It's no surprise that, as he claims in his thoughtful and witty introduction, humorist Queenan (Balsamic Dreams) relished the opportunity to pore over and select the hilarious and sometimes disturbing works in this anthology. As he points out, "One of the great pleasures in reading books that are hundreds and even thousands of years old is in discovering how little the targets of the satirist have changed over the centuries." The buffoonery and sometimes depravity of such targets are on full display in this volume, which features 30 works by 19 authors and includes such classics as "A Modest Proposal," Candide, and shorter pieces by Mark Twain and Flann O'Brien. Gargantua and Pantagruel and Don Quixote rollick through brief selections as well. Queenan makes a good case for the less obvious choices rounding out the collection, notably Machiavelli's The Prince and de Sade's Justine, but he fails to link the ancient with the contemporary: the last half-century of bitter and cynical writing goes disappointingly ignored. And yet, though heavily weighted toward "classic satire," this anthology is likely the best of its kind to date. Recommended for all libraries.
What role does ritual play in the everyday lives of modern Africans? How are so-called "traditional" cultural forms deployed by people seeking empowerment in a world where "modernity" has failed to deliver on its promises? Some of the essays in Modernity and Its Malcontents address familiar anthropological issues—like witchcraft, myth, and the politics of reproduction—but treat them in fresh ways, situating them amidst the polyphonies of contemporary Africa. Others explore distinctly nontraditional subjects—among them the Nigerian popular press and soul-eating in Niger—in such a way as to confront the conceptual limits of Western social science. Together they demonstrate how ritual may be powerfuly mobilized in the making of history, present, and future. Addressing challenges posed by contemporary African realities, the authors subject such concepts as modernity, ritual, power, and history to renewed critical scrutiny. Writing about a variety of phenomena, they are united by a wish to preserve the diversity and historical specificity of local signs and practices, voices and perspectives. Their work makes a substantial and original contribution toward the historical anthropology of Africa. The contributors, all from the Africanist circle at the University of Chicago, are Adeline Masquelier, Deborah Kaspin, J. Lorand Matory, Ralph A. Austen, Andrew Apter, Misty L. Bastian, Mark Auslander, and Pamela G. Schmoll.
A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.
Behind every pronunciamiento, a formal list of grievances designed to spark political change in nineteenth-century Mexico, was a disgruntled individual, rebel, or pronunciado. Initially a role undertaken by soldiers, a pronunciado rallied military communities to petition for local, regional, and even national interests. As the popularity of these petitions grew, however, they evolved from a military-led practice to one endorsed and engaged by civilians, priests, indigenous communities, and politicians. The second in a series of books exploring the phenomenon of the pronunciamiento, this volume examines case studies of individual and collective pronunciados in regions across Mexico. Top scholars examine the motivations of individual pronunciados and the reasons they succeeded or failed; why garrisons, town councils, and communities adopted the pronunciamiento as a political tool and form of representation and used it to address local and national grievances; and whether institutions upheld corporate aims in endorsing, supporting, or launching pronunciamientos. The essays provide a better understanding of the rebel leaders behind these public acts of defiance and reveal how an insurrectionary repertoire became part of a national political culture.
Thomas Freer is a prosperous solicitor who is also the Registrar responsible for his cathedral’s legal business. His son Stephen is one of a secret group known as the core. When Stephen’s group activities land them in terrible trouble, no one guesses that the consequences will lead to a death and more.
A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.
Chris Grosz captures in words and pictures the adventuring life of sailor, soldier, deserter, outlaw and Hau Hau slave, Kimball Bent. After signing up for the Queen's shilling, Bent was sent to New Zealand in the 1860s, on the eve of the tumultuous Taranaki land wars. An act of defiance saw Bent deserting the army, and his eventual adoption by Maori tribes. Kimball Bent: Malcontent illustrates Bent's life as a Pakeha Maori, his assimilation into tribal life, his observation of secret war rites, including cannibalism, and being on the side of the Hau Hau at the famous battle at Te Ngutu o Manu where Gustav von Tempsky was killed. One of New Zealand's folk heroes, Bent's story encompasses romance, bloodshed and mayhem. His story has been recorded by James Cowan and fictionalised by Maurice Shadbolt. Rendered in scraperboard style, this graphic novel will have crossover appeal for teenagers and adults alike, bringing Bent's story to a new generation of New Zealanders.
