The stage was set and the Great Zaganinii was about to perform his death-defying Tomb of Death escape. The famous Italian Master Illusionist's finale always received a standing ovation and he expected no less from the audience in the historical Firenze theatre. When the 1,000-pound wrecking ball dropped from the sky-high crane, there was no thought of a crazed killer out to spoil the act. Who in their right mind would want to end the life of such a popular magician and showman? Was it Sal, his trusted prop man, Luciano, the crane operator or perhaps one of his beautiful show assistants, Sophia or Maria? Then again, perhaps it was someone off the set, someone that held a grudge for the successful magician. The story takes place in Florence, (Firenze) Italy in the heart of Tuscany country with all of its beautiful vineyards, rolling hills and golden sunsets. If you enjoy Whodunits, this book will be an enjoyable read. As a novella, you will appreciate the quick pace, the abundance of dialogue and absence of tedious description.
Welcome to Starry Hollow, where spells were made to be broken. When Ember Rose is tasked with covering the birthday party of a wealthy 200-year-old matriarch for the local paper's society section, she doesn't bank on the guest of honor dying before the cake is served. It quickly becomes clear that the matriarch's death wasn't due to natural causes and Ember finds herself embroiled in yet another mystery. On top of that, Marley is about to turn the (literal) magical age of 11, a day she's been anticipating since her arrival in Starry Hollow, but all is not going according to plan. In fact, nothing is going to according to plan, including Ember's tumultuous love life. As much as she wants her personal issues to be relegated to background noise until she can solve the murder, they have a way of turning up the volume and demanding her attention. Will Ember manage to reveal the killer's identity before the killer silences her forever? Magic & Malice is the seventh book in the Starry Hollow Witches paranormal cozy mystery series. This is a full-length, humorous cozy mystery novel. Books in the series include: Magic & Murder, Book 1 Magic & Mystery, Book 2 Magic & Mischief, Book 3 Magic & Mayhem, Book 4 Magic & Mercy, Book 5 Magic & Madness, Book 6 Magic & Malice, Book 7 Annabel Chase is also the author of the Spellbound Paranormal Cozy Mystery series. Check out Curse the Day, Book 1 in that series.
Set apart from other people because of their unusual abilities, Nola, a teenage witch, and her mother find themselves in great danger when Nola uses her power to call up images and witnesses a murder.
"Criminal law is one of the most important classes you will take in law school. For some students, it is important because they want to become prosecutors, defense lawyers, or judges. However, a course in criminal law is also important for those students who see their futures in civil practice. Especially in today's society, it is not unusual for clients from all walks of life to have problems that implicate the criminal justice system. For example, a simple business transaction may trigger questions regarding fraud, or a family law case can raise issues regarding criminal abuse. In the final analysis, criminal law is important because it teaches you how to read statutes, interpret them in light of hundreds of years of common law, and argue their application in light of today's policy concerns"--
Honing students’ understanding of concepts and their ability to apply the rules, Laurie L. Levenson presents a comprehensive, thoughtful review of course content that demonstrates how to effectively analyze and answer exam questions. A powerful combination of well-written explanations, multiple-choice questions, analyses, and exam-taking tips, The Glannon Guide to Criminal Law: Learning Criminal Law Through Multiple-Choice Questions and Analysisprepares students to take any type of exam that might be offered in a Criminal Law course. Written by one of the nation’s leading Bar lecturers, it also provides an invaluable review of the core concepts tested in Criminal Law on both the multistate and essay sections of the Bar exam. New to the Sixth Edition: Recent case law on insanity, required mental states, duress, self-defense, sexual assaults, attempted manslaughter, and causation Analysis of the Supreme Court’s decisions in Elonis v. United States and Kahler v. Kansas Evaluation of recent involuntary manslaughter convictions for encouraging suicide New multiple-choice questions, including questions comparing common law and Model Professors and students will benefit from: Multiple-choice questions, pitched at a level similar to that of many law school exams, that are integral to a thorough review of Criminal Law topics A user-friendly and interactive approach, including text introducing the key cases and concepts that enable a full understanding of subsequent questions and mastery of the material they test Clear analysis of both correct and incorrect answers, which clarifies nuances in the law A challenging final question (the “Closer”), at the end of each chapter, which combines all topics introduced in the chapter in a sophisticated, thought-provoking fact pattern Summary questions in the final chapter (“Closing Closers”), which cut across multiple concepts to test students’ knowledge of criminal law and the Model Penal Code, and provide a final review of critical cases and concepts necessary to succeed on the criminal law exam Valuable exam-taking pointers, applicable to every type of question, interspersed within the text Excellent preparation for the Bar exam by one of the nation’s leading Bar-exam lecturers in criminal law and procedure
Dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Ikard investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom's Cabin to The Help. He invalidates the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, Ikard analyzes willful white blindness and attendant master narratives of white redemption--arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. --From publisher description.
This book builds upon the author’s extensive previous work on the movies, adopting a more comprehensive and inquisitive stance for the study of moving pictures as a cultural movement and ludenic innovation. It returns to earlier analysis and commentary on this new invention and recreation quickly termed “the movies”, and develops the initial impression of both moviegoers and observers that the movies appealed because they were fun. As such, the book examines the characteristics that made films so enjoyable, namely their use of magic, presentation of myth, and persistence of mnemonic recollection. The enduring appeal of moving pictures remains consistent, even though the medium has proliferated and diversified, so much so that now a good portion of the human race spends a great deal of time looking at moving pictures. The book is eclectic and exploratory, designed to urge consideration of moving pictures in this larger perspective as something that has changed and perhaps enriched the lives of many people, leaving inquirers the task of calculating the enormous significance and consequences of our motion picture experience for the conduct of our lives. Such an effort is not without merit, since it now seems quite clear that the whole world is watching.
The human race spends a disproportionate amount of attention, money, and expertise in solving, trying, and reporting homicides, as compared to other social problems. The public avidly consumes accounts of real-life homicide cases, and murder fiction is more popular still. Nevertheless, we have only the most rudimentary scientific understanding of who is likely to kill whom and why. Martin Daly and Margo Wilson apply contemporary evolutionary theory to analysis of human motives and perceptions of self-interest, considering where and why individual interests conflict, using well-documented murder cases. This book attempts to understand normal social motives in murder as products of the process of evolution by natural selection. They note that the implications for psychology are many and profound, touching on such matters as parental affection and rejection, sibling rivalry, sex differences in interests and inclinations, social comparison and achievement motives, our sense of justice, lifespan developmental changes in attitudes, and the phenomenology of the self. This is the first volume of its kind to analyze homicides in the light of a theory of interpersonal conflict. Before this study, no one had compared an observed distribution of victim-killer relationships to "expected" distribution, nor asked about the patterns of killer-victim age disparities in familial killings. This evolutionary psychological approach affords a deeper view and understanding of homicidal violence.
