Satires of Circumstance, Lyrics and Reveries with Miscellaneous Pieces
Author: Thomas Hardy
Publisher:
Published: 1915
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Thomas Hardy
Publisher:
Published: 1915
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Hardy
Publisher: ReadHowYouWant.com
Published: 2009-03-14
Total Pages: 230
ISBN-13: 1427027188
DOWNLOAD EBOOKThat ache for you, born long ago, Throbs on; I never could outgrow it. What a revenge, did you but know it! But that, thank God, you do not know.Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces was published in 1914. The volume displays Hardy's mastery of poetic language and melodious phrases, as well as his views on British colonialism.
Author: William Doremus Paden
Publisher: University of Illinois Press
Published: 2000
Total Pages: 392
ISBN-13: 9780252025365
DOWNLOAD EBOOK"An essential volume for medievalists and scholars of comparative literature, Medieval Lyric opens up a reconsideration of genre in medieval European lyric. Departing from a perspective that asks how medieval genres correspond with twentieth-century ideas of structure or with the evolution of poetry, this collection argues that the development of genres should be considered as a historical phenomenon, embedded in a given culture and responsive to social and literary change.".
Author: Thomas Hardy
Publisher: ReadHowYouWant.com
Published: 2006-11
Total Pages: 226
ISBN-13: 1425047718
DOWNLOAD EBOOKAn interesting collection of Hardy's poems published in 1914. It is a classic example of poetic language and melodious phrases. It reflects his views on British colonialism and current events of that age.
Author: Neil Tennant
Publisher: Faber & Faber
Published: 2018-10-30
Total Pages: 253
ISBN-13: 0571348912
DOWNLOAD EBOOKEverything I've ever doneEverything I ever doEvery place I've ever beenEverywhere I'm going toOver a career that spans four decades and thirteen studio albums with Pet Shop Boys, Neil Tennant has consistently proved himself to be one of the most elegant and stylish of contemporary lyricists. Arranged alphabetically, One Hundred Lyrics and a Poem presents an overview of Neil Tennant's considerable achievement as a chronicler of modern life: the romance, the break-ups, the aspirations, the changing attitudes, the history, the politics, the pain. The landscape of Tennant's lyrics is recognisably British in character - restrained and preoccupied with the mundane, occasionally satirical, yet also yearning for escape and theatrical release. Often surprisingly revealing, this volume is contextualised by a personal commentary on each lyric and a fascinating introduction by the author which gives an insight into the process and genesis of writing. Flamboyant, understated, celebratory and elegiac, Neil Tennant's lyrics are a document of our times.
Author: Paddy Bullard
Publisher: Oxford University Press
Published: 2019-07-30
Total Pages: 753
ISBN-13: 0191043710
DOWNLOAD EBOOKEighteenth-century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth-century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth-century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to the first decade of the seventeenth-century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.
Author: William Allan
Publisher: Oxford University Press
Published: 2014-03
Total Pages: 161
ISBN-13: 0199665451
DOWNLOAD EBOOKWilliam Allan's Very Short Introduction provides a concise and lively guide to the major authors, genres, and periods of classical literature. Drawing upon a wealth of material, he reveals just what makes the 'classics' such masterpieces and why they continue to influence and fascinate today.
Author: Jonathan Greenberg
Publisher: Cambridge University Press
Published: 2019
Total Pages: 335
ISBN-13: 1107030188
DOWNLOAD EBOOKProvides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Author: Horace
Publisher: Princeton University Press
Published: 2016-06-30
Total Pages: 387
ISBN-13: 140088411X
DOWNLOAD EBOOKHorace has long been revered as the supreme lyric poet of the Augustan Age. In his perceptive introduction to this translation of Horace's Odes and Satires, Sidney Alexander engagingly spells out how the poet expresses values and traditions that remain unchanged in the deepest strata of Italian character two thousand years later. Horace shares with Italians of today a distinctive delight in the senses, a fundamental irony, a passion for seizing the moment, and a view of religion as aesthetic experience rather than mystical exaltation--in many ways, as Alexander puts it, Horace is the quintessential Italian. The voice we hear in this graceful and carefully annotated translation is thus one that emerges with clarity and dignity from the heart of an unchanging Latin culture. Alexander is an accomplished poet, novelist, biographer, and translator who has lived in Italy for more than thirty years. Translating a poet of such variety and vitality as Horace calls on all his literary abilities. Horace (Quintus Horatius Flaccus, 65-8 bce), was born the son of a freed slave in southern rural Italy and rose to become one of the most celebrated poets in Rome and a confidante of the most powerful figures of the age, including Augustus Caesar. His poetry ranges over politics, the arts, religion, nature, philosophy, and love, reflecting both his intimacy with the high affairs of the Roman Empire and his love of a simple life in the Italian countryside. Alexander translates the diverse poems of the youthful Satires and the more mature Odes with freshness, accuracy, and charm, avoiding affectations of archaism or modernism. He responds to the challenge of rendering the complexities of Latin verse in English with literary sensitivity and a fine ear for the subtleties of poetic rhythm in both languages. This is a major translation of one of the greatest of classical poets by an acknowledged master of his craft.
Author: James Biester
Publisher: Cornell University Press
Published: 1997
Total Pages: 246
ISBN-13: 9780801433139
DOWNLOAD EBOOKJames Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style--metaphysical wit and strong lines--as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.