In Search of Change Maestros

In Search of Change Maestros

Author: Pritam Singh

Publisher: SAGE Publications

Published: 2011-02-14

Total Pages: 524

ISBN-13: 8132105869

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In Search of Change Maestros documents the contributions of seven great Indian wealth creators and institution builders who thought out of the box and had the vision and fortitude to create world-class Indian corporations that have set global benchmarks. The compilation includes case studies of Kumar Mangalam Birla, M. Damodaran, Sajjan Jindal, K.V. Kamath, Sunil Bharti Mittal, A.M. Naik, and Kiran Mazumdar Shaw. This is a first-of-its-kind work that focuses on outstanding Indian corporate icons—their means, methods, and achievements—and in the process, creates an entirely new paradigm for evaluating Change Maestros and change leaders not only in the corporate world, but also in public life all over the world.


Tunes for 'Toons

Tunes for 'Toons

Author: Daniel Ira Goldmark

Publisher: Univ of California Press

Published: 2005-10-10

Total Pages: 244

ISBN-13: 0520941209

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In the first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark considers the genre and compositional style of cartoons produced by major Hollywood animation studios, including Warner Bros., MGM, Lantz, and the Fleischers. Tunes for 'Toons discusses several well-known cartoons in detail, including What's Opera, Doc?, the 1957 Warner Bros. parody of Wagner and opera that is one of the most popular cartoons ever created. Goldmark pays particular attention to the work of Carl Stalling and Scott Bradley, arguably the two most influential composers of music for theatrical cartoons. Though their musical backgrounds and approaches to scoring differed greatly, Stalling and Bradley together established a unique sound for animated comedies that has not changed in more than seventy years. Using a rich range of sources including cue sheets, scores, informal interviews, and articles from hard-to-find journals, the author evaluates how music works in an animated universe. Reminding readers of the larger context in which films are produced and viewed, this book looks at how studios employed culturally charged music to inspire their stories and explores the degree to which composers integrated stylistic elements of jazz and the classics into their scores.


Conducting Business

Conducting Business

Author: Leonard Slatkin

Publisher: Amadeus Press

Published: 2012-07-01

Total Pages: 375

ISBN-13: 1476821321

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(Amadeus). Conducting an orchestra is something that is seen as well as heard, but it is quite misunderstood when it comes to knowing what this person actually does for a living. This most mysterious of jobs is brought to life for the music lover as well as for the aspiring maestro in a book by Leonard Slatkin. Drawing on his own experiences on and off the podium, Slatkin brings us into the world of the baton. He tells tales of some of the most fascinating people in the musical world, including Frank Sinatra, Leonard Bernstein, and John Williams. He takes the reader to the great concert halls and orchestras, soundstages in Hollywood, and opera pits around the globe. Mr. Slatkin recounts his controversial appearance at the Metropolitan Opera, his creation and direction of summer music festivals, and a shattering concert experience that took place four days following 9/11. Life in the recording studio and on the road as well as health issues confronting the conductor provide an insider's glimpse into the private world of public figures. Covering everything from learning how to read music to standing in front of an orchestra for the first time, what to wear, and how to deal with the press, Conducting Business is a unique look at a unique profession.


Anarchaeologies

Anarchaeologies

Author: Erin Graff Zivin

Publisher: Fordham University Press

Published: 2020-01-07

Total Pages: 273

ISBN-13: 0823286835

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How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability in works of philosophy and art. Rather than applying concepts from philosophy in order to understand or elucidate cultural works, the book exposes works of philosophy, literary theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from Argentina (Jorge Luis Borges, Juán José Saer, Ricardo Piglia, César Aira, Albertina Carri, the Internacional Errorista), Graff Zivin allows such thinkers as Levinas, Derrida, Badiou, and Rancière to be inflected by Latin American cultural production. Through these acts of interdiscursive and interdisciplinary (or indisciplinary) exposure, such ethical and political concepts as identification and recognition, decision and event, sovereignty and will, are read as constitutively impossible, erroneous. Rather than weakening either ethics or politics, however, the anarchaeological reading these works stage and demand opens up and radicalizes the possibility of justice.


