Stefan Horlacher

Publisher: Routledge

Published: 2016-04-08

Total Pages: 220

ISBN-13: 1317077105

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Analyzing literary texts, plays, films and photographs within a transatlantic framework, this volume explores the inseparable and mutually influential relationship between different forms of national identity in Great Britain and the United States and the construction of masculinity in each country. The contributors take up issues related to how certain kinds of nationally specific masculine identifications are produced, how these change over time, and how literature and other forms of cultural representation eventually question and deconstruct their own myths of masculinity. Focusing on the period from the end of World War II to the 1980s, the essays each take up a topic with particular cultural and historical resonance, whether it is hypermasculinity in early cold war films; the articulation of male anxieties in plays by Arthur Miller, David Mamet and Sam Shepard; the evolution of photographic depictions of masculinity from the 1960s to the 1980s; or the representations of masculinity in the fiction of American and British writers such as Patricia Highsmith, Richard Yates, John Braine, Martin Amis, Evan S. Connell, James Dickey, John Berger, Philip Roth, Frank Chin, and Maxine Hong Kingston. The editors and contributors make a case for the importance of understanding the larger context for the emergence of more pluralistic, culturally differentiated and ultimately transnational masculinities, arguing that it is possible to conceptualize and emphasize difference and commonality simultaneously.


Lady Macbeth's Daughter

Lady Macbeth's Daughter

Author: Lisa Klein

Publisher: Bloomsbury Publishing USA

Published: 2010-09-28

Total Pages: 316

ISBN-13: 1599906236

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Raised by three strange sisters, Albia has never known the secrets of her parentage. But when Macbeth seeks out the weird sisters to foretell his fate, his life is entangled with his unknown daughter's. When Albia foresees the terrible future, she becomes determined to save Macbeth's rival-and the man she loves-from her murderous father. Klein's seamlessly drawn tale makes it seem impossible that Albia was not part of Shakespeare's original play.


The Oxford Shakespeare: The Tragedy of Macbeth

The Oxford Shakespeare: The Tragedy of Macbeth

Author: William Shakespeare

Publisher: Oxford Paperbacks

Published: 2008-04-17

Total Pages: 273

ISBN-13: 0199535833

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Dark and violent, Macbeth is also the most theatrically spectacular of Shakespeare's tragedies. Indeed, for 250 years - until early this century - it was performed with grand operatic additions set to baroque music. In his introduction Nicholas Brooke relates the play's changing fortunes to changes within society and the theatre and investigates the sources of its enduring appeal. He examines its many layers of illusion and interprets its linguistic turns and echoes, arguing that the earliest surviving text is an adaptation, perhaps carried out by Shakespeare himself in collaboration with Thomas Middleton. This fully annotated edition reconsiders textual and staging problems, appraises past and present critical views, and represents a major contribution to our understanding of Macbeth. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.