In Make Believe, Diana Athill, acclaimed author of Instead of a Letter and Stet, remembers her turbulent friendship with Hakim Jamal, a young black convert to the teachings of Malcolm X, whom she met in London in the late 1960s. Despite a desperately troubled youth, he became an eloquent spokesman for the black underclass, was Jean Seberg's lover and published a book about Malcolm X, before descending into a mania that had him believing he was God. A witness to his struggles, Diana Athill writes with her characteristic honesty about her entanglement with Jamal, Jamal's relationship with the daughter of a British MP, Gail Benson, and Jamal's, and separately Gail's, eventual murders.
In The Case for Make Believe, Harvard child psychologist Susan Linn tells the alarming story of childhood under siege in a commercialized and technology-saturated world. Although play is essential to human development and children are born with an innate capacity for make believe, Linn argues that, in modern-day America, nurturing creative play is not only countercultural—it threatens corporate profits. A book with immediate relevance for parents and educators alike, The Case for Make Believe helps readers understand how crucial child's play is—and what parents and educators can do to protect it. At the heart of the book are stories of children at home, in school, and at a therapist's office playing about real-life issues from entering kindergarten to a sibling's death, expressing feelings they can't express directly, and making meaning of an often confusing world. In an era when toys come from television and media companies sell videos as brain-builders for babies, Linn lays out the inextricable links between play, creativity, and health, showing us how and why to preserve the space for make believe that children need to lead fulfilling and meaningful lives.
Recovering from a long illness, Boston businessman Carl Stanton is unable to accompany his fiancée Cornelia on a mid-winter trip to warm and sunny Jacksonville. Lonely, bored, and disappointed in Cornelia's lack of affection, Carl decides to answer an advertisement from the Serial-Letter Company, which promises real letters, delivering comfort and entertainment, from imaginary persons. Carl signs up for their love letter program, thinking he might have a bit of fun, and teach his fiancée a lesson in the process.
Marcus offers this animated history of the visionaries--editors, illustrators, and others--whose books have transformed American childhood and American culture.
There were Bridgertons before the eight alphabetically named siblings. In this second of the Bridgerton Prequel series, following Because of Miss Bridgerton, we go back to where it all began. . . from #1 New York Times bestselling author Julia Quinn. While you were sleeping... With her brother Thomas injured on the battlefront in the Colonies, orphaned Cecilia Harcourt has two unbearable choices: move in with a maiden aunt or marry a scheming cousin. Instead, she chooses option three and travels across the Atlantic, determined to nurse her brother back to health. But after a week of searching, she finds not her brother but his best friend, the handsome officer Edward Rokesby. He's unconscious and in desperate need of her care, and Cecilia vows that she will save this soldier's life, even if staying by his side means telling one little lie... I told everyone I was your wife When Edward comes to, he's more than a little confused. The blow to his head knocked out three months of his memory, but surely he would recall getting married. He knows who Cecilia Harcourt is—even if he does not recall her face—and with everyone calling her his wife, he decides it must be true, even though he'd always assumed he'd marry his neighbor back in England. If only it were true... Cecilia risks her entire future by giving herself—completely—to the man she loves. But when the truth comes out, Edward may have a few surprises of his own for the new Mrs. Rokesby.
Faith Lewis has a life most women would envy--married to her true love, living in her dream home and surrounded by loving friends and family. When she and her husband, Jamison, learn they're going to be the parents of triplets, Faith is ecstatic! All her dreams have come true and she couldn't be happier. But, just like the Garden of Eden, the fall comes fast and furious! Her former employer, Evan, despite trying to reconcile with his wife, is still in Faith's life and Jamison isn't pleased. Evan's daughters dote on Faith because she was their caretaker and the only constant in their lives, which fuels jealously in Evan's wife and causes more friction, making Faith's life very uncomfortable. As Faith navigates pregnancy, her BFF's move to Georgia, Jamison's trust issues with Faith's and Evan's friendship, and discord with her in-laws, she wonders if she's cut out for "married with children!" The premature birth of the triplets is a harbinger of events that quickly sends Faith's life spinning out of control. Faith, could never, ever have imagined her fairytale would turn into a nightmare from which she might never awake. THE MAKE-BELIEVE FAMILY is the unforgettable story of a woman whose desire for a warm, loving family leads her to take a chance on love and risk her heart in the trials and tribulations of life while struggling to keep her faith through it all.
A week-long house party in the country--why not? Lady Adelaide has nothing else to do, now that her year of mourning for her unfaithful husband is up and her plans to rekindle her romantic life have backfired. But when her hostess is found dead on the conservatory floor, Addie knows just who to call--Detective Inspector Devenand Hunter of Scotland Yard. Dev may not want to kiss Addie again, but he's anxious to solve the crime. Who would want to kill Pamela, the beautiful wife of one of Britain's greatest Great War heroes? Certainly not her devoted and wheelchair-bound husband, Sir Hugh Fernald. The other guests seem equally innocent and improbable. But despite all appearances, something is very wrong at Fernald Hall--there's a body buried in the garden, and the governess has fallen down the stairs to her death. Who's next? Addie and Dev must work together to stop another murder, and they have some help thanks to Rupert, Addie's late and unlamented husband. Rupert needs to make amends for his louche life on earth, and what better way to earn his celestial wings than catch a killer?
#1 New York Times bestseller with more than 11 million copies sold! When 4-year-old Colton Burpo emerges from life-saving surgery with remarkable stories of his visit to heaven, his family doesn’t know what to believe. Heaven is For Real details what Colton saw and his family’s journey towards accepting their young son had visited the afterlife. “Do you remember the hospital, Colton?” Sonja said. “Yes, mommy, I remember,” he said. “That’s where the angels sang to me.” Colton told his parents he left his body during an emergency surgery–and proved that claim by describing exactly what his parents were doing in another part of the hospital during his operation. He talked of visiting heaven and described events that happened before he was born and how he spoke with family members he’d never met. Colton also astonished his parents with descriptions and obscure details about heaven that matched the Bible exactly, even though he had not yet learned to read. With disarming innocence and the plainspoken boldness of a child, Colton recounts his visit to heaven, describing: Meeting long-departed family members Jesus, the angels, how “really, really big” God is, and how much God loves us How Jesus called Todd, Colton’s father, to be a pastor The Battle of Armageddon Retold by his father, but using Colton’s uniquely simple words, Heaven Is for Real offers a glimpse of the world that awaits us, where as Colton says, “Nobody is old and nobody wears glasses.” Heaven Is for Real will forever change the way you think of eternity, offering the chance to see, and believe, like a child. Praise for Heaven is for Real: “A beautifully written glimpse into heaven that will encourage those who doubt and thrill those who believe.” —Ron Hall, coauthor of Same Kind of Different as Me
Describes the transition decade during which the Broadway musical was turning away from its vaudeville roots and taking on more elaborate sets, tumultuous choreography, staging tricks, tightly constructed stories, and jazz and other new musical influences. Discusses operetta, the star comic, the variety show, new social attitudes, and other dimensions. No bibliography or illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