Maestro

Maestro

Author: Roger Nierenberg

Publisher: Penguin

Published: 2009-10-15

Total Pages: 102

ISBN-13: 1101148896

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A conductor reveals powerful leadership lessons by explaining the inner workings of a symphony orchestra Roger Nierenberg, a veteran conductor, is the creator of The Music Paradigm, a unique program that invites people to sit INSIDE a professional symphony orchestra as the musicians and conductor solve problems together. He captures that experience in Maestro: A Surprising Story about Leading by Listening, a parable about a rising executive tough challenges. The narrator befriends an orchestra conductor and is inspired to think about leadership and communication in an entirely new way. For instance: • A maestro doesn't micromanage, but encourages others to develop their own solutions. There's a big difference between conducting and trying to play all the instruments. • A maestro helps people feel ownership of the whole piece, not just their individual parts. • A maestro leads by listening. When people sense genuine open-mindedness, they offer more of their talent. If not, they get defensive and hold back their best ideas. • Truly great leaders, whether conductors striving for perfect harmony or CEOs reaching for excellence, act with a vision of their organization at its best. For more information, visit: www.MaestroBook.com


Michael Jackson the Maestro

Michael Jackson the Maestro

Author: Chris Cadman

Publisher: Bright Pen

Published: 2013-12

Total Pages: 860

ISBN-13: 9780755216093

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Michael Jackson was no ordinary performer. From the moment he first moved to the rhythm of the Jackson family's old creaky washing machine he was destined to do big things. No one back then however, could have possibly predicted what would happen over the next five decades when the name of Michael Jackson would be one of the most recognisable in the history of popular music the world over. Not only would he have four consecutive number one records with his brothers the Jackson 5, but he would go on to have the biggest album of all time with Thriller and be recognised as the number one charity donor. From the author of the best selling book Michael Jackson For The Record, Chris Cadman brings you Michael Jackson's remarkable 'Life & Times' through his music, his performances, his interviews his achievements and his charity endeavours. Read about the significant people in his life and the many film offers that came his way that sadly never came to fruition. Plus discover his never ending devotion to children's charities and the less unfortunate around the world. This is Michael Jackson The Maestro - The Definitive A - Z, Volume 1: A-J.


The Sacred Language of the Abakuá

The Sacred Language of the Abakuá

Author: Lydia Cabrera

Publisher: Univ. Press of Mississippi

Published: 2020-12-28

Total Pages: 463

ISBN-13: 1496829476

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In 1988, Lydia Cabrera (1899–1991) published La lengua sagrada de los Ñáñigos, an Abakuá phrasebook that is to this day the largest work available on any African diaspora community in the Americas. In the early 1800s in Cuba, enslaved Africans from the Cross River region of southeastern Nigeria and southwestern Cameroon created Abakuá societies for protection and mutual aid. Abakuá rites reenact mythic legends of the institution’s history in Africa, using dance, chants, drumming, symbolic writing, herbs, domestic animals, and masked performers to represent African ancestors. Criminalized and scorned in the colonial era, Abakuá members were at the same time contributing to the creation of a unique Cuban culture, including rumba music, now considered a national treasure. Translated for the first time into English, Cabrera’s lexicon documents phrases vital to the creation of a specific African-derived identity in Cuba and presents the first “insider’s” view of this African heritage. This text presents thoroughly researched commentaries that link hundreds of entries to the context of mythic rites, skilled ritual performance, and the influence of Abakuá in Cuban society and popular music. Generously illustrated with photographs and drawings, the volume includes a new introduction to Cabrera’s writing as well as appendices that situate this important work in Cuba’s history. With the help of living Abakuá specialists in Cuba and the US, Ivor L. Miller and P. González Gómes-Cásseres have translated Cabrera’s Spanish into English for the first time while keeping her meanings and cultivated style intact, opening this seminal work to new audiences and propelling its legacy in African diaspora studies.


Mask For A Diva

Mask For A Diva

Author: Grant Michaels

Publisher: Macmillan

Published: 1996-01-15

Total Pages: 200

ISBN-13: 9780312141202

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Stan Kraychik, Boston hair-dresser extraordinaire, has been hired as the wig master's assistant for the upcoming season of a local opera company. For the main event, Italian opera diva and aging soprano Marcella Ostinata will perform the lead. As the company heads unsteadily towards opening night, murder threatens the entire festival and Stan finds himself playing a crucial role in a deadly grand opera, performed without music, and with real weapons and killers.


The Visible Universe

The Visible Universe

Author:

Publisher: Time Life Medical

Published: 1990

Total Pages: 152

ISBN-13:

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Examines the visible universe including light and its uses and optical developments in astronomy.


Making Samba

Making Samba

Author: Marc A Hertzman

Publisher: Duke University Press

Published: 2013-04-16

Total Pages: 389

ISBN-13: 0822391902

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In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.