After a year spent documenting the working life and daily routines of players for an American Hockey League team, Michael Robidoux found that most peoples' perceptions of hockey players' lives as romantic and glamorized are unrealistic. The majority of professional hockey players work in a closed and discriminatory environment in the lower tiers of hockey on semi-professional teams.
How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men's experiences of war and migration? Men at Play explores theatre's role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950s to successful contemporary plays - from Dick Diamond's Reedy River, Ray Lawler's Summer of the Seventeenth Doll, Richard Beynon's The Shifting Heart and Alan Seymour's The One Day of the Year to David Williamson's Sons of Cain, Richard Barrett's The Heartbreak Kid, Gordon Graham's The Boys and Nick Enright's Blackrock. The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book's contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history.
When video game designer Brett Bett attends a New Year's Eve party, he reunites with friends and foes. Happily single with no intention of discovering a "possible" boyfriend, Brett meets the private party's handsome bartender, Nevin McBane. The attraction between them is immediate. Through an assortment of party games, the two become quite acquainted with each other. Numerous drinks are shared, histories of their pasts are learned, and dancing becomes necessary. Frankly, Brett thinks he’s met a great guy, a charmer. Someone he can maybe fall for. As midnight approaches and the clock counts down to the New Year, Brett must make a decision. Does he want to go home with Nevin after the party, or stay single and unencumbered?
With their first photo collection Business Affairs the men of MenAtPlay apparently struck a nerve! Now with their newest volume Executive Pleasures the British erotic website is really turning up the heat. This never-ending stream of machos is artfully splashed across 144 imposing pages, taking the viewer on a journey through a fascinating cosmos of masculinity. At the same time this collection is much more playful and they havent forgotten to include a healthy dose of irony. High-class photography and striking, well-hung men make this large-format volume of photography an absolute pleasure!
How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men’s experiences of war and migration? Men at Play explores theatre’s role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950s to successful contemporary plays – from Dick Diamond’s Reedy River, Ray Lawler’s Summer of the Seventeenth Doll, Richard Beynon’s The Shifting Heart and Alan Seymour’s The One Day of the Year to David Williamson’s Sons of Cain, Richard Barrett’s The Heartbreak Kid, Gordon Graham’s The Boys and Nick Enright’s Blackrock. The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book’s contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history.
