This journal features the book quote of the cover. It contains pages to write down books you read, book title, author, memorable quotes, characters, plot summary, notes and rating. Perfect for personal use a creative reading log. It can make a wonderful gift or present for a book lover who wants to stay creative and inspired. Get yours now! Size at 6"x9" 110 undated pages White Paper, lined, blank do write in Cover Finish: Glossy
Celebrate our sacred oceans through the Sacred Octopus Notebook -130 warm, sandy-colored pages. This inspirational Journal/Notebook is filled with hand drawn lines, dots and dashes, embellished with 17 iconic sea creatures, corals and plants that are colorable. Each icon is accompanied with a motivational word of inspiration. Every spread has a blank page for you to create your own sketches and artwork. This sea-life notebook is perfect for nature journaling, writing stories, as a personal diary or daily organizer. Lydia Hess is the author of 5 Sacred Coloring Books for the Soul. Her Sacred Notebooks make great gifts for teachers, teens or college students.
"Before her older sister, Lizzie, started her wildly popular vlog, Lydia was just a normal twenty-year-old plotting the many ways she could get away with skipping her community college classes and finding the perfect fake ID. She may not have had much direction, but she loved her family and had plenty of fun. Then Lizzie's vlog turned the Bennet sisters into Internet sensations, and Lydia basked in the attention as people watched, debated, tweeted, tumblr'd, and blogged about her life. But not all attention is good. After her ex-boyfriend, George Wickham took advantage of Lydia's newfound web-fame, betrayed her trust, and destroyed her online reputation, she's no longer a naive, carefree girl. Now, Lydia must work to win back her family's trust and respect and find her place in a far more judgmental world"--Www.simonandschuster.com.
A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today.
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A new collection of short stories from the woman Rick Moody has called "the best prose stylist in America" Her stories may be literal one-liners: the entirety of "Bloomington" reads, "Now that I have been here for a little while, I can say with confidence that I have never been here before." Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in "A Small Story About a Small Box of Chocolates," a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert's correspondence; or they may be inspired by the author's own dreams, or the dreams of friends. What does not vary throughout Can't and Won't, Lydia Davis's fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
It’s summertime, and Lydia and Julie are going on a road trip! After all the ups and downs of their first year in junior high, they’re looking forward to seeing the sights and getting some new perspective on their quest for popularity. Papa Dad and Daddy will provide the transportation, and Lydia and Julie will provide the entertainment. At first they use their Powers of Observation to catalog the traditions and oddities of each new location they visit, but soon their attention turns to parents and negotiating sensitive family dynamics. By the time the duo hits familiar streets again, they may have to accept some uncomfortable truths, but their journey is infused with the humor, heart, and truthfulness that Amy Ignatow is known for.
A New York Times Book Review Notable Book of the Year • A New York Times Book Review Editors' Choice • Winner of the Alex Award and the Massachusetts Book Award • Named a Best Book of the Year by NPR, San Francisco Chronicle, Entertainment Weekly, The Huffington Post, BuzzFeed, Grantland Booklist, St. Louis Post-Dispatch, Shelf Awareness, Book Riot, School Library Journal, Bustle, and Time Our New York The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts “A taut tale of ever deepening and quickening suspense.” —O, the Oprah Magazine “Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family.” —Entertainment Weekly “Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
After spending six months apart in Book Two, best friends Julie and Lydia are reunited at last! Julie has said good-bye to the mean girls, and Lydia is ready to apply her hard-earned friendship lessons to founding their own crew. But bad news interrupts their reunion: their friend Sukie’s mother, ill for many years, has passed away. This shakes Lydia and Julie, who reevaluate their goals and decide to focus more on being supportive of the friends they have. Unfortunately, their well-meaning schemes almost immediately start to go awry, and everyone seems to be mad at them for reasons beyond their control. How can they be better friends when no one seems to want to give them the chance? As always, Julie and Lydia’s hilarious back-and-forth notes form the backbone of the novel, in which Amy Ignatow reveals all-too-real truths about friendship and loyalty.
These essays by eleven internationally renowned historians present nuanced profiles of the major social and professional groups—the callings-of the Middle Ages. The contributors focus on attitudes of medieval men and women toward their own society. Through a variety of techniques, from a reading of the Song of Roland to a reading of administrative records, they identify characteristic viewpoints of members of the fighting class, the clergy, and the peasantry. Along with vivid descriptions of what life was like for warrior knights, monks, high churchmen, criminals, lepers, shepherds, and prostitutes, this innovative approach offers a valuable new perspective on the complex social dynamics of feudal Europe. "Very useful discussions of texts, both learned and literary."—Christopher Dyer, Times Literary Supplement Contributors: Mariateresa Fumagalli Beonio Brocchieri, Franco Cardini, Enrico Castelnuovo, Giovanni Cherubini, Bronislaw Geremek, Aron Ja. Gurevich, Christiane Klapisch-Zuber, Jacques Le Goff, Giovanni Miccoli, Jacques Rossiaud, and André Vauchez.
