Who was the most innovative general of WW1? For Tim Fischer, the answer has to be Australias Maestro John Monash, a man who, for all the recognition he received in his lifetime and after, has arguably not been given his proper due. The Honourable Tim Fischer AC is the former Deputy Prime Minister of Australia.
From Simpson’s donkey and the Emu War to Vietnam and Ben Roberts-Smith, Australian military history is full of events that didn’t happen the way most people think they did. In his inimitable style, award-winning author Mark Dapin sets the record straight. Australia has many stories and statues ‘lest we forget’ our military past. But from Simpson’s donkey to Ben Roberts-Smith, our history is full of events that didn’t happen the way most people think they did. The first Anzac Day, for example, was far from being a solemn march – it was a celebration where people dressed as cavemen and dinosaurs, among other things. And is it true that British officers callously dispatched Australian soldiers to their deaths in the Dardanelles, as we’ve been told? Did we really hate the soldiers returning from Vietnam? Were the white-feather women of the First World War fact or fiction? In his inimitable style, award-winning author and historian Mark Dapin sets the record straight, showing that the reality was often completely different from the myth – and that in celebrating the wrong people we often overlook the real heroes. ‘With Lest, Mark Dapin transforms his trademark humour into serious history … It forces us to look again at stories we think we all know – or should know – and reframe them with intellectual rectitude and rigour … Lest offers new perspectives on the past from one of Australia’s most interesting and provocative thinkers.’ Clare Wright
Jones, Barry Owen (1932- ). Australian politician, writer and lawyer, born in Geelong. Educated at Melbourne University, he was a public servant, high school teacher, television and radio performer, university lecturer and lawyer before serving as a Labor MP in the Victorian Parliament 1972-77 and the Australian House of Representatives 1977-98. He took a leading role in reviving the Australian film industry, abolishing the death penalty in Australia, and was the first politician to raise public awareness of global warming, the 'post-industrial' society, the IT revolution, biotechnology, the rise of 'the Third Age' and the need to preserve Antarctica as a wilderness. In the Hawke Government, he was Minister for Science 1983-90, Prices and Consumer Affairs 1987, Small Business 1987-90 and Customs 1988-90. He became a member of the Executive Board of UNESCO, Paris 1991-95 and National President of the Australian Labor Party 1992-2000, 2005-06. He was Deputy Chairman of the Constitutional Convention 1998. His books include Decades of Decision 1860- (1965), Joseph II (1968), Age of Apocalypse (1975), and he edited The Penalty is Death (1968). Sleepers, Wake!: Technology and the Future of Work was published by Oxford University Press in 1982, became a bestseller and has been translated into Chinese, Japanese, Korean, Swedish and braille. The fourth edition was published in 1995. Knowledge Courage Leadership, a collection of speeches and essays, appeared in 2016. He received a DSc for his services to science in 1988 and a DLitt in 1993 for his work on information theory. Elected FTSE (1992), FAHA (1993), FAA (1996) and FASSA (2003), he is the only person to have become a Fellow of four of Australia's five learned Academies. Awarded an AO in 1993, named as one of Australia's 100 'living national treasures' in 1998, he was elected a Visiting Fellow Commoner of Trinity College, Cambridge in 1999. His autobiography, A Thinking Reed, was published in 2006 and The Shock of Recognition, about music and literature, in 2016. In 2014 he received an AC for services 'as a leading intellectual in Australian public life.
The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria’s exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the war’s continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibition’s curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since.
As Australia comes to grips with accusations that some of its elite soldiers committed war crimes in Afghanistan, a catchcry for certain commentators is that the 'fog of war' explains, justifies and possibly excuses the alleged atrocities that have come to light. The term seeks to capture the uncertainty regarding one's own capability, the adversary's capability, and intent. However, the 'fog of war' is woefully inadequate in explaining actions that were deliberate, targeted and repeated. Abuses of power and the normalisation of deviance are at the heart of the 'cultural issues' that have long plagued the Australian Defence Force. In fact, this can be said of all institutions grappling with the same problems: histories of abuse and secrecy, sexual harassment, and problems of diversity and inclusion. It is always easiest to point a finger at a 'what' rather than a 'who', so 'culture' features prominently in analyses of what went wrong regarding the alleged war crimes committed by Australia's Special Operations Command. But does a focus on culture provide clarity or obscurity? Does it lead to or is it a barrier to accountability? How do you know when you've achieved cultural change?
