For Jean-Francois Lyotard, the cyborg is a symbol of fear, Mankind already inhabits a world which views machine implantation in humans as normal and necessary. It implies a future, Lyotard warns, which may dangerously negate the value of humanity itself.
Why Philosophize? is a series of lectures given by Jean-François Lyotard to students at the Sorbonne embarking on their university studies. The circumstances obliged him to be both clear and concise: at the same time, his lectures offer a profound and far-reaching meditation on how essential it is to philosophize in a world where philosophy often seems irrelevant, outdated, or inconclusive. Lyotard begins by drawing on Plato, Proust and Lacan to show that philosophy is a never-ending desire - for wisdom, for the ‘other’. In the second lecture he draws on Heraclitus and Hegel to explore the close relation between philosophy and history: the same restlessness, the same longing for a precarious unity, drives both. In his third lecture, Lyotard examines how philosophy is a form of utterance, both communicative and indirect. Finally, he turns to Marx, exploring the extent to which philosophy can be a transformative action within the world. These wonderfully accessible lectures by one of the most influential philosophers of the last 50 years will attract a wide readership, since, as Lyotard says, ‘How can one not philosophize?’ They are also an excellent introduction to Lyotard’s mature thought, with its emphasis on the need for philosophy to bear witness, however obliquely, to a recalcitrant reality.
Is regarded as the most important response to the philosophies of desire, as expounded by thinkers such as de Sade, Nietzsche, Bataille, Foucault and Deleuze and Guattari. It is a major work not only of philosophy, but of sexual politics, semiotics and literary theory, that signals the passage to postmodern philosophy.
The Lyotard Reader and Guide is a one-stop companion to Lyotard's thought. It covers the full range of his works, from his three main books (Discours, figure; Libidinal Economy; and The Differend) and up to his influential essays in The Inhuman and Postmodern Fables. The readings are organized into sections on philosophy, politics, art, and literature. Several have never before been translated into English. Detailed introductions to each section by two leading Lyotard scholars explain the philosopher's key ideas and provide crucial social, political, aesthetic, and philosophical context. As a sourcebook and guide, this is the most up-to-date and comprehensive volume on Lyotard. It is indispensable to students and scholars in philosophy, literature, the arts, and politics.
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
In The Differend, Lyotard subjects to scrutiny- from the particular perspective of his notion of 'differend' (difference in the sense of dispute)- the turn of all Western philosophies toward language; the decline of metaphysics; the present intellectual retreat of Marxism; the hopes raised and mostly dashed, by theory; and the growing political despair. Taking his point of departure in an analysis of what Auschwitz meant philosophically, Lyotard attempts to sketch out modes of thought for our present.
Alain Badiou's work in philosophy, though daunting, has gained a receptive and steadily growing Anglophone readership. What is not well known is the extent to which Badiou's positions, vis-à-vis ontology, ethics, politics and the very meaning of philosophy, were hammered out in dispute with the late Jean-François Lyotard. Matthew R. McLennan's Philosophy, Sophistry, Antiphilosophy is the first work to pose the question of the relation between Lyotard and Badiou, and in so doing constitutes a significant intervention in the field of contemporary European philosophy by revisiting one of its most influential and controversial forefathers. Badiou himself has underscored the importance of Lyotard for his own project; might the recent resurgence of interest in Lyotard be tied in some way to Badiou's comments? Or deeper still: might not Badiou's philosophical Platonism beg an encounter with philosophy's other, the figure of the sophist that Lyotard played so often and so ably? Posing pertinent questions and opening new discursive channels in the literature on these two major figures this book is of interest to those studying philosophy, rhetoric, literary theory, cultural and media studies.