Mahler's Voices

Mahler's Voices

Author: Julian Johnson

Publisher: Oxford University Press

Published: 2009-04-17

Total Pages: 377

ISBN-13: 0199707081

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Mahler's Voices brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation, unique in being a study not of Mahler's works as such but of Mahler's musical style.


Repertoire for the Solo Voice

Repertoire for the Solo Voice

Author: Noni Espina

Publisher:

Published: 1977

Total Pages: 768

ISBN-13:

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A fully annotated guide to works for solo voice published in modern editions and covering material from the 13th century to the present.


Perspectives on Gustav Mahler

Perspectives on Gustav Mahler

Author: Jeremy Barham

Publisher: Routledge

Published: 2005

Total Pages: 642

ISBN-13:

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The diverse topics and methodologies of the essays brought together in this collection address particular gaps in the current scholarly understanding of Mahler and his work, and provide contexts for a continuing discourse receptive to differing musicological concerns.


Mahler's Voices

Mahler's Voices

Author: Julian Johnson

Publisher: OUP USA

Published: 2009-04-17

Total Pages: 376

ISBN-13: 0195372395

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Johnson considers how Mahler's body of music foregrounds the idea of artifice, construction and musical convention while also presenting itself as act of authentic expression and disclosure. This study of brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation.


Musical Courier

Musical Courier

Author:

Publisher:

Published: 1908

Total Pages: 1006

ISBN-13:

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Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.


Unsung Voices

Unsung Voices

Author: Carolyn Abbate

Publisher: Princeton University Press

Published: 1996-04-21

Total Pages: 308

ISBN-13: 9780691026084

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This work looks at the "voices" that speak to us through 19th-century classical music and opera. It proposes interpretive strategies that seek the polyphony and dialogism of music, celebrating musical gestures often marginalized by conventional musical analysis.