First published in 2002. Volume 2 of the notes on the Notebooks of Samuel Taylor Coleridge, spanning from 1804 to 1808. The volume is in two parts, text and notes.
This collection of essays provides a reassessment of the multifaceted evidence which emerged from excavations carried out in 1909 and 1959 in the settlement of Bahrija, both largely unpublished until now. Bahrija is a key site for understanding the later stages of Maltese prehistory before the beginning of the Phoenician colonial period.
This is the definitive, widely acclaimed translation of the major prose work of one of our century's greatest poets -- "a masterpiece like no other" (Elizabeth Hardwick) -- Rilke's only novel, extraordinary for its structural uniqueness and purity of language. First published in 1910, it has proven to be one of the most influential and enduring works of fiction of our century. Malte Laurids Brigge is a young Danish nobleman and poet living in Paris. Obsessed with death and with the reality that lurks behind appearances, Brigge muses on his family and their history and on the teeming, alien life of the city. Many of the themes and images that occur in Rilke's poetry can also be found in the novel, prefiguring the modernist movement in its self-awareness and imagistic immediacy.
The best spy story; the worst spy. The world's worst criminal vs. the world's worst spy. Literary, there's nothing better. Khalid el Bullít is the most dangerous terrorist on Earth. He deals deadly drugs to children, he feeds guns to warlords in countries where hunger rules, and he dreams of a nuclear attack on a major Western city, probably New York. It's not strange if you've never heard about him: the entire island of Malta protects Khalid's secret identity. But Khalid made one mistake and now the LSD is after him. A manuscript about a maniac leads to a manhunt to save mankind. Is Malik, the writer of that manuscript, a pawn or a player? Does Khalid play with black or white? Sami, The Runner, should leave this mission to The Agent. Noxious Secrets are extremely bad for your health.
At a time of rapid social change and numerous policy initiatives, there is a need to question the nature and function of school curricula and the purposes of formal public education. Comparing curriculum developments around the globe, Understanding the School Curriculum draws on a range of educational, philosophical and sociological theories to examine the question ‘What is a curriculum for?’ In considering different answers to this fundamental question, it explores a range of topical issues and debates, including: tensions and dynamics within curriculum policy The implications of uncertainty and rapid social change for curriculum development the positive and negative influence of free market ideologies on public education the impact of globalization and digital technologies arguments for and against common core curricula and state control It examines the possibility of a school curriculum that is not shaped and monitored by dominant interests but that has as its founding principles the promotion of responsibility, responsiveness, a love of learning, and a sense of wonder and respect for the natural and social world. Understanding the School Curriculum is for all students following undergraduate and Masters courses in curriculum, public policy and education-related subjects. It is also for all training and practising teachers who wish to combine a deeper understanding of major curriculum issues with a critical understanding of the ways in which ideologies impact on formal state education, and to consider ways of producing school curricula that are appropriate to the times we live in.
Deborah Manley's selection of extracts reveals how generations of writers have viewed the landscapes of Malta and Gozo, the people of the islands, the splendours of Valletta and its famous harbour, and the celebrated festas, the village festivals that celebrate the island's Catholic identity. An introduction places these extracts in context, while the anthology also considers how Maltese writers have imagined and depicted their homeland.