First published in 1920, The Australian Victories in France in 1918 immediately garnered glowing praise as one of the most entertaining and informative accounts of war ever written. It is now recognised as one of the most important records of World War I, revealing the critical role Australians played on the Western Front. General Sir John Monash, regarded as the best allied commander of World War I, records his experiences leading a series of victories that turned the tide of the war, from the defence of Amiens, to the battle of August 8th and the breaking of the Hindenburg Line. He reveals the challenges he faced in leading tens of thousands of troops, and the decision-making and innovations in the field that led to their success. Republished in full, this edition features a new foreword by Bruce Haigh, colour reproductions of the original maps that were hand-drawn under Monash's supervision, and new photos. It also includes a memo from General Rawlinson congratulating Monash on the performance of the Australian Corps- 'I feel that no mere words of mine can adequately express the renown that they have won for themselves and the position they have established for the Australian nation not only in France but throughout the world.' 'From the far-off days in 1914, when the call first came, until the last shot was fired, every day was filled with loathing, horror, and distress . . . Yet it had to be, and the thought always uppermost was the earnest prayer that Australia might forever be spared such a horror on her own soil.' John Monash
The Ypres salient 'was the favourite battle ground of the devil and his minions' wrote one returned serviceman after the First World War. Few who fought in the infamous third battle of Ypres - now known as Passchendaele - in 1917 would have disagreed. All five of the Australian Imperial Force's (AIF) infantry divisions were engaged in this bloody campaign. Despite early successes, their attacks floundered when autumn rains drenched the battlefield, turning it into an immense quagmire. By the time the AIF withdrew, it had suffered over 38,000 casualties, including 10,000 dead, far outweighing Australian losses in any other Great War campaign. Given the extent of their sacrifices, the Australians' exploits in Belgium ought to be well known in a nation that has fervently commemorated its involvement in the First World War. Yet, Passchendaele occupies an ambiguous place in Australian collective memory. Tracing the commemorative work of official and non-official agents, The Battlefield of Imperishable Memory explores why these battles became, and still remain, peripheral to the dominant First World War narrative in Australia: the Anzac legend.
One of Australia's leading scholars and a highly distinguished professor of history, Marilyn Lake forged a career that spanned several decades across a number of universities. Her books have significantly advanced our understandings, not only of Australian social, cultural and political history but also of the interdependence of that history with those of Britain, the US and the Asia-Pacific. Lake's intellectual endeavours have encompassed many subjects over her illustrious career. She has made significant contribution to several fields including the impact of war and the history of Anzac, the history of feminism and women's history, gender, post-colonialism, race relations and racial identities, transnationalism and internationalism, human rights, biography, labour history, progressivist social reform, and settler colonialism. The chapters in this book span the breadth of Lake's scholarly influence on the directions historical research is taking today, and are based on papers by overseas colleagues and Australian scholars abroad, which were presented at a Festschrift held at the University of Melbourne over two days in December 2016. Lake has made an outstanding contribution to the history discipline, to the Australian academy, and to the community in promoting Australian history nationally and internationally. This volume is a tribute to her work and a recognition of her enduring influence and leadership in the profession.
The war in Afghanistan is now the longest and, arguably, worst reported conflict in Australian history. In Don’t Mention the War, Kevin Foster explores why this is so and considers who engineered and who has benefitted from its impoverished coverage. He examines how and why the Australian Defence Force restricted the media’s access to and freedom of movement among its troops in Afghanistan and what we can learn about their motives and methods from the more liberal media policies of the Dutch and Canadian militaries. He analyses how the ADF ensured positive coverage of its endeavours by bringing many aspects of the reporting of the war in-house and why some among the fourth estate were only too happy to hand over responsibility for newsgathering to the military. The book also investigates how political responses to the conflict, and the discourse that framed them, served to conceal the facts and neuter public debate about the war. After more than a decade of evasion and obstruction, half-truths and hype, Don’t Mention the War reveals how politicians, the military and the media failed the public over the Afghan conflict. Here is the real story behind the Australian story of the war.