This ground-breaking ethnography of an export-orientated garment assembly factory in Egypt examines the dynamic relationships between its managers – emergent Mubarak-bizniz (business) elites who are caught in an intensely competitive globalized supply chain – and the local daily-life realities of their young, educated, and mixed-gender labour force. Constructions of power and resistance, as well as individual aspirations and identities, are explored through articulations of class, gender and religion in both management discourses and shop floor practices. Leila Chakravarti’s compelling study also moves beyond the confines of the factory, examining the interplay with the wider world around it.
A children’s fantasy game in an abandoned lot leads to unexpected trouble in this classic, Newburn Honor–winning book. The first time Melanie Ross meets April Hall, she’s not sure they’ll have anything in common. But she soon discovers that they both love anything to do with ancient Egypt. When they stumble upon a deserted storage yard behind the A-Z Antiques and Curio Shop, Melanie and April decide it’s the perfect spot for them to play the Egypt Game. Before long there are six Egyptians instead of two. After school and on weekends they all meet to wear costumes, hold ceremonies, and work on their secret code. Everyone thinks it’s just a game, until strange things begin happening to the players. Has the Egypt Game gone too far?
“Alaa Al Aswany is among the best writers in the Middle East today, a suitable heir to the mantle worn by Naguib Mahfouz, his great predecessor.” –Jay Parini, The Guardian (UK) From one of Egypt’s most acclaimed novelists, here is a vivid chronicle of Egyptian society, with penetrating analysis of all the most urgent issues—economic stagnation, police brutality, poverty, the harassment of women and of the Christian minority, to name a few—that led to the stunning overthrow of the Mubarak government. Al-Aswany addresses himself to all the questions being asked within Egypt and beyond: who will be the next president, and how will he be chosen in a land where heretofore only simpletons, opportunists and stooges involved themselves with elections? What role will the Muslim Brotherhood play? How can democratic reforms be effected among a people used to such contradictions as the religiously observant policeman who commits torture? In a candid and controversial assessment of both the potential and limitations that will determine his country’s future, Al-Aswany reveals why the revolt that surprised the world was destined to happen. “[The] star of a new generation of Egyptian novelists.” –The Independent (UK)
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.
The launching of this hitherto unpublished book by the great nineteenth-century British traveler Edward William Lane (1801-76), a name known to almost everyone in all the many fields of Middle East studies, is a major publishing event. Lane was the author of a number of highly influential works: An Account of the Manners and Customs of the Modern Egyptians (1836), his translation of The Thousand and One Nights (1839-41), Selections from the Kur-an (1843), and the Arabic-English Lexicon (1863-93). Yet one of his greatest works was never published: after years of labor and despite an enthusiastic reception by the publishing firm of John Murray in 1831, publication of his first book, Description of Egypt, was delayed and eventually dropped, mainly for financial reasons. The manuscript was sold to the British Library by Lane's widow in 1891, and has only now been salvaged for publication by Dr. Jason Thompson, nearly 170 years after its completion. This enormously important book, which takes the form of a journey through Egypt from north to south, with descriptions of all the ancient monuments and contemporary life that Lane explored along the way, will be of immense interest to both ancient and modern historians of Egypt, and will become an essential companion to his Manners and Customs. ''Jason Thompson's exact and dedicated edition deserves much praise.''-Astene Newsletter, June 2002. ''Thompson, a historian at AUC, has done signal service in taking a manuscript dating from 1831 and preparing it for publication so many years later; AUC Press deserves praise for making so major a work available, and at so reasonable a price.''-Daniel Pipes, Middle East Quarterly, June 2001. ''In all, the appearance of this major work of scholarship at this late date is a major boon to the study of Egypt's history between the pharaohs and 18280.''-Daniel Pipes, Middle East Quarterly, June 2001.
In this innovative history of reading and writing, Hoda Yousef explores how the idea of literacy and its practices fundamentally altered the social fabric of Egypt at the turn of the twentieth century. She traces how nationalists, Islamic modernists, bureaucrats, journalists, and early feminists sought to reform reading habits, writing styles, and the Arabic language itself in their hopes that the right kind of literacy practices would create the right kind of Egyptians. The impact of new reading and writing practices went well beyond the elites and the newly literate of Egyptian society, and this book reveals the increasingly ubiquitous reading and writing practices of literate, illiterate, and semi-literate Egyptians alike. Students who wrote petitions, women who frequented scribes, and communities who gathered to hear a newspaper read aloud all used various literacies to participate in social exchanges and civic negotiations regarding the most important issues of their day. Composing Egypt illustrates how reading and writing practices became not only an object of social reform, but also a central medium for public exchange. Wide segments of society could engage with new ideas about nationalism, education, gender, and, ultimately, what it meant to be part of "modern Egypt."
This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.
This book is a comprehensive portrait of the British colony in Egypt, which also takes a fresh look at the examples of colonial cultures memorably enshrined in Edward W. Said’s classic Orientalism. Arguing that Said’s analysis offered only the dominant discourse in imperial and colonial narratives, it uses private papers, letters, memoirs, as well as the official texts, histories and government reports, to reveal both dominant and muted discourses. While imperial sentiment certainly set the standards and sealed the image of a ruling caste culture, the investigation of colonial sentiment reveals a more diverse colony in temperament and lifestyles, often intimately rooted in the Egyptian setting. The method involves providing biographical treatments of a wide range of colonials and the sometimes contradictory responses to specific colonial locations, historical junctures and seminal events, like invasion and war or grand imperial projects including the Alexandria municipality.
Egypt is one of the few great empires of antiquity that exists today as a nation state. Despite its extraordinary record of national endurance, the pressures to which Egypt currently is subjected and which are bound to intensify are already straining the ties that hold its political community together, while rendering ever more difficult the task of governing it. In this timely book, leading expert on Egyptian affairs Robert Springborg explains how a country with such a long and impressive history has now arrived at this parlous condition. As Egyptians become steadily more divided by class, religion, region, ethnicity, gender and contrasting views of how, by whom and for what purposes they should be governed, so their rulers become ever more fearful, repressive and unrepresentative. Caught in a downward spiral in which poor governance is both cause and consequence, Egypt is facing a future so uncertain that it could end up resembling neighboring countries that have collapsed under similar loads. The Egyptian "hot spot", Springborg argues, is destined to become steadily hotter, with ominous implications for its peoples, the Middle East and North Africa, and the wider world.
