As Paris is shaken by a spate of murderous robberies, the aristocratic Mademoiselle de Scuderi pens a poem to poke fun at the cowardly lovers who now fear to go out at night to see their mistresses. But when she receives an unexpected visit from a young man, who gives her a box of jewels with a note thanking her for supporting the robbers' cause, the elderly writer is plunged into a dangerous web of passion, intrigue and murder. First published in 1819 to great acclaim, and displaying all the author's trademark wit and ingenuity, E.T.A. Hoffmann's tale has inspired and delighted writers and readers ever since, and remains a benchmark for all modern crime novels.
Now in paperback, an award-winning look at French salons and the women who presided over them In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, French aristocratic society developed an art of living based on a refined code of good manners. Conversation, which began as a way of passing time, eventually became the central ritual of social life. In the salons, freed from the rigidity of court life, it was women who dictated the rules and presided over exchanges among socialites, writers, theologians, and statesmen. They contributed decisively to the development of the modern French language, new literary forms, and debates over philosophical and scientific ideas. With a cast of characters both famous and unknown, ranging from the Marquise de Rambouillet to Madame de Sta‘l, and including figures like Ninon de Lenclos, the Marquise de Sevigne, and Madame de Lafayette, as well as Pascal, La Rochefoucauld, Diderot, and Voltaire, Benedetta Craveri traces the history of this worldly society that carried the art of sociability to its supreme perfection–and ultimately helped bring on the Revolution that swept it all away.
As a thought provoking and challenging study, this book analyzes twentieth-century archetypal works fostered mainly by Jung as they enrich and vitalize the novels of Mademoiselle de Scudery, a seventeenth-century French writer. The focal area of comparison includes symbolic expression of man's spiritual experience, the looking-glass self concept as a literary and psychological vehicle, and the growth and development of the individual as portrayed in mirror images."
Salonnieres, Furies, and Fairies is a study of the works of two of the most prolific seventeenth-century women writers, Madeleine de Scudery and Marie-Catherine d'Aulnoy. Analyzing their use of the novel, the chronicle, and the fairy tale, Duggan examines how Scudery and d'Aulnoy responded to and participated in the changes of their society, but from different generational and ideological positions. As both Scudery and d'Aulnoy wrote from within the context of the salon, this study also takes into account the history of the salon, an unofficial institution that served as a locus for elite women's participation in the cultural and literary production of their society. In order to highlight the debates that emerged with the increased participation of aristocratic or mondain women within the public sphere, the book explores the responses of two academicians. Nicolas Boileau and Charles Perrault, to the active presence of women within the public sphere.