Magnificence and the Sublime in Medieval Aesthetics

Magnificence and the Sublime in Medieval Aesthetics

Author: S. Jaeger

Publisher: Palgrave Macmillan

Published: 2010-11-17

Total Pages: 0

ISBN-13: 9780230618985

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These essays recover the lively discussions on the topics of 'magnificence' and 'the sublime' in the art and literature of antiquity, the Renaissance, and the ages following, and apply them to the Middle Ages to draw exciting new conlcusions.


Is the Sublime Sustainable? A Comparative Aesthetics Approach to the Sublime

Is the Sublime Sustainable? A Comparative Aesthetics Approach to the Sublime

Author: Peter L. Doebler

Publisher: BRILL

Published: 2023-03-13

Total Pages: 112

ISBN-13: 9004538542

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Is the Sublime Sustainable? introduces the key points of debate around the sublime while opening new avenues for future inquiry, especially through its comparative aesthetics approach. In it, you will discover how thinking on the sublime emerged historically and then engage with the recent critical scholarship on the topic, including from the fields of theology, philosophy, and literature. The critiques of the sublime are then expanded in dialogue with perspectives from Japanese aesthetics and art, shaping the argument that what is needed today is a sublime that enriches human lives by cultivating profound, participative relationships.


Medieval Aesthetics

Medieval Aesthetics

Author: C. Barrett

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2015-08-31

Total Pages: 324

ISBN-13: 3110808226

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This three volume set is a comprehensive account of the development of European aesthetics from the time of the ancient Greeks to the 1700s. This second volume focuses on eastern and western aesthetics in the Middle Ages.


The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

Author: Stijn Bussels

Publisher: Taylor & Francis

Published: 2023-11-21

Total Pages: 256

ISBN-13: 1003803490

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Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.


Resounding the Sublime

Resounding the Sublime

Author: Miranda Eva Stanyon

Publisher: University of Pennsylvania Press

Published: 2021-05-07

Total Pages: 286

ISBN-13: 0812253086

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What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.


Art and Beauty in the Middle Ages

Art and Beauty in the Middle Ages

Author: Umberto Eco

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 160

ISBN-13: 9780300093049

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In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly


English Authorship and the Early Modern Sublime

English Authorship and the Early Modern Sublime

Author: Patrick Cheney

Publisher: Cambridge University Press

Published: 2018-03-29

Total Pages: 329

ISBN-13: 1108638880

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Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon.


Vernacular Aesthetics in the Later Middle Ages

Vernacular Aesthetics in the Later Middle Ages

Author: Katharine W. Jager

Publisher: Springer

Published: 2019-07-03

Total Pages: 314

ISBN-13: 3030183343

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Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.


A Companion to Renaissance Poetry

A Companion to Renaissance Poetry

Author: Catherine Bates

Publisher: John Wiley & Sons

Published: 2018-01-24

Total Pages: 857

ISBN-13: 1118584902

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The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.