Throughout the ages man has struggled with his perceived place in the natural world. The idea of humans cultivating the Earth fo suit specific needs is one of the greatest points of contention in this struggle. Man and the Natural World explores how man's ascendancy over the natural world gave way to a new concern for the environment and sense of kinship with other species. 22 halftones.
Preserving the environment, saving the rain forests, and preventing the extinction of species may seem like fairly recent concerns, but in Man and the Natural World, Sir Keith Thomas explores how these ideas took root long ago. In this entertaining and illuminating history, Thomas aims not just to explain present interest in preserving the environment and protecting the rights of animals, but to reconstruct an earlier mental world as well. Throughout the ages humankind has attempted to rationalize its place in nature. At no time was the idea of exploiting the earth for our own advantage so sharply challenged as in England between the sixteenth and late eighteenth centuries. For it was during these years that there occurred a whole cluster of changes in the way in which men and women, at all social levels, perceived the natural world around them. Thomas seeks to expose the assumptions which underlay the views and feelings of the inhabitants of early modern England toward the animals, birds, vegetation, and physical landscape among which they spent their lives. The issues raised here are even more alive today than they were just ten years ago. This fascinating work deftly shows that it is impossible to disentangle what the people of the past thought about plants and animals from what they thought about themselves.
Arguing that humanity has lost its symbiotic relationship with nature regarding housing, a cultural evaluation of architecture considers the evolution of structure development and the possibility of combining the expertise of environmentalists and builders to promote indigenous architecture. UP.
'Man and the Natural World, an encyclopaedic study of man's relationship to animals and plants, is completely engrossing ... It explains everything - why we eat what we do, why we plant this and not that, why we keep pets, why we like some animals and not others, why we kill the things we kill and love the things we love ... It is often a funny book and one to read again and again' Paul Theroux, Sunday Times 'The English historian Keith Thomas has revealed modes of thought and ways of life deeply strange to us' Hilary Mantel, New York Review of Books 'A treasury of unusual historical anecdote ... a delight to read and a pleasure to own' Auberon Waugh, Sunday Telegraph 'A dense and rich work ... the return to the grass roots of our own environmental convictions is made by the most enchantingly minor paths' Ronald Blythe, Guardian
Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.
A pioneering exploration of the roots of our attitudes toward nature, Paul Shepard's most seminal work is as challenging and provocative today as when it first appeared in 1967. Man in the Landscape was among the first books of a new genre that has elucidated the ideas, beliefs, and images that lie behind our modern destruction and conservation of the natural world. Departing from the traditional study of land use as a history of technology, this book explores the emergence of modern attitudes in literature, art, and architecture--their evolutionary past and their taproot in European and Mediterranean cultures. With humor and wit, Shepard considers the influence of Christianity on ideas of nature, the absence of an ethic of nature in modern philosophy, and the obsessive themes of dominance and control as elements of the modern mind. In his discussions of the exploration of the American West, the establishment of the first national parks, and the reactions of pioneers to their totally new habitat, he identifies the transport of traditional imagery into new places as a sort of cultural baggage.
From “perhaps the foremost interpreter of Eastern disciplines for the contemporary West—and an author who ‘had the rare gift of ‘writing beautifully the unwritable’” (Los Angeles Times)—a guide that draws on Chinese Taoism to reexamine humanity’s place in the natural world and the relation between body and spirit. Western thought and culture have coalesced around a series of constructed ideas—that human beings stand separate from a nature that must be controlled; that the mind is somehow superior to the body; that all sexuality entails a seduction—that in some way underlie our exploitation of the earth, our distrust of emotion, and our loneliness and reluctance to love. Here, Watts fundamentally challenges these assumptions, drawing on the precepts of Taoism to present an alternative vision of man and the universe—one in which the distinctions between self and other, spirit and matter give way to a more holistic way of seeing.
