In 1620 Alexander Albertinus, a Franciscan of Observance from Mantua, addressed to the bishop of Verona this "Hammer of Demons" or Four Most Experimented Exorcisms Collected from the Gospels. This book has been transcribed from the original Latin and contains the complete original text.
In the late eighteenth century, Catholic priest Johann Joseph Gassner (1727-1779) discovered that he had extraordinary powers of exorcism. Deciding that demons were responsible for most human ailments, he healed thousands, rich and poor, Protestant and Catholic. In this book H.C. Erik Midelfort delves deeply into records of the time to explore Gassner's remarkable exorcising campaign, chronicle the official efforts to curb him, and reconstruct the sufferings of the afflicted. Gassner's activities triggered a Catholic religious revival as well as a noisy skeptical reaction. In response to those who doubted that he was really casting out demons, Gassner marshaled hundreds of eyewitness reports that seemed to prove his exorcisms really worked. Midelfort describes the enormous public controversy that resulted, and he demonstrates that the Gassner episode yields important insights into the German Enlightenment and Counter-Enlightenment, the limitations of eighteenth-century debate, and the ongoing role of magic and belief in an age of scientific enlightenment.
The idea that the Renaissance witnessed the emergence of the modern individual remains a powerful myth. In this important new book Martin examines the Renaissance self with attention to both social history and literary theory and offers a new typology of Renaissance selfhood which was at once collective, performative and porous. At the same time, he stresses the layered qualities of the Renaissance self and the salient role of interiority and notions of inwardness in the shaping of identity. Myths of Renaissance Individualism , in short, will interest students not only of history but also of art history, literature, music, philosophy, psychology and religion.
From 1400 through 1700, the number of reports of demonic possessions among European women was extraordinarily high. During the same period, a new type of mysticism—popular with women—emerged that greatly affected the risk of possession and, as a result, the practice of exorcism. Many feared that in moments of rapture, women, who had surrendered their souls to divine love, were not experiencing the work of angels, but rather the ravages of demons in disguise. So how then, asks Moshe Sluhovsky, were practitioners of exorcism to distinguish demonic from divine possessions? Drawing on unexplored accounts of mystical schools and spiritual techniques, testimonies of the possessed, and exorcism manuals, Believe Not Every Spirit examines how early modern Europeans dealt with this dilemma. The personal experiences of practitioners, Sluhovsky shows, trumped theological knowledge. Worried that this could lead to a rejection of Catholic rituals, the church reshaped the meaning and practices of exorcism, transforming this healing rite into a means of spiritual interrogation. In its efforts to distinguish between good and evil, the church developed important new explanatory frameworks for the relations between body and soul, interiority and exteriority, and the natural and supernatural.
This is a highly original study of demon possession and the ritual of exorcism, both of which were rife in early modern times, and which reached epidemic proportions in France. Catholics at the time believed that the Devil was everywhere present, in the rise of the heretics, in the activities of witches, and even in the bodies of pious young women. The rite of exorcism was intended to heal the possessed and show the power of the Church - but it generated as many problems as it resolved. Possessed nuns endured frequently violent exorcisms, exorcists were suspected of conjuring devils, and possession itself came to be seen as a form of holiness, elevating several women to the status of living saints. Sarah Ferber offers a challenging study of one of the most intriguing phenomena of early modern Europe. Looking towards the present day, the book also argues that early modern conflicts over the Devil still carry an unexpected force and significance for Western Christianity.
A Lakota shaman embarks on a quest to exorcise a dangerous ghost in this true account of paranormal activity and spiritual power. A summoning gone awry leads to problems for Penelope, who is driven from her home by phantom parties, a dancing stove, and demonic force that toss her around like a ragdoll. Looking for help, she turns to her friend Robbie, who brings her to David Rountree, a Lakota shaman. Robbie and David embark on a desperate search for metaphysical knowledge, visiting sites of spiritual power, and acquiring artifacts and allies in their quest to exorcise the demon before it’s too late. David and Robbie’s mission culminates in an astonishing psychic battle on Halloween night. Demon Street, USA is a thrilling account of their encounter with evil and a warning to those who would explore the paranormal. Evil exists—but it can be battled and won!
The Exorcist of Sombor examines the life course, practice and mentality of an eighteenth-century Franciscan friar, based on his own letters and documentation, creating a frame around the tightly packed history of events that took place between 1766-1769, and analysing the series of exorcism scandals that erupted in the Hungarian town of Sombor, from the perspectives of social history and cultural history. The author employs a method which reflects historical anthropology, the history of ideas and the influence of Italian microhistory. Based on the activity of an exorcist priest in the early modern period, the documents of the ecclesiastical courts and a considerable body of autograph correspondence are thoroughly examined. Analysing these letters gives the reader a chance to come into close proximity with the way of thinking of a person from the eighteenth century. The research questions in connection to the documentation aim to identify the causes for the conflict. How was it possible to have "correct" and "wrong" methods of exorcism within the practice of one and the same church? What sort of criteria were used when certain previously accepted practices were dubbed superstitious in the second half of the eighteenth century? What were the changes that took place in the attitude of priests and friars within the ecclesiastical society of the period? How can a conflict be focussed on a practice (healing by exorcism) which has roots going back thousands of years? How many different variants of demonology existed in the clerical thinking of the age? As a highly accomplished source analysis within microhistory, The Exorcist of Sombor will be of great interest to early modern historians, anthropologists and culture researchers interested in microhistory and themes such as religion, magic, occultism and witchcraft.
First published in 2000. Did people in early modern Europe have a concept of an inner self? Carla Mazzio and Douglas Trevor have brought together an outstanding group of literary, cultural, and history scholars to answer this intriguing question. Through a synthesis of historicism and psychoanalytic criticism, the contributors explore the complicated, nuanced, and often surprising union of history and subjectivity in Europe centuries before psychoanalytic theory. Addressing such topics as "fetishes and Renaissances," "the cartographic unconscious," and "the topographic imaginary," these essays move beyond the strict boundaries of historicism and psychoanalysis to carve out new histories of interiority in early modern Europe.
Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates.But with In the Company of Demons, the world’s leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies. Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, we find that these spirits or demons speak through their sudden and striking appearances—their very bodies seen as metaphors to be interpreted. The form of the body, Maggi explains, relies on the spirits’ knowledge of their human interlocutors’ pasts. But their core trait is compassion, and sometimes their odd, eerie arrivals are seen as harbingers or warnings to protect us. It comes as no surprise then that when spiritual beings distort the natural world to communicate, it is vital that we begin to listen.