Putting a woman on her knees before me is what really makes my cock hard. I f*** with dominant force and absolute control. I demand complete surrender from my conquests. Savage man, loner, warrior ... I am dangerous at my core. I have lived amidst the untamed wild of the rainforest, in a society that reveres me and where every woman falls before me in subjugation. Now I've been discovered. Forced to return to a world that I have forgotten about and to a culture that is only vaguely familiar to my senses. Dr. Moira Reed is an anthropologist who has been hired to help me transition back into modern society. It's her job to smooth away my rough edges ... to teach me how to navigate properly through this new life of mine. She wants to tame me. She'll never win. I am wild, free and raw, and the only thing I want from the beautiful Moira Reed is to fuck her into submission. She wants it, I am certain. I will give it to her soon. Yes, very soon, I will become the teacher and she will become my student. And when I am finished showing her body pleasure like no other, she'll know what it feels like to be claimed by an uncivilized man.
Walter Littlemoon's memoir, They Called Me Uncivilized, is a call to awareness from within the heart of Wounded Knee. In telling his story, Littlemoon describes the impact federal Indian policies have had on his life and on the history of his family. He gives a rare view into the cruelty inflicted on generations of Native American children through the implementation of U.S. government boarding schools, which resulted in a muted truth, called Soul Wound by some. In addition, and for the first time, his narrative provides a resident's view of the 1973 militant Occupation of Wounded Knee and the lasting impact that takeover has had on his community. His path toward a sense of peace and contentment is one he hopes others will follow. Remembering and telling the truth about traumatic events are prerequisites for healing. Many books have been written by scholars describing one aspect or another of Native American life, their history, their spirituality, the 1973 occupation, and a few have tried to describe the boarding schools. None have connected the dots. Until the language of the everyday man is used, scholarly words will shut out the people they describe and the pathology created by federal Indian policy will continue.
An anthology of all of the Brown Dog novellas includes a previously unpublished story and follows the down-on-his-luck Michigan Native American's misadventures with an overindulgent lifestyle, his two adopted children and an ersatz activist who steals his bearskin. 35,000 first printing.
Alexandra Bromley loves her brother. She can't believe he's guilty of the crime he's accused of--murdering his own wife. Her biggest problem? When she gets to know the lawyer who prosecuted him and convinced a jury to send him to prison, she begins to fall for him. Lawyer Hayden Wells is a fine man, the kind she'd be proud to spend her life with. If he wasn't so hard-hearted. Hayden knows he did the right thing, prosecuting Stan Bromley. But when he witnesses the sister's intense loyalty, he wonders if Alexandra truly believes Stan innocent, or simply excuses his actions. She'd be the perfect woman, if she wasn't so soft-hearted. Can this couple ever get past their conflicting loyalties? Or are they doomed before their love story begins?
Heartbreak is an exquisitely seering pain with its never ending nausea, obsessive thinking, and crushing depression. Quite literally a personal prescription for living in hell. Trust me, I know it well and wouldn't wish it upon my worst enemy.The pain of a broken heart is universally understood and experienced, but what is not universal however, is what is done with it. For most people it's an emotional death sentence but can be quite the opposite.The pain can break you down, or break you open. It can keep you bitter, or finally remove all of your heart's armor? Could heartbreak actually be the greatest opportunity ever handed to any of us?I believe it be just that - the greatest of opportunites - yet it's the one no one wants to use. My philosophy is quite simple: this horrendous pain isn't going anywhere, at all, so why not turn it into the catalyst for every change we've ever wanted in our lives. Why not use it instead of letting it destroy us. I know because I did just that.After using the two and half year odyssey of my own divorce to very publicly change every aspect of my life, something interesting began to happen - people started reaching out to me and asking how they could do the same. People just like you who wanted to lose weight, quit smoking, get sober, or rebuild their entire identity.When a close friend had her husband walk out, I made the commitment to speak with her for 90 straight days, telling her exactly what I wished someone had told me the moment my own wife walked out.Every morning I'd send her an email with a story from my own hellacious experience, giving her something inspirational to focus on and an action step to get her from heartbroken back to thriving - as fast as possible.These letters were compiled into an email series with thousands of readers already using them to navigate the darkest chapter of their lives. My goal was simple - to get her just a little bit stronger each and every day and it worked. And worked. And worked.This book is the compliation of those exact letters, with no punches pulled. The raw truth of my experience, the truth of you're facing with no punches pulled, and the best ways to get through it all. To survive, revive, and then thrive.Here's to you. Getting past today and on to tomorrow. One day at a time - one day stronger.
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.