Magic Words: A Dictionary is a oneofakind resource for armchair linguists, popculture enthusiasts, Pagans, Wiccans, magicians, and trivia nuts alike. Brimming with the most intriguing magic words and phrases from around the world and illustrated throughout with magical symbols and icons, Magic Words is a dictionary like no other. More than sevenhundred essay style entries describe the origins of magical words as well as historical and popular variations and fascinating trivia. With sources ranging from ancient Medieval alchemists to modern stage magicians, necromancers, and wizards of legend to miracle workers throughout time, Magic Words is a must have for any scholar of magic, language, history, and culture.
A lighthearted discussion of On the Road profiles Kerouac's classic work as a timeless coming-of-age primer, in a literary study that focuses on the character of Sal Paradise and the lessons he imparts about such topics as work, sex, and spirituality.
Although Blanca MuÐoz has known Sammy-the-Cricket all of her life, she never considered him boyfriend material until the summer she turned eighteen. HeÍs not particularly good looking, he doesnÍt drive a fancy car, he doesnÍt dance well, and he doesnÍt have a good job. Worst of all, he wears zoot suits and belongs to the Los Tacones gang. Blanca has always promised herself she would avoid guys like Cricket. But itÍs CricketÍs meanness that attracts Blanca the most. And before she knows it he proposes: ñYouÍre my old lady and weÍre gonna get hitched.î The chicks and pachucos in BlancaÍs barrio of Taconos outside of Los Angeles compete to put on the best wedding, even if it means paying off the expenses in monthly installments for years to come. Blanca works overtime for months prior to her wedding so she can afford everything, especially since Cricket refuses to help financially. The bride-to-be and her girlfriends obsess over the elaborate arrangements required of a Mexican wedding: who will be the maid of honor, ring bearer, and junior bridesmaid? What about the dress, the shoes, and the cushions the couple will kneel on during mass? The list of things to do is endless, and Blanca is more exhausted every day. On top of everything, Blanca finds herself feeling hungry all the time. Her expanding waistline means that her wedding dress wonÍt fit, but at least itÍs not a problem that a few safety pins wonÍt solve. Meanwhile, the guys are also interested in keeping up appearances. Cricket dreams of a wedding that outclasses all the others and raises his status with his buddies: a long line of souped-up, gleaming cars; guys decked out in the sharpest tuxedos; and most important of all, the best dance, where he and his friends plan to get high and rumble with Los Pachucos, the rival gang in the neighborhood. The wedding dance turns out to be the best party imaginable as the band plays on through a series of exciting moments: the maid of honor gets in a fight with a girl from ñup northî; the leader of Los Pachuchos and his buddies show up, determined to ñdanceî at CricketÍs wedding; and Blanca, after spending most of the evening in the bathroom, isunnoticed by most of the guestsfinally taken away in an ambulance. It was ñthe best wedding in all of Taconos,î she says right before passing out.
Take a giddy guided tour through the greatest moments of 1950s and 1960s spage-age pop and exotica. From newly rediscovered musicians like Esquivel and Yma Sumac to lesser-knowns like Markko Polo Adventurers, this collection of bizarre and fascinating vintage musical ephemera with enthrall both the serious collector and the neo-Swinger weekend enthusiast. Exotiquarium supplies information about the artists (both musical and visual), the (mood) music they created, definitions of the odd instruments they used to create these strage and beautiful sounds (like the theremin), and much more. Complete with a foreward by Lenny Dee-Decca recording artist and "Organ Lounge Master"--Exotiquarium offers a vibrant portrait of this surreal time in American music history. A must-have for lounge lizards young and old.
With this masterful work, Louis A. Perez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of the ways that this encounter helped shape Cubans' identity, nationality, and sense of modernity from the early 1850s until the revolution of 1959. Using an enormous range of Cuban and U.S. sources--from archival records and oral interviews to popular magazines, novels, and motion pictures--Perez reveals a powerful web of everyday, bilateral connections between the United States and Cuba and shows how U.S. cultural forms had a critical influence on the development of Cubans' sense of themselves as a people and as a nation. He also articulates the cultural context for the revolution that erupted in Cuba in 1959. In the middle of the twentieth century, Perez argues, when economic hard times and political crises combined to make Cubans painfully aware that their American-influenced expectations of prosperity and modernity would not be realized, the stage was set for revolution.
The classic novel of freedom and the search for authenticity that defined a generation September 5th, 2017 marks the 60th anniversary of the publication of On the Road Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naiveté and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed anyone who has ever picked it up.
During the '50s and into the '60s, Gulfport's booming downtown was unmatched in the state, while its vibrant waterfront nightlife kept the coast rocking long after other small towns were fast asleep. Those who lived in Gulfport during that golden age have warm memories of high school bonfires on the beach, submarine races at the Rock Pile and parties at the Fiesta. After a day splashing in the Gulf, there were Wheel Burgers at Spiders, ice cream cones at Stone's, cold beers at Elsie's and snowballs at the Pop Corn King. This nostalgic look at boomer-era Gulfport is the surest way to step on back to the glory years.
Ernesto "Tito" Puente born in 1923 in Spanish Harlem is a tale about an impoverished Puerto Rican boy who grew up with the advent of radio and American swing bands. At age ten he aspired to be a dancer: another Fred Astaire. An ankle injury gave him the opportunity to explore his talent as a musician. At fourteen he won the coveted Benny Goodman, Gene Krupa drum contest.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
