Who hasn’t heard of the samurai? These Japanese warriors who served under the orders of the shogun and lived by their strict code of honor, bushido, have made a name for themselves worldwide. Modern-day kids Annie and Nico go on a magical history tour to find out more about the samurai, an essential group in Japanese society for 700 years. Masters of the sword and men of honor, the samurai are still shrouded in intrigue today. But Annie and Nico will peel back the curtains on the mystery and capably explain the samurai’s origins, way of life, and their eventual decline in this pocket-sized book, perfect for classrooms and libraries!
New multi-volume series both fun and educational, in slim pocket sized hardcovers! Current day kids Annie and Nico travel back to—ancient Egypt. That's about 4,500 years ago, when the world's largest pyramid was built, The Great Pyramid of Giza. It's also called the Pyramid of Cheops because it was built for the Pharaoh Cheops, who wanted to be buried in it when he died. That's right—pyramids are giant tombs! It was the first of seven buildings known as The Seven Ancient Wonders of the World—and it's the only one still standing! But it still has plenty of secrets waiting to be uncovered …
Buckle in and join modern day kids Annie and Nico as they witness another historic feat: Man first setting foot on the moon on July 21, 1969. Get to know the astronauts behind the landing, Neil Armstrong and Buzz Aldrin, as well as the 12 who followed, as they took one small step for man and one giant leap for mankind. Also discover the origins of the space race and the efforts NASA as well as the USSR space programs took to launch human beings into uncharted territory: outer space! Annie and Nico will (moon) walk your through everything in a clear and easy to understand way in this pocket-sized book, perfect for classrooms and libraries!
Since the 1970s, there has been increasing concern with the impact of (post)colonialism on British identities and culture. White Teeth by Zadie Smith is the story of three families from three different cultural backgrounds, set mostly in multicultural London. The first part of this book provides an overview of the former British Empire, the Commonwealth and the history of Bangladesh, Jamaica and the Jews in England as relevant to White Teeth. Following this, the role of the (former) centre of London will be presented. Subsequently, definitions and postcolonial theories (Bhabha, Said etc.) shall be discussed.The focus of this book is on life in multicultural London. The main aspects analysed in these chapters deal with identity, the location where the novel is set and racism. A further aim of the book is a comparison between the fictional world of White Teeth and reality. One chapter is devoted to the question of magic realism and the novel's position between two worlds.In a summary, the writer hopes to convince the readers of the fascination felt when reading the novel and when plunging into the buzzing streets of contemporary multicultural London.
There are no clear demarcation lines between magic, astrology, necromancy, medicine, and even sciences in the pre-modern world. Under the umbrella term 'magic,' the contributors to this volume examine a wide range of texts, both literary and religious, both medical and philosophical, in which the topic is discussed from many different perspectives. The fundamental concerns address issue such as how people perceived magic, whether they accepted it and utilized it for their own purposes, and what impact magic might have had on the mental structures of that time. While some papers examine the specific appearance of magicians in literary texts, others analyze the practical application of magic in medical contexts. In addition, this volume includes studies that deal with the rise of the witch craze in the late fifteenth century and then also investigate whether the Weberian notion of disenchantment pertaining to the modern world can be maintained. Magic is, oddly but significantly, still around us and exerts its influence. Focusing on magic in the medieval world thus helps us to shed light on human culture at large.
This book explores the complexity of Iberian identity and multicultural/multi-religious interactions in the Peninsula through the lens of spells, talismans, and imaginative fiction in medieval and early modern Iberia. Focusing particularly on love magic—which manipulates objects, celestial spheres, and demonic conjurings to facilitate sexual encounters—Menaldi examines how practitioners and victims of such magic as represented in major works produced in Castile. Magic, and love magic in particular, is an exchange of knowledge, a claim to power and a deviation from or subversion of the licit practices permitted by authoritative decrees. As such, magic serves as a metaphorical tool for understanding the complex relationships of the Christian with the non-Christian. In seeking to understand and incorporate hidden secrets that presumably reveal how one can manipulate their environment, occult knowledge became one of the funnels through which cultures and practices mixed and adapted throughout the centuries.
Rodney Thomas considers whether Revelation was written as an 'anti-magical' polemic, and explores the concept and definition of 'magic' from both modern and first-century standpoints.
The book aims to show the way magical feminism resists female marginalisation and oppression in the Americas. Dealing with multiple victimisation of women in the Americas who have suffered not only because of their gender but also their race, ethnicity, political ideology, social status, financial insecurity and such, magical feminism provides a voice to them so that they can speak about their marginalisation and victimisation. In other words, by using magical feminism, these female authors attempt to give a voice to the oppressed women, enabling them to resist and challenge the traditional female role and to raise their voices against various social and political issues. The subversive and transgressive power of magical feminism enables the oppressed women to break patriarchal constraints and to reverse the traditional power structure. By creating an imaginary realm through traditions, local beliefs and rituals, myth, magic and the spirits of the dead ancestors as guides, magical feminist technique functions as a survival strategy for women in traumatic and oppressive situations and provides them consolation. The project includes a total of eight novels from African American (Gloria Naylor’s 'Mama Day'), Latin American (Isabel Allende’s 'The House of the Spirits'), Native American (Louise Erdrich’s 'Tracks'), Chicana (Ana Castillo’s 'So Far from God'), North American (Gail Anderson-Dargatz’s 'The Cure for Death by Lightning'), Central American (Gioconda Belli’s 'The Inhabited Woman'), Hawaiian American (Kiana Davenport’s 'Shark Dialogues') and Cuban American (Cristina García’s 'Dreaming in Cuban') background.