#1 IN A NEW EPIC FANTASY SERIES from Monster Hunter series creator and New York Times best-selling author, Larry Correia! After the War of the Gods, the demons were cast out and fell to the world. Mankind was nearly eradicated by the seemingly unstoppable beasts, until the gods sent the great hero, Ramrowan, to save them. He united the tribes, gave them magic, and drove the demons into the sea. Ever since the land has belonged to man and the oceans have remained an uncrossable hell, leaving the continent of Lok isolated. It was prophesized that someday the demons would return, and only the descendants of Ramrowan would be able to defeat them. They became the first kings, and all men served those who were their only hope for survival. As centuries passed, the descendants of the great hero grew in number and power. They became tyrannical and cruel, and their religion nothing but an excuse for greed. Gods and demons became myth and legend, and the people no longer believed. The castes created to serve the Sons of Ramrowan rose up and destroyed their rulers. All religion was banned and replaced by a code of unflinching law. The surviving royalty and their priests were made casteless, condemned to live as untouchables, and the Age of Law began. Ashok Vadal has been chosen by a powerful ancient weapon to be its bearer. He is a Protector, member of an elite militant order of roving law enforcers. No one is more merciless in rooting out those who secretly practice the old ways. Everything is black or white, good or evil, until he discovers his entire life is a fraud. Ashok isn’t who he thinks he is, and when he finds himself on the wrong side of the law, the consequences lead to rebellion, war—and destruction. About Son of the Black Sword: "This book has everything I like in fantasy: intense action scenes, evil in horrifying array, good struggling against the darkness, and most of all people—gorgeously flawed human beings faced with horrible moral choices that force them to question and change and grow."—Jim Butcher, creator of the New York Times best-selling Dresden Files "Best-selling fantasy author Correia casts a compelling spell with this India-influenced series opener. . . . Correia skillfully sets in motion this story of plots within plots, revealing complex, sympathetic characters and black-hearted villains with equal detail and insight. Full of action, intrigue, and wry humor, this exciting series launch promises many more thrills to come."—Publishers Weekly (starred review) "Fans who like Correia’s fast-moving style will be pleased with the plethora of action scenes, and epic fantasy readers interested in delving into a new universe should be equally satisfied. A solid choice for admirers of Brent Weeks and Brandon Sanderson’s Mistborn series."—Library Journal "Correia is, above all, a storyteller, and he weaves a unique and entertaining tale.Without question, his action sequences pop on the page, his magic system has a nice wrinkle, and he has the foundations laid out for some excellent character growth as the series continues. . . . [A] definite hit."—Bookreporter "The lore here is fascinating and well told. I enjoyed learning the history of the world and the legend of Ramrowan. The politics are just complicated enough to feel real without being too difficult to follow. Where the book truly shines, however, is in the characters. All are well drawn and distinctively voiced."—SFCrowsnest “I loved the book, it was great, fast paced, with wonderful characters, and also a lot of wonderful scenes that screamed to be painted.”—Larry Elmore, legendary, award-winning artist, and cover artist for Son of the Black Sword. "Son of the Black Sword: Saga of the Forgotten Warrior tells of what happens after the war with the gods, when demons were cast out and fell to the world to nearly destroy these unstoppable beasts until the gods sent a hero to save them. Centuries have passed since this event and the people have regulated these events to legend. One Ashok has been chosen to be a protector with a powerful weapon in hand, uncovering those who still practice old ways and are potential dangers to the order - but when he discovers all his efforts have been based on a lie, everything's about to change. A powerful epic fantasy evolves into a solid, compelling read."—Midwest Book Reivew About the Urban Fantasy of Larry Correia: “[A] no-holds-barred all-out page turner that is part science fiction, part horror, and an absolute blast to read.”—Bookreporter.com “If you love monsters and action, you’ll love this book. If you love guns, you’ll love this book. If you love fantasy, and especially horror fantasy, you’ll love this book.”—Knotclan.com “A gun person who likes science fiction—or, heck, anyone who likes science fiction—will enjoy [these books]. . . The plotting is excellent, and Correia makes you care about the characters…I read both books without putting them down except for work . . . so whaddaya waitin’ for? Go and buy some . . . for yourself and for stocking stuffers.”—Massad Ayoob “This lighthearted, testosterone-soaked sequel to 2009's Monster Hunter International will delight fans of action horror with elaborate weaponry, hand-to-hand combat, disgusting monsters, and an endless stream of blood and body parts.”—Publishers Weekly on Monster Hunter Vendetta
